It's a tougher climb for Sarah Greenwood and her production design team, as it is for
Original Score composer Dario Marianelli, regardless of the Golden Globe nod he managed to score (his was Anna Karenina's sole citation from the Hollywood Foreign Press).
And speaking of which, additional folks who may well have an Oscar shot here are Cinematographer Grieg Fraser,
Original Score composer Alexandre Desplat, and longshot Supporting Actress hopeful Jennifer Ehle, who, nomination or not, turns in some of the best work in her category this year.
Not exact matches
The movie was nominated for an impressive 13 Oscar Nominations including Best Picture, Best Director (Steven Spielburg), Best Actor (Danny Glover), Best Actress (Whoopi Goldberg), Best Supporting Actress Nominations for Oprah Winfrey and Margaret Avery, along with Best Supporting Actor (Adolph Caesar), and Best
Original Musical
Score for a Motion Picture (Quincy Jones) which was the first time in any Spielburg produced film that composer John Williams did not compose a film score for a Spielburg m
Score for a Motion Picture (Quincy Jones) which was the first time in any Spielburg produced film that
composer John Williams did not compose a film
score for a Spielburg m
score for a Spielburg movie.
For women behind the camera, things have gotten worse overall, despite some strides, including «Jackie»
composer Mica Levi becoming the first woman to be nominated for
original score.
The spiffy B&W look of the doc and the
original score with string music by
composer Jon Hegel are fitting touches.
Directed by Oscar ® winner Bill Condon based on the 1991 animated film, «Beauty and the Beast» is produced by Mandeville Films» David Hoberman and Todd Lieberman with eight - time Oscar - winning
composer Alan Menken, who won two Academy Awards ® (Best
Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner T
Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim
Score and Best Song) for the 1991 animated film, providing the
score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim
score, which will include new recordings of the
original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner T
original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Rice.
La - La Land Records and Studiocanal present the remastered 2 - CD re-issue of acclaimed
composer John Debney's breathtaking
original motion picture
score to the 1995 pirate - themed action epic Cutthroat Island.
French
composer Alexandre Desplat smiles after he won the Oscar for Best
Original Score for «The Shape of Water» during the 90th Annual Academy Awards show on March 4, 2018 in Hollywood, California.
Composer Jóhann Jóhannsson was feted with Best
Original Score for his starkly haunting work in «Sicario.»
Still smarting over rocker turned
composer Jonny Greenwood coming up short in Best
Original Score last weekend?
It should come as no surprise that the key ingredient to the soundtrack's roaring success is the return of
original series
composer David Wise, who made a triumphant return with Tropical Freeze after an extended hiatus from
scoring mainstream titles.
Following his recent collaborations with 343 Industries on the re-imagined soundtrack to «Halo 2: Anniversary» and
original score for «Halo Spartan: Assault,» award - winning
composer and music producer Tom Salta returns to the iconic «Halo» video game series to provide an
original score for «Halo: Spartan Strike,» the newest mobile top - down shooter from the «Halo» universe launching today for Windows 8, Windows Phone 8, iPhone, iPad, and Steam.
The big - screen version will utilise
composer Claude - Michel Schönberg's
original score from the musical, and is being produced by Cameron Mackintosh, who worked on the British stage iteration.
Composer Max Richter («The Leftovers») provided the
original score.
Legendary
composer Philip Glass are one of the very few people who have created an
original score for a Woody Allen film.
Eight - time Academy Award ® - winning
composer Alan Menken («Beauty and the Beast,» «The Little Mermaid») provides the
score, which includes new recordings of the
original songs written by Menken and Oscar ® - winning lyricists Howard Ashman («Little Shop of Horrors») and Tim Rice («The Lion King») as well as two new songs written by Menken and Oscar ® and Tony Award ® - winning songwriters Benj Pasek and Justin Paul («La La Land,» «Dear Evan Hansen»).
Providing effective backup is a gentle, piano - forward
score by veteran
composer Carl Davis («The French Lieutenant's Woman») and a plaintive
original song by Paul McCartney.
Whereas a director like Ryan Coogler may have in the past sought out luminaries in film
scoring like John Williams, Hans Zimmer, or Thomas Newman — and does in fact have
original music by
composer, Ludwig Göransson (best known for his work with Childish Gambino)-- his decision for the soundtrack is something that other directors will surely copy.
With British author and conservationist Robert Macfarlane's poetic narrative delivered by Willem Dafoe, cinematography by mountain climber and master cameraman Renan Ozturk and a majestic
original score by
composer Richard Tognetti, Mountain is an uplifting wonder.
The
composer was nominated twice for Best
Original Score for The Grand Budapest Hotel and The Imitation Game.
During the yesterday's San Diego Comic - Con panel for The Hateful Eight, director Quentin Tarantino, a huge admirer of classic Spaghetti Westerns, revealed that legendary
composer Ennio Morricone will be providing an
original score for the film.
Directed by Oscar ® winner Bill Condon from a screenplay by TBD based on the 1991 animated film, the film is produced by Mandeville Films» David Hoberman and Todd Lieberman with eight - time Oscar - winning
composer Alan Menken, who won two Academy Awards ® (Best
Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner T
Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim
Score and Best Song) for the 1991 animated film, providing the
score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim
score, which will include new recordings of the
original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner T
original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Rice.
Composer Alexandre Desplat (R), winner of the Best
Original Score award for «The Shape of Water,» motions in the press room to a video feed of director Guillermo del Toro accepting the Best Director award
(The Academy does make an exception if «Äútwo
composers function as equal collaborators in producing the
score, each contributing a substantial amount of
original music for the film.
«The Gift of Music» (9:15) discusses the film's
score and
original song, with remarks from director Peter Hedges,
composer Geoff Zanelli and singer / songwriter Glen Hansard.
Henze's
original film output is relatively sparse, but fans of The Exorcist will no doubt recognize him as the
composer of «Fantasia for Strings» - the stirring, harsh work that was excerpted by director William Friedkin in his effectively chilling pastiche
score, and placed over the movie's final credits.
Science - fiction hit Arrival, which earned 9 nominations,
scored three wins, including Best
Original Score for
composer Jóhann Jóhannsson's powerful work — deemed ineligible by the Academy — Best Cinematography and shared a win for Best Visual Effects with Disney / Marvel's Doctor Strange.
Composer Justin Hurwitz was this year's lone double - winner, capturing top honors for both Best
Original Score and Best
Original Song («Audition»).
The 2017 International Film Music Critics Association (IFMCA) Awards were held yesterday, and the big winners were Phantom Thread, which won both
Score of the Year and Best
Original Score for a Drama Film, and Alexandre Desplat, who won
Composer of the Year.
Composer Ennie Morricone, winner of the Best
Original Score award for «The Hateful Eight,» poses in the press room during the 88th Annual Academy Awards at Loews Hollywood Hotel on February 28, 2016 in Hollywood, California.
Composer Michael Giacchino wins two awards — Film Music Composition of the Year and Best
Original Score for a Fantasy / Science Fiction / Horror Film — both for his work on the third film in the blockbuster Planet of the Apes trilogy, «War for the Planet of the Apes».
The latter is especially apt when discussing Newton Howard's majestically brilliant King Kong
score, one that miraculously had to come together in a little under two months after
original composer Howard Shore experienced creative differences with director Peter Jackson and walked.
Tai Freligh interviews the
composers behind Cobra Kai on YouTube Red... Composers Leo Birenberg and Zach Robinson utilized a 70 - piece orchestra, as well as choruses of electric guitars and retro - synthesizers, to create a score for the Karate Kid follow up show on YouTube Red, Cobra Kai, that combines the motifs of the original with their own
composers behind Cobra Kai on YouTube Red...
Composers Leo Birenberg and Zach Robinson utilized a 70 - piece orchestra, as well as choruses of electric guitars and retro - synthesizers, to create a score for the Karate Kid follow up show on YouTube Red, Cobra Kai, that combines the motifs of the original with their own
Composers Leo Birenberg and Zach Robinson utilized a 70 - piece orchestra, as well as choruses of electric guitars and retro - synthesizers, to create a
score for the Karate Kid follow up show on YouTube Red, Cobra Kai, that combines the motifs of the
original with their own -LSB-...]
Special Features New 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an
original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the
original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his
score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new
score by
composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunning
There was some controversy in 2001 when fellow
composer Hans Zimmer, with whom she collaborated on the film's
score with, was nominated for an Oscar for Best Original Score, but Gerrard was left
score with, was nominated for an Oscar for Best
Original Score, but Gerrard was left
Score, but Gerrard was left out.
If it ends up being a major player it will definitely be a top 5 contender as its
composers, Benj Pasek and Justin Paul, just won the
Original Score (and Song) Oscars for La La Land this year and then the Tony for Dear Evan Hansen this summer.
The horror and ultimate pathos audiences felt for Kong in the
original 1933 production of King Kong still resonates in Max Steiner's ground - breaking
score, and the
composer gets some decent attention in the length making - of documentary on Warner Bros.» 2 - disc edition of King Kong, which arrived just in time for Christmas.
Bava's choice of music (and
composer) has sometimes been very uneven: Carlo Rustichelli's romanticized and treacly music for Whip and the Body detracted from the film's pinched, sadistic sequences; Libra's prog - rock
score for Shock felt at times like an effects - ridden mimic of Goblin's supernatural
score for Dario Argento's Suspiria; and Stelvio Cipriani's muzak for the
original Italian version of Baron Blood deserved to be replaced by Les Baxter's more eerie, orchestral
score when AIP initially released that film in North America.
Returning to write the
score as well as two
original songs for TOY STORY 2 is Academy Award ® - winning songwriter / composer Randy Newman (2002 Monsters, Inc., Original Song
original songs for TOY STORY 2 is Academy Award ® - winning songwriter /
composer Randy Newman (2002 Monsters, Inc.,
Original Song
Original Song winner).
The readings will be
scored with
original music by Grammy - nominated
composer Bill Sims Jr. and other
composers who worked with Wilson, and the plays will appear in the order in which they premiered, starting with Ma Rainey's Black Bottom and ending with Radio Golf.
Taylor's
original choice of
composer was Carter Burwell who didn't seem the most natural of choices, so it wasn't entirely a surprise when he departed the project (seemingly not the director's choice, but the studio's); a very capable replacement was hired in the form of Brian Tyler, who also
scored the previous film in the franchise, Iron Man 3, and just maybe he will become the «house
composer» for this series, which has so far failed to establish any kind of distinctive musical identity.
The unmemorable
original score by Game of Thrones
composer Ramin Djawadi also doesn't aid the spectacle.
They're no newcomers to
scores — they soundtracked a lot of the music in the
original «Friday Night Lights» movie, but we haven't heard from them on the soundtrack front since then until «Prince Avalanche» at Sundance this year along with
composer David Wingo.
La - La Land Records and Paramount Pictures presents the premiere official release of acclaimed
composer John Debney's (PASSION OF THE CHRIST, PREDATORS, IRON MAN 2, SIN CITY)
original motion picture
score to the 1997 Paramount Pictures creature - feature film THE RELIC, starring Penelope Ann Miller and Tom Sizemore and directed by Peter Hyams.
My favorite section is the archival presentations and this year's collection includes Ernst Lubitsch's Technicolor comedy Heaven Can Wait (1943), newly restored by The Film Foundation, the rediscovered and restored Argentine noir The Bitter Stems (1956), King Hu's genre - defining martial arts epic Dragon Inn (1967), and Buster Keaton's The General (1926), presented in a new 4K restoration with an
original score by the great Studio Ghibli
composer Jo Hisaishi.
Composer Davis closes out one of the most notable sci - fi trilogies in all of filmdom with an astounding
original score that is a stunning culmination of his breathtaking MATRIX masterworks.
Jonny Greenwood, Best
Original Score, Phantom Thread (No prior nominations) Speaking of overlooked
composers: Yes, he's only been
scoring films for a minute and some change.
The Dark Void
Original Soundtrack features 80 minutes of
score hand picked by
composer Bear McCreary. It also includes a special bonus track, «Theme from Dark Void (Mega Version),» an 8 - bit rendering of the main theme produced by McCreary for Capcom's just shipped downloadable DSiware title, Dark Void Zero.
Where Charles Bernstein's classic,
original score for «A Nightmare on Elm Street» is back for another lullaby here, the
composer's «Deadly Friend» hits CD to re-animates a robot - possessed girl next door with equal components creepiness and absurd humor, with the end title droid chants of «Bee Bee, Bee Bee» certainly one of the nuttiest vocal pieces heard that decade.
Introduction by Omar Sharif (1:40), Disc 1, Side A (just before film) / Audio Commentary by Actors Omar Sharif, Rod Steiger and Director David Lean's widow Sandra Lean / Isolated
Score by
Composer Maurice Jarre / 30th - anniversary behind - the - scenes documentary «Doctor Zhivago: The Making of a Russian Epic» (60:23, indexed with 21 chapters with photos), Disc 2 / Vintage «Zhivago: Behind The Camera with David Lean» (10:12), Disc 2 / Vintage «David Lean's Film of Doctor Zhivago» (7:13), Disc 2 / Vintage «Moscow In Madrid» (4:27), Disc 2 / Vintage «Pasternak» (8:46), Disc 2 / New York Press Interviews with Julie Christie (10:07), Disc 2 / New York Press Interviews with Omar Sharif (18:52), Disc 2 / Geraldine Chaplin Screen Test (3:14), Disc 2 / «This Is Julie Christie» (1:06), Disc 2 / «This Is Geraldine Chaplin» (1:08), Disc 2, / «This Is Omar Sharif» (1:38), Disc 2 / «Chaplin In New York» (2:14), Disc 2 /
Original release Trailer