Sentences with phrase «original score composer»

It's a tougher climb for Sarah Greenwood and her production design team, as it is for Original Score composer Dario Marianelli, regardless of the Golden Globe nod he managed to score (his was Anna Karenina's sole citation from the Hollywood Foreign Press).
And speaking of which, additional folks who may well have an Oscar shot here are Cinematographer Grieg Fraser, Original Score composer Alexandre Desplat, and longshot Supporting Actress hopeful Jennifer Ehle, who, nomination or not, turns in some of the best work in her category this year.

Not exact matches

The movie was nominated for an impressive 13 Oscar Nominations including Best Picture, Best Director (Steven Spielburg), Best Actor (Danny Glover), Best Actress (Whoopi Goldberg), Best Supporting Actress Nominations for Oprah Winfrey and Margaret Avery, along with Best Supporting Actor (Adolph Caesar), and Best Original Musical Score for a Motion Picture (Quincy Jones) which was the first time in any Spielburg produced film that composer John Williams did not compose a film score for a Spielburg mScore for a Motion Picture (Quincy Jones) which was the first time in any Spielburg produced film that composer John Williams did not compose a film score for a Spielburg mscore for a Spielburg movie.
For women behind the camera, things have gotten worse overall, despite some strides, including «Jackie» composer Mica Levi becoming the first woman to be nominated for original score.
The spiffy B&W look of the doc and the original score with string music by composer Jon Hegel are fitting touches.
Directed by Oscar ® winner Bill Condon based on the 1991 animated film, «Beauty and the Beast» is produced by Mandeville Films» David Hoberman and Todd Lieberman with eight - time Oscar - winning composer Alan Menken, who won two Academy Awards ® (Best Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner TOriginal Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Toriginal songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Rice.
La - La Land Records and Studiocanal present the remastered 2 - CD re-issue of acclaimed composer John Debney's breathtaking original motion picture score to the 1995 pirate - themed action epic Cutthroat Island.
French composer Alexandre Desplat smiles after he won the Oscar for Best Original Score for «The Shape of Water» during the 90th Annual Academy Awards show on March 4, 2018 in Hollywood, California.
Composer Jóhann Jóhannsson was feted with Best Original Score for his starkly haunting work in «Sicario.»
Still smarting over rocker turned composer Jonny Greenwood coming up short in Best Original Score last weekend?
It should come as no surprise that the key ingredient to the soundtrack's roaring success is the return of original series composer David Wise, who made a triumphant return with Tropical Freeze after an extended hiatus from scoring mainstream titles.
Following his recent collaborations with 343 Industries on the re-imagined soundtrack to «Halo 2: Anniversary» and original score for «Halo Spartan: Assault,» award - winning composer and music producer Tom Salta returns to the iconic «Halo» video game series to provide an original score for «Halo: Spartan Strike,» the newest mobile top - down shooter from the «Halo» universe launching today for Windows 8, Windows Phone 8, iPhone, iPad, and Steam.
The big - screen version will utilise composer Claude - Michel Schönberg's original score from the musical, and is being produced by Cameron Mackintosh, who worked on the British stage iteration.
Composer Max Richter («The Leftovers») provided the original score.
Legendary composer Philip Glass are one of the very few people who have created an original score for a Woody Allen film.
Eight - time Academy Award ® - winning composer Alan Menken («Beauty and the Beast,» «The Little Mermaid») provides the score, which includes new recordings of the original songs written by Menken and Oscar ® - winning lyricists Howard Ashman («Little Shop of Horrors») and Tim Rice («The Lion King») as well as two new songs written by Menken and Oscar ® and Tony Award ® - winning songwriters Benj Pasek and Justin Paul («La La Land,» «Dear Evan Hansen»).
Providing effective backup is a gentle, piano - forward score by veteran composer Carl Davis («The French Lieutenant's Woman») and a plaintive original song by Paul McCartney.
Whereas a director like Ryan Coogler may have in the past sought out luminaries in film scoring like John Williams, Hans Zimmer, or Thomas Newman — and does in fact have original music by composer, Ludwig Göransson (best known for his work with Childish Gambino)-- his decision for the soundtrack is something that other directors will surely copy.
With British author and conservationist Robert Macfarlane's poetic narrative delivered by Willem Dafoe, cinematography by mountain climber and master cameraman Renan Ozturk and a majestic original score by composer Richard Tognetti, Mountain is an uplifting wonder.
The composer was nominated twice for Best Original Score for The Grand Budapest Hotel and The Imitation Game.
During the yesterday's San Diego Comic - Con panel for The Hateful Eight, director Quentin Tarantino, a huge admirer of classic Spaghetti Westerns, revealed that legendary composer Ennio Morricone will be providing an original score for the film.
Directed by Oscar ® winner Bill Condon from a screenplay by TBD based on the 1991 animated film, the film is produced by Mandeville Films» David Hoberman and Todd Lieberman with eight - time Oscar - winning composer Alan Menken, who won two Academy Awards ® (Best Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner TOriginal Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Toriginal songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Rice.
Composer Alexandre Desplat (R), winner of the Best Original Score award for «The Shape of Water,» motions in the press room to a video feed of director Guillermo del Toro accepting the Best Director award
(The Academy does make an exception if «Äútwo composers function as equal collaborators in producing the score, each contributing a substantial amount of original music for the film.
«The Gift of Music» (9:15) discusses the film's score and original song, with remarks from director Peter Hedges, composer Geoff Zanelli and singer / songwriter Glen Hansard.
Henze's original film output is relatively sparse, but fans of The Exorcist will no doubt recognize him as the composer of «Fantasia for Strings» - the stirring, harsh work that was excerpted by director William Friedkin in his effectively chilling pastiche score, and placed over the movie's final credits.
Science - fiction hit Arrival, which earned 9 nominations, scored three wins, including Best Original Score for composer Jóhann Jóhannsson's powerful work — deemed ineligible by the Academy — Best Cinematography and shared a win for Best Visual Effects with Disney / Marvel's Doctor Strange.
Composer Justin Hurwitz was this year's lone double - winner, capturing top honors for both Best Original Score and Best Original Song («Audition»).
The 2017 International Film Music Critics Association (IFMCA) Awards were held yesterday, and the big winners were Phantom Thread, which won both Score of the Year and Best Original Score for a Drama Film, and Alexandre Desplat, who won Composer of the Year.
Composer Ennie Morricone, winner of the Best Original Score award for «The Hateful Eight,» poses in the press room during the 88th Annual Academy Awards at Loews Hollywood Hotel on February 28, 2016 in Hollywood, California.
Composer Michael Giacchino wins two awards — Film Music Composition of the Year and Best Original Score for a Fantasy / Science Fiction / Horror Film — both for his work on the third film in the blockbuster Planet of the Apes trilogy, «War for the Planet of the Apes».
The latter is especially apt when discussing Newton Howard's majestically brilliant King Kong score, one that miraculously had to come together in a little under two months after original composer Howard Shore experienced creative differences with director Peter Jackson and walked.
Tai Freligh interviews the composers behind Cobra Kai on YouTube Red... Composers Leo Birenberg and Zach Robinson utilized a 70 - piece orchestra, as well as choruses of electric guitars and retro - synthesizers, to create a score for the Karate Kid follow up show on YouTube Red, Cobra Kai, that combines the motifs of the original with their own composers behind Cobra Kai on YouTube Red... Composers Leo Birenberg and Zach Robinson utilized a 70 - piece orchestra, as well as choruses of electric guitars and retro - synthesizers, to create a score for the Karate Kid follow up show on YouTube Red, Cobra Kai, that combines the motifs of the original with their own Composers Leo Birenberg and Zach Robinson utilized a 70 - piece orchestra, as well as choruses of electric guitars and retro - synthesizers, to create a score for the Karate Kid follow up show on YouTube Red, Cobra Kai, that combines the motifs of the original with their own -LSB-...]
Special Features New 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunning
There was some controversy in 2001 when fellow composer Hans Zimmer, with whom she collaborated on the film's score with, was nominated for an Oscar for Best Original Score, but Gerrard was leftscore with, was nominated for an Oscar for Best Original Score, but Gerrard was leftScore, but Gerrard was left out.
If it ends up being a major player it will definitely be a top 5 contender as its composers, Benj Pasek and Justin Paul, just won the Original Score (and Song) Oscars for La La Land this year and then the Tony for Dear Evan Hansen this summer.
The horror and ultimate pathos audiences felt for Kong in the original 1933 production of King Kong still resonates in Max Steiner's ground - breaking score, and the composer gets some decent attention in the length making - of documentary on Warner Bros.» 2 - disc edition of King Kong, which arrived just in time for Christmas.
Bava's choice of music (and composer) has sometimes been very uneven: Carlo Rustichelli's romanticized and treacly music for Whip and the Body detracted from the film's pinched, sadistic sequences; Libra's prog - rock score for Shock felt at times like an effects - ridden mimic of Goblin's supernatural score for Dario Argento's Suspiria; and Stelvio Cipriani's muzak for the original Italian version of Baron Blood deserved to be replaced by Les Baxter's more eerie, orchestral score when AIP initially released that film in North America.
Returning to write the score as well as two original songs for TOY STORY 2 is Academy Award ® - winning songwriter / composer Randy Newman (2002 Monsters, Inc., Original Song original songs for TOY STORY 2 is Academy Award ® - winning songwriter / composer Randy Newman (2002 Monsters, Inc., Original Song Original Song winner).
The readings will be scored with original music by Grammy - nominated composer Bill Sims Jr. and other composers who worked with Wilson, and the plays will appear in the order in which they premiered, starting with Ma Rainey's Black Bottom and ending with Radio Golf.
Taylor's original choice of composer was Carter Burwell who didn't seem the most natural of choices, so it wasn't entirely a surprise when he departed the project (seemingly not the director's choice, but the studio's); a very capable replacement was hired in the form of Brian Tyler, who also scored the previous film in the franchise, Iron Man 3, and just maybe he will become the «house composer» for this series, which has so far failed to establish any kind of distinctive musical identity.
The unmemorable original score by Game of Thrones composer Ramin Djawadi also doesn't aid the spectacle.
They're no newcomers to scores — they soundtracked a lot of the music in the original «Friday Night Lights» movie, but we haven't heard from them on the soundtrack front since then until «Prince Avalanche» at Sundance this year along with composer David Wingo.
La - La Land Records and Paramount Pictures presents the premiere official release of acclaimed composer John Debney's (PASSION OF THE CHRIST, PREDATORS, IRON MAN 2, SIN CITY) original motion picture score to the 1997 Paramount Pictures creature - feature film THE RELIC, starring Penelope Ann Miller and Tom Sizemore and directed by Peter Hyams.
My favorite section is the archival presentations and this year's collection includes Ernst Lubitsch's Technicolor comedy Heaven Can Wait (1943), newly restored by The Film Foundation, the rediscovered and restored Argentine noir The Bitter Stems (1956), King Hu's genre - defining martial arts epic Dragon Inn (1967), and Buster Keaton's The General (1926), presented in a new 4K restoration with an original score by the great Studio Ghibli composer Jo Hisaishi.
Composer Davis closes out one of the most notable sci - fi trilogies in all of filmdom with an astounding original score that is a stunning culmination of his breathtaking MATRIX masterworks.
Jonny Greenwood, Best Original Score, Phantom Thread (No prior nominations) Speaking of overlooked composers: Yes, he's only been scoring films for a minute and some change.
The Dark Void Original Soundtrack features 80 minutes of score hand picked by composer Bear McCreary. It also includes a special bonus track, «Theme from Dark Void (Mega Version),» an 8 - bit rendering of the main theme produced by McCreary for Capcom's just shipped downloadable DSiware title, Dark Void Zero.
Where Charles Bernstein's classic, original score for «A Nightmare on Elm Street» is back for another lullaby here, the composer's «Deadly Friend» hits CD to re-animates a robot - possessed girl next door with equal components creepiness and absurd humor, with the end title droid chants of «Bee Bee, Bee Bee» certainly one of the nuttiest vocal pieces heard that decade.
Introduction by Omar Sharif (1:40), Disc 1, Side A (just before film) / Audio Commentary by Actors Omar Sharif, Rod Steiger and Director David Lean's widow Sandra Lean / Isolated Score by Composer Maurice Jarre / 30th - anniversary behind - the - scenes documentary «Doctor Zhivago: The Making of a Russian Epic» (60:23, indexed with 21 chapters with photos), Disc 2 / Vintage «Zhivago: Behind The Camera with David Lean» (10:12), Disc 2 / Vintage «David Lean's Film of Doctor Zhivago» (7:13), Disc 2 / Vintage «Moscow In Madrid» (4:27), Disc 2 / Vintage «Pasternak» (8:46), Disc 2 / New York Press Interviews with Julie Christie (10:07), Disc 2 / New York Press Interviews with Omar Sharif (18:52), Disc 2 / Geraldine Chaplin Screen Test (3:14), Disc 2 / «This Is Julie Christie» (1:06), Disc 2 / «This Is Geraldine Chaplin» (1:08), Disc 2, / «This Is Omar Sharif» (1:38), Disc 2 / «Chaplin In New York» (2:14), Disc 2 / Original release Trailer
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