Sentences with phrase «other paintings on view»

Compositionally related to nine other paintings on view in the main gallery, it is among the most ambitious works Moyer has ever produced.

Not exact matches

Aside from that, I think it depends on who's biography of Luther you read (regarding Luther's self - view); some paint him as a tortured soul, others as a man of his times who was (relatively) happy to be so prior to entering the monastery.

Drawing on personal experience, I'd bet they fear that if they speak up at all, they'll be painted into the corner of an extreme view by others, just like Brene Brown experienced.

On the other hand, the ORVMs and the door handles have been painted in the body color while the outside rear view mirrors have been bestowed with side turn indicators.

I think it depends on whether the painter is known because of other paintings, the subject of the painting, what the viewer sees in the painting, and whether or not the viewer would like to have the painting hanging on their wall to view day after day.

These animations painted by the user can only be viewed on a television screen, and while instructions were provided to users on how to record these to a video cassette recorder, there is no other way to export any of the work done in Mario Paint.

In the customization menu you'll be able to pimp out your character, select the paint job you want other players to view on each vehicle you enter (you can equip separate paint jobs per vehicle which is a nice touch), and customize a decal that will appear on your character and vehicles.

Over the past year, «Kerry James Marshall: Painting and Other Stuff,» an important survey of his practice and his most substantial exhibition in Europe, was on view in Antwerp, Copenhagen, Barcelona and Madrid (and a coinciding catalog was published).

Contributed by Sharon Butler / Digital screens, halftone dot patterns, emoticons, and other typographic symbols comprise the imagery in Jacqueline Humphries's new series of large - scale paintings on view at Greene Naftali through June 20.

The works on view at Eleven Rivington have long since distanced themselves from this beginning, having appeared in an artist book, then haphazardly rearticulated through three - color process paintings (cyan, yellow, and magenta), scanned and digitally distributed on his and others tumblr pages, and presently re-photographed through a PDF generating application on his phone, the images from which provide the basis for this exhibition.

The Patrick Heron painting seems to dominate the room, as if it has a different aesthetic to all the other works on view.

On the other hand, it is viewed, derisively, as a dehumanized dead - end of painting.

Looking at his paintings of mountains, and recalling his many other bodies of work — his vertiginous cityscapes and elevated views of rivers and farmlands — I began thinking that one way to recognize Thiebaud's vision is to focus on the dance he establishes between paint's materiality and states of excess.

«Kerry James Marshall: Painting and Other Stuff,» the first comprehensive survey of his practice, is on view in Antwerp, Madrid, Copenhagen and Barcelona (and includes a catalog); «Look See,» his first exhibition with David Zwirner Gallery, his representative in London, opens; and he receives the Wolfgang Hahn Prize for contemporary art from the Museum Ludwig in Cologne, Germany.

Other works including small paintings, photographs and sculpture by various gallery artists were also on view.

Some of the other paintings from this commission are on view at The National Gallery in Washington D.C.

This is no doubt why — probably causing great inconvenience to the publishers — Steinberg insisted on an «extra page» in his book Other Criteria (2007), a foldout that erupts like a tongue, rupturing the division between inside and outside and showing the eventual series of paintings that emerged from these drawings as a diagrammatic grid crisscrossed by multiple points of view.

«Kerry James Marshall: Painting and Other Stuff» was on view in Antwerp, Madrid, Copenhagen and Barcelona this year and last, featuring work from 1970 - 2013.

Keith Gill, Head of Sale, Impressionist and Modern Art Evening Sale, Christie's, London: «Among the most iconic works of Fauvism, many of this rare series of London paintings are now housed in museum collections across the world, including the Musée d'Orsay, Paris; Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; and the Tate Gallery, London, where a selection of other works from this groundbreaking London series are currently on view in the exhibition, «Impressionists in London».

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?

On the other end of the spectrum was Spanish artist Miguel Angel Garcia's pigment print View from the Empire State building Looking South, a scenic photograph abstracted by the painted red highlights of water towers throughout the city vView from the Empire State building Looking South, a scenic photograph abstracted by the painted red highlights of water towers throughout the city viewview.

Other works including small paintings, photographs and sculpture by various gallery artists will also be on view.

On view September 18, 2013 — January 19, 2014, Matisse's Marguerite: Model Daughter brings together more than 40 prints, drawings, paintings, and sculptures from the BMA and other public and private collections to show Marguerite over the course of 45 years and provide a fascinating glimpse of the artist's relationship with his only daughter.

Bradford's monumental painting My Grandmother Felt the Color, 2016, is currently on view at the BMA in a gallery dedicated to social abstraction, alongside other artists who have turned to abstract imagery to convey the humanity, complexity, and ongoing impact of specific cultural experiences, such as Jack Whitten and Ross Bleckner.

This is the summer in New York of Joan Mitchell, with her work on view at Cheim & Read, Lennon, Weinberg, Tibor de Nagy, among other galleries, and viewers leaving the Whitney's Paintings of Joan Mitchell are bound to feel somewhat elated and more than a little disappointed.

For Flip City, Lund will create forty digital paintings, of which a selection will be on view during the run of the exhibition and the others will be presented at art fairs in Europe, Latin America and the United States during the next twelve months.

In addition to the thousands of paintings, sculptures and other 2D objects on view, this year AIB has made a special effort to include time - based work, such as performance and video art.

«Open Garden,» a group exhibition of flower paintings and other mediums with floral motifs, will open at the Sara Nightingale Gallery in Sag Harbor with a reception Saturday from 6 to 8 p.m. and remain on view through May 22.

The earliest works on view are thickly painted, quasi-monochromatic paintings made of oil and other substances on Masonite.

A diverse selection of paintings and works on paper, both grand and intimate, are on view, featuring the art of Ansel Adams, Romare Bearden, Emil Furst, Louis - Gabriel - Eugene Isabey, Robert C. May, Ralph Eugene Meatyard, and Doris Ulmann, among others.

The Stylist Project (on view through April 3rd) presents Brooks» latest body of work — a series of oil painted portraits of fashion industry insiders, including stylist to the starts and Bravo TV fixture, Rachel Zoe, and award winning costume designer and Madonnaʼs personal stylist Arianne Phillips, among others.

Other artists included Jim Dine, who had a one - person show; Renée Rubin, whose Coney Island Pinball (1958), made of aluminum and oil on canvas and wood, is on view; Martha Edelheit, represented by her multi-media painting Frabjous Day (1959); and Rosalyn Drexler, whose one - person show included works made of found objects, plaster, and melted lead.

Along with others active at this time, these three artists questioned, for example, whether a painting had to be a flat, rectangular object mounted on a stretcher, affixed to a wall, and viewed from one vantage point; that paper was only a surface to be painted, printed, or drawn on, rather than a medium for creative manipulation in its own right; or that there was only one way for a work of art to be installed.

Other recent international museum shows include Bridget Riley: Flashback, which first went on view at the Walker Art Gallery in Liverpool in 2009; Bridget Riley: Rétrospective at the Musée d'Art Moderne de la Ville de Paris in 2008; Bridget Riley: Paintings and Drawings 1961 - 2004 at the Museum of Contemporary Art, Sydney in 2004 - 2005; Bridget Riley: New Work at the Museum Haus Esters and Kaiser Wilhelm Museum, Krefeld, Germany in 2002; and Bridget Riley: Reconnaissance at the Dia Center for the Arts, New York in 2000 - 2001.

Other noteworthy works were a Katherine Bernhardt canvas of her usual 2 - d miss - mash of objects, Puppies Puppies, Nolan Simon's Earth which took up most of the What Pipeline (Detroit) booth, forcing fair - goers to squeeze into odd spaces and angles to view the paintings on the walls, and Mika Tajima's spray - painted Jacuzzi - like structures at Eleven Rivington (New York).

But, on the other hand, the act of painting, for the painter of the Abstract Expressionism movement, Jackson Pollock, linked to exemplify the views of Existentialism philosophy, is by many viewed as a form of figuration, as a form of documentation of the body of the artists.

Also on view are paintings and drawings made while he was studying at the Skowhegan School of Paintings and Sculpture, SoHo cityscapes, silhouette - like polychrome sculptures, and portraits of other artists and poetpaintings and drawings made while he was studying at the Skowhegan School of Paintings and Sculpture, SoHo cityscapes, silhouette - like polychrome sculptures, and portraits of other artists and poetPaintings and Sculpture, SoHo cityscapes, silhouette - like polychrome sculptures, and portraits of other artists and poet friends.

Included are favorite artworks that have not been on view in years, such as large - scale installations by Spencer Finch, Robert Gober, Jannis Kounellis, Bruce Nauman, and Ernesto Neto, as well as paintings and sculptures by Janine Antoni, Aligheiro e Boetti, Cai Guo - Qiang, Isa Genzken, Alfred Jensen, and Brice Marden, among others.

Other recent international museum shows include Bridget Riley: Flashback, which first went on view at the Walker Art Gallery in Liverpool in 2009; Bridget Riley: Rétrospective at the Musée d'Art Moderne de la Ville de Paris in 2008; Bridget Riley: Paintings and Drawings 1961 - 2004 at the Museum of Contemporary Art, Sydney in 2004 - 2005; Bridget Riley: New Work at the Museum Haus Esters and Kaiser Wilhelm Museum, Krefeld, Germany in 2002; and Bridget Riley: Reconnaissance at the Dia Center for the Arts, New York from 2000 - 2001.

On view in the current show are large oil paintings, including PieFace (2008), Travellers (2008), Figure in Interior (2008), Snowman (2008), Reclining Nude (2009), The Smoker (2008), Pond (2007), among others, in addition to small oil paintings, including Figure in Landscape (2008) and Chrissy (2009).

Alongside this extravagance, Stefan Bondell's paintings of floating silhouettes will be on view, coupled with a poetry reading on December 12 featuring Jonas Mekas, Bob Holman, and Lizzi Bougatsos, among others.

David Salle's Ham and Cheese and Other Paintings is on view at Skarstedt New York through October 28, 2017.

«Ultimately, turning the whole Museum over to photography helps us to concentrate on these broad issues that would not necessarily get the same attention if we also had paintings, sculptures, drawings, and prints on view — or even other photo - based media such as film and video,» he continued.

Translating to Sirens and Serpents from the original Kiswahili phrase Nguva na Nyoka and on view through December 19th, the new works were debuted at a lovely tea and champagne reception organized by the gallery, and attended by Studio Museum Chief Curator and Director, Thelma Golden, artist Kerry James Marshall (whose beautiful show of paintings, Look / See, can be seen at David Zwirner's London space) and many others.

Examples of Amy Lincoln's work painted at Wave Hill are currently on view with a bevy of other wonderful painters at the exhibition Twenty by Sixteen at Morgan Lehman Gallery in Chelsea through May 2.

The ninety - four paintings on view provide a broad selection of the artist's work, including the pulp - novel romance paintings which garnered Robinson critical recognition in the early 1980s, still lifes featuring over-the-counter pharmaceuticals, recent representations of Lands» End clothing models and online erotic selfies, and many others.

Installation view of «The Grass is Always Greener on the Other Side,» 2014 (white chalk on blackboard paint) by Kemang Wa Lehulere.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

His work has since been on view in a number of continental museums, amongst others Kunstmuseum Bern, Museum Wiesbaden, The Museum for Contemporary Art Oslo, and the Stedelijk Museum in Amsterdam, which also holds major paintings of the artist in its collection.

On view will be recent paintings of birds, barren, leafless trees, squirrels and other creatures, meek and mild, who rule over the deceptive powers of innocence.