Sentences with phrase «original score for»

It is an absolute honor to have #HorizonZeroDawn named best original score for a videogame at the Jerry Goldsmith Awards.

The film is narrated by Chicago theater legend Cheryl Lynn Bruce, and propelled by an original score for cello and voice by composer Tomeka Reid.

Three all - new vocal recordings were made specially for the soundtrack with additional music composed by multi-award winner Woody Jackson, contributor to the original score for Red Dead Redemption.

Phillips» original score for Assassin's Creed III Liberation has been described as «superb» by GameZone, «killer music» by MTV Multiplayer, «spectacular» by Hard Reset, «sweeping» by IGN, «fantastic» by Gaming Examiner, and «a stealthy success» by Kotaku.

Jason composed more than ninety minutes of original score for Square Enix's ghost detective story.

The original score for the game by DICE blends well with John Williams» score in some places but is so off in other places that we had to turn it off while playing.

Sword Coast Legends has revealed that composer Inon Zur will be composing an original score for the party - based RPG.

British Academy Award - winning composer profiled in latest episode of The Final Hours of TOMB RAIDER SQUARE ENIX and Crystal Dynamics today announced that Jason Graves, an award - winning composer with an outstanding pedigree across film, television and gaming is penning the original score for TOMB RAIDER.

Game Informer hailed Jason's original score for SONY»S supernatural hit UNTIL DAWN as a «superb dynamic orchestral score» and GameSpot called it «a chilling soundtrack... which crescendos and subsides to highlight panic, terror, and anguish.»

Resistance: Burning Skies has been nominated for an International Film Music Critic Association award in the «Best Original Score for a Video Game or Interactive Media.»

Don Veca, Audio Director, Electronic Arts: «Jason's original score for Dead Space is simply fantastic.

Power Up's own Riley Koenig composed an original score for Train Conductor World, supporting a killer sound effects treatment by Danny Armstrong.

(«Underground», Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; nominated — Game Audio Network Guild Awards, «Best Audio for an Indie Game» (The Banner Saga); winner — Game Audio Network Guild Awards, «Best Soundtrack Album» (The Banner Saga); nominated — Game Audio Network Guild Awards, «Best Original Instrumental» («Of Our Bones, The Hills», The Banner Saga); nominated — BSO GoldSpirit Awards, «Best Score for a Video Game» (The Banner Saga); nominated — International Film Music Critics Association, «Best Original Score for a Video Game» (The Banner Saga); nominated — SXSW Gaming Awards, «Excellence in Musical Score» (The Banner Saga); nominated — NAVGTR Game Awards, «Original Dramatic Score, New IP» (The Banner Saga); nominated — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (The Banner Saga); nominated — Annual Game Music Awards, «Artist of the Year: Outstanding Contribution, Western Composer» (The Banner Saga, Soul Fjord); nominated — Annual Game Music Awards, «Outstanding Achievement: Music Production» (The Banner Saga); winner

(«The Knights» Theme», The Order 1886 [shared w / Jason Graves]-RRB-; nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (ABZU); nominated — Movie Music UK 2015, «Best Video Game Score» (Assassin's Creed: Syndicate); winner — Movie Music UK 2015, «Best Original Song» («Underground,» Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Assassin's Creed: Syndicate); winner — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (Assassin's Creed: Syndicate); nominated — Annual Game Music Awards, «Artist of the Year: Western Composer» (Assassin's Creed: Syndicate, Sunset); nominated — MundoBSO.com, «Best Videogame Soundtrack» (Assassin's Creed: Syndicate); winner — IGN.com, Best of 2015, «Best Original Music» (Assassin's Creed: Syndicate); nominated

-- Grammy Awards, «Best Score Soundtrack Album» (Journey); nominated — Academy of Interactive Arts & Sciences, DICE Award «Outstanding Achievement in Music Composition» (Journey) winner — British Academy Awards, «Games / Original Music» (Journey); winner — British Academy Awards, «Games / Outstanding Achievement in Audio» (Journey); winner — Game Audio Network Guild Awards, «Music of the Year» (Journey); winner — Game Audio Network Guild Awards, «Audio of the Year» (Journey); nominated — Game Audio Network Guild Awards, «Best Interactive Score» (Journey); winner — Game Audio Network Guild Awards, «Best Original Instrumental» («Apotheosis», Journey); winner — Game Audio Network Guild Awards, «Best Original Vocal (Pop)» («I Was Born For This», Journey); winner — Game Audio Network Guild Awards, «Best Soundtrack album» (Journey); winner — Game Developer Choice Awards, «Audio of the Year» (Journey); winner — International Music and Sound Awards, «Best Original Composition — Gaming» (Journey); winner — Music and Sound Awards UK, «Best Original Composition — Gaming» (Journey); winner — Original Sound Version, «Composer of the Year [2012]» (Journey); winner — Original Sound Version, «Best In - Game Soundtrack [2012]» (Journey); winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Journey); winner — New York Videogame Critics Circle Awards, «Tin Pan Alley Award for Best Music» (Journey); winner — Hollywood Music in Media Awards, «Best Song — Videogame» (BeatBuddy: Stingin» Swing); nominated

-- International Film Music Critics Association, «Best Original Score for an action / adventure film» (The Rendezvous); nominated

(«Then were created the gods in the midst of heaven», ABZU); winner — Game Audio Network Guild Awards, «Best Audio for an Indie Game» (The Banner Saga 2); nominated — International Film Music Critics Association, «Best Original Score for a Video Game» (ABZU); winner — International Film Music Critics Association, «Best Original Score for a Video Game» (The Banner Saga 2); nominated — BSO GoldSpirit Awards, «Best Score for a Video Game» (ABZU); nominated — Movie Music UK 2016, «Best Video Game Score» (ABZU); nominated — MundoBSO.com, «Best Videogame Soundtrack» (ABZU); nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (Deformers); nominated

Or commission a brand new original score for Final Fantasy VII Remake, a-la Masashi Hamauzu's Dirge of Cerberus... Yeah, Probably the former.

+ The original score for the game is marvelous, and fits the tone perfectly.

Where Charles Bernstein's classic, original score for «A Nightmare on Elm Street» is back for another lullaby here, the composer's «Deadly Friend» hits CD to re-animates a robot - possessed girl next door with equal components creepiness and absurd humor, with the end title droid chants of «Bee Bee, Bee Bee» certainly one of the nuttiest vocal pieces heard that decade.

«The Hateful Eight» is the first original score for a Quentin Tarantino film.

The film also Best Director for Paul Thomas Anderson and Original Score for Johnny Greenwood, giving it the most wins from the group.

«Carol,» which won four prizes from the NYFCC, won Original Score for Carter Burwell (a tie with his work in «Anomalisa») and second place honors in Direction for Todd Haynes and Cinematography for Ed Lachman.

New York - born Beltrami has twice been nominated for Academy Awards: for his work on the Western remake 3:10 to Yuma (2007), and for Best Original Score for his music for The Hurt Locker (2010).

Christopher Nolan «s war epic took home Best Film Editing, Best Sound, and Best Original Score for Hans Zimmer.

Barber made the Academy Awards shortlist this year for Best Original Score for Best Picture nominee «Manchester by the Sea,» directed by Kenneth Lonergan (also a nominee for Best Director).

Additionally, the film received Best Director for Paul Thomas Anderson and Best Original Score for Jonny Greenwood.

Christopher Walken, right, presents Alexandre Desplat with the award for best original score for «The Shape of Water» at the Oscars on Sunday, March 4, 2018, at the Dolby Theatre in Los Angeles.

Other winners in the film categories were Lady Bird for Best Picture (Comedy or Musical); Guillermo del Toro for Best Director for The Shape of Water; Gary Oldman for Best Actor (Drama) for Darkest Hour; Saoirse Ronan for Best Actress (Comedy or Musical) for Lady Bird; James Franco for Best Actor (Comedy or Musical) for The Disaster Artist; Allison Janney for Best Supporting Actress for I, Tonya; In the Fade for Best Foreign Feature; Coco for Best Animated Feature; Alexandre Desplat for Best Original Score for The Shape of Water; and «This Is Me» from The Greatest Showman for Best Original Song.

Best Original Score for an Action / Adventure / Thriller Film «Captain America: The First Avenger» (Alan Silvestri) «Drive» (Cliff Martinez) «Mission: Impossible — Ghost Protocol» (Michael Giacchino) «Real Steel» (Danny Elfman) «Rise of the Planet of the Apes» (Patrick Doyle)

Best Original Score for a Comedy Film «Paul» (David Arnold) «The Rum Diary» (Christopher Young) «Torrente 4: Letal Crisis» (Roque Baños) «A Very Harold and Kumar 3D Christmas» (William Ross) «Your Highness» (Steve Jablonsky)

The 2017 International Film Music Critics Association (IFMCA) Awards were held yesterday, and the big winners were Phantom Thread, which won both Score of the Year and Best Original Score for a Drama Film, and Alexandre Desplat, who won...

Composer Michael Giacchino wins two awards — Film Music Composition of the Year and Best Original Score for a Fantasy / Science Fiction / Horror Film — both for his work on the third film in the blockbuster Planet of the Apes trilogy, «War for the Planet of the Apes».

A huge thank you to commenter Markku who points us to emusic.com's sampling of Paul Cantelon's original score for Oliver Stone's «W.» I have to say, it's a beautiful piece of work on the whole.

The 2017 International Film Music Critics Association (IFMCA) Awards were held yesterday, and the big winners were Phantom Thread, which won both Score of the Year and Best Original Score for a Drama Film, and Alexandre Desplat, who won Composer of the Year.

Oscar nominated filmmaker Benh Zeitlin (Beasts of the Southern Wild) gets his first Cinema Eye nomination for composing the Original Score for Brimstone and Glory with co-nominee Dan Romer.

Science - fiction hit Arrival, which earned 9 nominations, scored three wins, including Best Original Score for composer Jóhann Jóhannsson's powerful work — deemed ineligible by the Academy — Best Cinematography and shared a win for Best Visual Effects with Disney / Marvel's Doctor Strange.

BEST ORIGINAL SCORE FOR TELEVISION Battlestar Galactica (Season 4), music by Bear McCreary John Adams, music by Robert Lane and Joseph Vitarelli Merlin, music by Robert Lane Lost (Season 4), music by Michael Giacchino Pane e Libert √ †, music by Ennio Morricone

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE Bolt, music by John Powell Gake no ue no Ponyo (Ponyo on the Cliff), music by Joe Hisaishi Horton Hears a Who!

BEST ORIGINAL SCORE FOR A HORROR / THRILLER FILM The Happening, music by James Newton Howard L √ • t den r √ § tte komma in (Let the Right One In), music by Johan S √ ∂ derqvist Mirrors, music by Javier Navarrete Twilight, music by Carter Burwell Valkyrie, music by John Ottman

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE The Crimson Wing: Mystery of the Flamingos, music by The Cinematic Orchestra Dear Zachary: A Letter to a Son about his Father, music by Kurt Kuenne Night, music by Cezary Skubiszewski Standard Operating Procedure, music by Danny Elfman Tabarly, music by Yann Tiersen

BEST ORIGINAL SCORE FOR AN ACTION / ADVENTURE FILM The Dark Knight, music by James Newton Howard and Hans Zimmer Hancock, music by John Powell Indiana Jones and the Kingdom of the Crystal Skull, music by John Williams Speed Racer, music by Michael Giacchino Wanted, music by Danny Elfman

The AMPAS has announced that scores from 145 feature - length films released in 2016 are eligible nomination as Best Original Score for the 89th Oscars.

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA Afrika, music by Wataru Hokoyama Age of Conan: Hyborian Adventures, music by Knut Avenstroup Haugen Gears of War 2, music by Steve Jablonsky Mercenaries 2: World in Flames, music by Chris Tilton Star Wars: The Force Unleashed, music by Mark Griskey

But Quentin Tarantino's «The Hateful Eight» was shut out of pretty much all the major categories this year, save for Original Score for Ennio Morricone and a Supporting Actress nod for Jennifer Jason Leigh.

BEST ORIGINAL SCORE FOR A FANTASY / SCIENCE FICTION FILM The Chronicles of Narnia: Prince Caspian, music by Harry Gregson - Williams City of Ember, music by Andrew Lockington Hellboy II: The Golden Army, music by Danny Elfman Inkheart, music by Javier Navarrete The Spiderwick Chronicles, music by James Horner

BEST ORIGINAL SCORE FOR A DRAMA FILM The Boy in the Striped Pajamas, music by James Horner Che, music by Alberto Iglesias The Curious Case of Benjamin Button, music by Alexandre Desplat Defiance, music by James Newton Howard Milk, music by Danny Elfman

Alexandre Desplat, winner of Best Original Score for the film The Shape of Water, is congratulated by the film's stars Sally Hawkins (L) and Octavia Spencer (R)

During the yesterday's San Diego Comic - Con panel for The Hateful Eight, director Quentin Tarantino, a huge admirer of classic Spaghetti Westerns, revealed that legendary composer Ennio Morricone will be providing an original score for the film.

The composer was nominated twice for Best Original Score for The Grand Budapest Hotel and The Imitation Game.