Sentences with phrase «original score from»

Sarah Lewis, who was co-curating SITE Santa Fe's 8th Biennial, asked me to submit a short video work, so I created Harmonium Mountain I — and was very lucky to get an original score from Philip Glass in time for show.

Original Score from Jonah Bokaer's Anchises, by composer for Loren Kiyoshi - Dempster, licensed by kind permission.

Animals paints a convincingly bleak picture of the suffering side effects brought on by drug dependence, which is supplemented by a sulky original score from Ian Hultquist (of Passion Pit).

Aiding the beautiful cinematography is another pulse - pounding and emotional original score from Johann Johannsson (a frequent collaborator of director Denis Villeneuve) that really heightens the simultaneous feelings of suspense and dread whenever the humans make contact.

As an added bonus, the film features an original score from Kjartan Sveinsson of Sigur Rós.

Dunkirk has taken over the # 1 spot in Original Score from Blade Runner 2049 as it was recently announced that Hans Zimmer will be taking over composing duties from frequent Denis Villeneuve collaborator and two - time Oscar nominee Jóhann Jóhannsson.

also sports an original score from Radiohead's Johnny Greenwood, marking it as a must see for us.

The big - screen version will utilise composer Claude - Michel Schönberg's original score from the musical, and is being produced by Cameron Mackintosh, who worked on the British stage iteration.

Sol LeWitt: The Music Collection LeWitt's collection of close to 4,000 cassette tapes, installed so as to replicate the music library at his home in Chester, CT, is accompanied by the handwritten logbook where he numerically organized the recordings, plus original scores from his collection, including compositions by John Cage, Steve Reich, and Philip Glass, artists with whom he had personal relationships.

Not exact matches

We adapted this ranking from our list of the worst sequels of all time, selecting the films that had a vast discrepancy in Rotten Tomatoes critic scores between their terrible sequels and great originals.

Best Picture: «The Shape of Water» Lead Actor: Gary Oldman, «Darkest Hour» Lead Actress: Frances McDormand, «Three Billboards Outside Ebbing, Missouri» Supporting Actor: Sam Rockwell, «Three Billboards Outside Ebbing, Missouri» Supporting Actress: Allison Janney, «I, Tonya» Director: «The Shape of Water,» Guillermo del Toro Animated Feature: «Loving Vincent,» Animated Short: «Revolting Rhymes» Adapted Screenplay: «The Disaster Artist» Original Screenplay: «The Big Sick» Cinematography: «Blade Runner 2049» Roger Deakins Best Documentary Feature: «Last Men in Aleppo» Best Documentary Short Subject: «Traffic Stop» Best Live Action Short Film: «The Silent Child» Best Foreign Language Film: «The Insult» (Lebanon) Film Editing: «Baby Driver» Sound Editing: «Dunkirk» Sound Mixing: «Dunkirk» Production Design: «The Shape of Water» Original Score: «Star Wars: The Last Jedi Original Song: «This Is Me» from «The Greatest Showman» Makeup and Hair: «Darkest Hour» Costume Design: «Phantom Thread» Visual Effects: «Star Wars: The Last Jedi»

PMI is calculated as a percentage of your original loan amount and can range from 0.3 % to 1.5 % depending on your down payment and credit score.

What we share as neighbors, from Jess Jackson's version of a grand cru at Verite Winery producing 100 - pt Robert Parker scores, to Robert Young Vineyards and Winery with their exceptional wines grown on their property, Jordan Winery producing a consistent reflection of time since 1976, Silver Oak producing a gorgeous Alexander Valley Cabernet to stand equal to their Napa Cabernet, Alexander Valley Vineyards with their commitment to Cyrus Alexander's beginnings growing on the original land to name just a few... we stand together with pride.

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

The NCA in the preparation of the report, transposed the scores from Excel to Microsoft Word and noticed that there were some transpositional errors which were corrected to correspond with the original Excel scores.

A bipartisan draft bill to reauthorize the Elementary and Secondary Education Act, the original name of the federal education legislation, would bar the federal government from requiring states to use student test scores in teacher evaluations or forcing closure or other sanctions on struggling schools.

Many already marked down items are included too, so you can score an even bigger discount from their original price tag.

My original order was to replenish a few skin care favorites, but I was also able to score some little freebies, thanks to codes I received in emails from Birchbox.

From its original price of # 140, you can now score this stylish and smart look for only # 70.

While you don't want to focus on a film's score / soundtrack, Tarantino also uses music from his favorite films and repurposes them in clever ways to make the point that he's not just a serious film buff — he's an original filmmaker.

Shows are scored and ranked based on reviews published at the time of the original first season debut; returning series are excluded from these lists.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

[Editor's Note: this quotation and score are from the original GameSpot review.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs composed by Alan Menken.

I recently listened to ELMER BERNSEIN»S «Kings of the Sun» and glancing through the credits noticed one for BEAR McCREARY — he had «reconstructed and reorchestrated the long lost score from the original pencil manuscripts» and was «one of a small and select group of protegés of the multi-honoured BERNSTEIN.»

Best Original Score Come From Away, Music and Lyrics: Irene Sankoff and David Hein Dear Evan Hansen, Music and Lyrics: Benj Pasek & Justin Paul Groundhog Day, Music and Lyrics: Tim Minchin Natasha, Pierre & the Great Comet of 1812, Music and Lyrics: Dave Malloy

That is a problem but not a major one (if only because the animation, though more conventional in nature than in the feature segments, is still nice to look at) and «Kahlil Gibran's The Prophet» still has a lot to offer viewers — visual astonishments, a stirring score by Gabriel Yared that also includes original songs by Damien Rice and Glen Hansard & Lisa Hannigan and strong contributions from the vocal cast that, in addition to those already mentioned, also features John Krasinski, Frank Langella and Alfred Molina.

Last year, transgender musician Antony Hegarty scored a Best Original Song nomination for her J. Ralph collaboration «Manta Ray,» from the endangered species documentary Racing Extinction.

Additionally, in no particular order, there were vocal supporters of the Ralph Jones «incongruously great score to «Slumber Party Massacre ``; «Phantasm» «s heavily «Exorcist «- indebted score from Fred Myrow and Malcom Seagrave; Danny Elfman «s channelling of Bernard Herrmann for «Nightbreed ``; Wojciech Kilar «s bombastic, often recycled music for «Bram Stoker's Dracula ``; John Harrison's score for Romero's anthology film «Creepshow ``; Richard Band «s better - than - deserved compositions for the terrible «Troll ``; the great Lalo Schifrin «s score for the original «The Amityville Horror ``; a more recent example in Climax Golden Twins» music for Brad Anderson «s now cultish «Session 9 ``; Pino Donaggio's terrific work with de Palma's «Dressed to Kill ``; Gene Moore's classic church organ scares in «Carnival of Souls ``; and while we've featured Bava fils above, we could easily have found room for his father Mario Bava, probably with the funky original music by Libra for his final film «Shock.»

Best Picture Birdman Best Actor Eddie Redmayne in The Theory of Everything Best Supporting Actor J.K. Simmons in Whiplash Best Actress Julianne Moore in Still Alice Best Supporting Actress Patricia Arquette in Boyhood Best Animated Feature Big Hero 6 Best Adapted Screenplay The Imitation Game Best Original Screenplay Birdman Best Cinematography Birdman Best Costume Design The Grand Budapest Hotel Best Director Birdman, Alejandro G. Iñárritu Best Documentary Feature Citizenfour Best Documentary Short Subject «Crisis Hotline: Veterans Press 1» Best Film Editing Whiplash Best Foreign Language Film Ida, Poland Best Makeup and Hairstyling The Grand Budapest Hotel Best Original Score The Grand Budapest Hotel, Alexandre Desplat Best Original Song «Glory» from Selma Best Production Design The Grand Budapest Hotel Best Animated Short Film «Feast» Best Live Action Short Film «The Phone Call» Best Sound Editing American Sniper Best Sound Mixing Whiplash Best Visual Effects Interstellar

The film makes its home video debut on a beautifully - mastered Blu - ray and DVD combo edition mastered from the restored elements at a corrected 20 frames per second and accompanied by an original score composed and performed by Neil Brand, Gunther Buchwald, and Frank Bockius.

The harsh, violin - heavy original score is rigid and haunting, accompanied late in the film by a heavy dose of the symbolic title song from the musical «Camelot», which became forever connected with the Kennedy family.

With a promised 1,000 additional hours of content in 2017, a major focus this year and beyond is their ability to both penetrate the original film world, and receive recognition for their efforts from Academy members at the Oscars — something that Amazon can now boast about after Casey Affleck scored a Best Actor win for Manchester by the Sea.

Here are the August Oscar predictions for Cinematography, Original Score and Visual Effects from the Gold Rush Gang:

While presumably disqualified from Best Original Score and without a song, I honestly think every other nomination is not out of the realm of possibility.

Also carried over is a brief interview from 2005 with Dassin, an earlier, 1972 interview with the filmmaker, Night and the City's original theatrical trailer, and a featurette comparing the scores from the American and British cuts of the film.

The film was rated 93 % fresh on Rotten Tomatoes and received critical praise for its story, direction, acting from lead Hugh Jackman and supporting actor Patrick Stewart, including editing, cinematography, original score and sound design.

This CD was released in 2004 by Varese Sarabande, featuring a small amount of music not on the original (very rare) CD release on Memoir Records, and absolutely stunning sound - it's easily the best - sounding film score from the period I've heard.

Also unexpectedly refreshing to see the promising and bold debut feature Beasts of the Southern Wild so prominently featured, even if it's unlikely such an underdog stands a chance against the Hollywood giants and industry veterans (Beasts... is also disgracefully absent from the «best original score» nomination list, but now I'm just being petty).

It should come as no surprise that the key ingredient to the soundtrack's roaring success is the return of original series composer David Wise, who made a triumphant return with Tropical Freeze after an extended hiatus from scoring mainstream titles.

Following his recent collaborations with 343 Industries on the re-imagined soundtrack to «Halo 2: Anniversary» and original score for «Halo Spartan: Assault,» award - winning composer and music producer Tom Salta returns to the iconic «Halo» video game series to provide an original score for «Halo: Spartan Strike,» the newest mobile top - down shooter from the «Halo» universe launching today for Windows 8, Windows Phone 8, iPhone, iPad, and Steam.

For how absolutely delightful of a movie it is, Hidden Figures got almost no love from the HFPA, only scoring nominations for Octavia Spencer and Original Score.

Instead of an original score, Tarantino licenses somewhat forgotten R&B music from the»70s.

Graeme Revell (Dead Calm, Street Fighter) composes the music, though much of that is merely recreating the sound, often note for note, of the original Bernard Herrmann score from the 1960 film.

12 Years a Slave,» about a free black man ripped from his family and sold into more than a decade of bondage, won six awards including Best Film, Best Actor (Chiwetel Ejiofor), Best Supporting Actress (Lupita Nyong» o), Best Ensemble, Best Adapted Screenplay (John Ridley) and Best Original Score (Hans Zimmer).

Perhaps the last awards - season film that relied on music to this extent was The Artist, which walked away with both best original score and best picture; though The Shape of Water faces stiff competition, especially from first - time Oscar nominee Jonny Greenwood (for Phantom Thread) and perpetual nominee Hans Zimmer (for his experimental Dunkirk score), expect it to pull off the same trick (and underwater, at that).

The mono track sounds fine, with lots of nice ambiance from Tangerine Dream's original score.

Extras: Interview from 2005 with Moreau; archival interviews with Moreau, Malle, actor Maurice Ronet, and original soundtrack session pianist René Urtreger; footage of Miles Davis and Malle from the soundtrack recording session; program from 2005 about the score featuring jazz trumpeter Jon Faddis and critic Gary Giddins; Malle's student film «Crazeologie,» featuring Charlie Parker's song «Crazeology»; trailers; a booklet featuring an essay by critic Terrence Rafferty, an interview with Malle, and a tribute by film producer Vincent Malle.

It features the superb high - definition master from the original Blu - ray release — the image is sharp and rich, with deep blacks and textured shadows, a reminder of just how beautiful black - and - white can be on a well - mastered, well - produced Blu - ray — and the isolated score, attributed to Columbia's musical director Mischa Bakaleinikof but including musical cues from the studio's music library, plus a booklet with an essay by Julie Kirgo.

Best Original Score (Music and / or Lyrics) Written for the Theatre Come From Away (Music and Lyrics: Irene Sankoff and David Hein) Dear Evan Hansen (Music and Lyrics: Benj Pasek and Justin Paul) Groundhog Day The Musical (Music and Lyrics: Tim Minchin) Natasha, Pierre & The Great Comet of 1812 (Music and Lyrics: Dave Malloy)