Sentences with phrase «other sea stories»

«How I Became an Oceanographer and Other Sea Stories.»

Not exact matches

Still other material was found and used by Mark, including some that is clearly legendary — that is, «popular» stories handed down orally in extended form, and not necessarily all of them really Christian in origin — for example the great legends of the Gerasene demoniac, 5:1 - 20; the death of John the Baptizer, 6:17 - 29; the walking on the sea, 6:45 - 52; and the cursing of the fig tree, 11:12 - 14, 20 - 25.

There are stories of people eating other people's flesh (and in the process consuming their blood) in order to survive when they are lost at sea.

The Solvent Extractors» Association (SEA) of India has been identified by ITC, Geneva, as a successful sector association, whose story may offer useful learning for other associations in other sectors and in other countries

And while my story is merely an anecdote in the great sea of successful breastfeeding mothers, there are others out there like me.

The International Chamber of Shipping did not comment for this story, but in its 2013 annual report, it said it was «concerned that efforts by certain governments (and environmentalist NGOs) to treat the Arctic as if it is fundamentally different to any other sea area in which special dangers might apply may have the unwelcome effect of delaying the code's adoption.»

«The real story here is that we probably need sea otters more than they need us, as they play key roles in the functioning and resiliency of kelp forest and estuarine ecosystems that provide a wide range of services to human societies,» said Dr. M Tim Tinker, a research scientist with the U.S. Geological Survey who is presenting an overview of the latest research on southern sea otters and is coauthor of several other new studies presented at the conference.

The fact that ice sheets will respond to warming is not in doubt (note the 4 - 6 m sea level rise during the last interglacial), but the speed at which that might happen is highly uncertain, though the other story this week shows it is ongoing.

Long story short, Himalayan salt and the other salts we sell at the Meadow are natural, unrefined sea salts.

0:00 — Intro 4:05 — Headlines: Two 20,000 Leagues Under the Sea Movies, Paul is Undead: Beatles Zombie Movie, NBC Cancels Heroes, Tim Burton to Direct Monsterpocalypse, FCC to Allow Theatrical Releases Via Secure TV 33:00 — Review: Robin Hood 1:25:45 — Trailer Trash: The Adjustment Bureau, Inception, Trek Nation 1:43:00 — Other Stuff We Watched: Matinee, Cube, The Parking Lot Movie, Silly Little Game, Thirst, Shadow Play: The Making of Anton Corbijn, Secrets of the Tribe, The Story of Furious Pete, Regretters, The Karate Kid, Stagecoach, Walkabout 2:25:48 — Junk Mail: John Woo, Live Podcasts and John Carpenter's Halloween, Cropsey, Reed Farrington T - shirts, Beastmaster 2, Picking a Remake, Reed Being Edited Out 2:39:05 — This Week's DVD Releases 2:42:15 — Outro

It's chattier than any other Murnau I've seen (and not just the ones that eliminate intertitles altogether like The Last Laugh and Tabu: A Story Of The South Seas), which makes it seem a bit less poetic than it really is.

Other highlights in this section include: Pablo Larraín's THE CLUB, a mordant morality tale set in a sleepy Chilean coastal town, which won Berlin's Grand Jury Prize; CHRONIC, Michel Franco's uncompromising study of grief and isolation, featuring a revelatory performance by Tim Roth; brothers Tarzan and Arab Nasser's feature directorial debut, DÉGRADÉ, a smart drama that moves seamlessly between humour and despair, set in a women's hair salon in Gaza; the European Premiere of George Amponsah's intimate documentary THE HARD STOP, revealing the story of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?»

Other notable voiceovers in the dub include John Ratzenberger (Toy Story and all the other Pixar films), David Ogden Stiers (Beauty and the Beast, Pocahontas, Lilo & Stitch and many others), Tara Strong (The Little Mermaid II: Return to the Sea), and Susan Egan (HercuOther notable voiceovers in the dub include John Ratzenberger (Toy Story and all the other Pixar films), David Ogden Stiers (Beauty and the Beast, Pocahontas, Lilo & Stitch and many others), Tara Strong (The Little Mermaid II: Return to the Sea), and Susan Egan (Hercuother Pixar films), David Ogden Stiers (Beauty and the Beast, Pocahontas, Lilo & Stitch and many others), Tara Strong (The Little Mermaid II: Return to the Sea), and Susan Egan (Hercules).

The Adam Cooper, Bill Collage and Steve Zaillian penned movie features a stacked cast (Joel Edgerton, Aaron Paul, Ben Kingsley, John Turturro and Sigourney Weaver) and will tell the story of the man who spoke to a burning bush, brought down the ten commandments on a stone tablet and parted the Red Sea, among many other things.

-- B + (Review) The Handmaiden — A -(Review) Hell or High Water — C Hello, My Name is Doris — C + (Review) Henry Gamble's Birthday Party — C + Hidden Figures — B High - Rise — C - How to Be Single — C Hunt for the Wilderpeople — B - I Am Not Your Negro — A - Indignation — B + The Intervention — B - The Invitation — B (Review — The Film Experience) Jackie — A The Jungle Book — C + Kate Plays Christine — B (Review) Keanu — C + Knight of Cups — B - Krisha — A (Review) La La Land — A -(Review) The Light Between Oceans — B Lion — B - Little Men — A (Review) The Lobster — A - Lolo — C Love & Friendship — B + Loving — B -(Review) Maggie's Plan — B - The Magnificent Seven — C -(Review — The Film Experience) A Man Called Ove — D + Manchester By The Sea — B + (Review) Me Before You — D + (Review — The Film Experience) The Meddler — B + (Review — The Film Experience) Midnight Special — B -(Review) Miles Ahead — C - Miss Sloane — B (Review) Miss Stevens — B Moana — B + Money Monster — C A Monster Calls — C Moonlight — A (Review) Morris From America — B My Big Fat Greek Wedding 2 — B - Neighbors 2: Sorority Rising — B (Review) The Neon Demon — B -(Review) The Nice Guys — C Nocturnal Animals — D (Review) Other People — B (Review — The Film Experience) Paris 05:59 — C (Review — The Film Experience) Pete's Dragon — B (Review — The Film Experience) Queen of Katwe — A -(Review) Race — D Rogue One — A Star Wars Story — B (Review — The Film Experience) Rules Don't Apply — D -(Review) The Salesman — A - The Sea of Trees — D The Shallows — C Silence — A - Sing Street — A -(Review) Southside With You — B Spa Night — B - Star Trek Beyond — B Sully — D -(Review) Swiss Army Man — B + (Review) Tanna — B - Things to Come — A - Toni Erdmann — B + Triple 9 — C - Under the Shadow — B Viva — C Weiner — B + Whiskey Tango Foxtrot — C The Witch — A -(Review) Women Who Kill — B + Zoolander 2 — D + Zootopia — B

Other Stuff We Watched Celebrity Apprentice Cliffhanger Deep Blue Sea The Long Kiss Goodnight Prison Cutthroat Island A Film Unfinished Unauthorized: The Harvey Weinstein Project The Times of Harvey Milk Client 9: The Rise and Fall of Eliot Spitzer The Tillman Story BMX Bandits The Goonies Punisher: War Zone Legend of the Guardians: The Owls of Ga'Hoole Due Date The Chaperone The Adjustment Bureau Hereafter Dear Zachary The Thin Blue Line Night Court: Season 3 Limitless Defendor Skyline

Charting the fate of Tommy (Fionn Whitehead), a British soldier trapped — alongside 400,000 others — on the beaches of Dunkirk, awaiting salvation, the film has a multilayered timeline that sounds dizzyingly complex on paper, but on screen seems like the ideal way to tell a story that encompasses perspectives from land, sea, and air.

Though the former is a science fiction series about friendship and other dimensions in a small Indiana town, the latter is the love story between a mute woman and an amphibious sea creature kept in a government lab.

0:00 — Intro / New York Trip Recap 24:40 — Headlines: RIP Elizabeth Taylor, Darren Aronofsky Leaves The Wolverine, David Slade to Direct Daredevil, Natalie Portman's Black Swan Body Double Speaks Out, The King's Speech PG - 13 is Happening, Megan Fox in Knocked Up Spin - Off, First Photo from New Wonder Woman TV Show, Amy Adams is the New Lois Lane 37:10 — Review: Sucker Punch 1:00:35 — Review: Paul 1:18:40 — Review: Hobo with a Shotgun 1:41:45 — Trailer Trash: Captain America: The First Avenger, The Three Musketeers 1:51:10 — Other Stuff We Watched: Celebrity Apprentice, Cliffhanger, Deep Blue Sea, The Long Kiss Goodnight, Prison, Cutthroat Island, A Film Unfinished, Unauthorized: The Harvey Weinstein Project, The Times of Harvey Milk, Client 9: The Rise and Fall of Eliot Spitzer, The Tillman Story, BMX Bandits, The Goonies, Punisher: War Zone, Legend of the Guardians: The Owls of Ga'Hoole, Due Date, The Chaperone, The Adjustment Bureau, Hereafter, Dear Zachary, The Thin Blue Line, Night Court: Season 3, Limitless, Defendor, Skyline 2:57:20 — Junk Mail: Episode 110 in Under 3 Minutes, Film Junk Tattoos, Superpowers and How We Know Each Other, Film Junk Comments Coming Back to Haunt Jay, Carnivale, Walking Out of / Turning Off Movies, Cantankerous and Audio Commentaries 3:23:50 — This Week's DVD Releases 3:26:25 — Outro

The produced serious game was based on a collection of «sea stories» illustrating real - life leadership challenges and included a healthy combination of narrative, challenge, meaningful choice, achievement, and other great elements of gameplay.

And we go where others don't — to struggling schools in the Mississippi Delta, to booming university cities in China, to isolated villages in the Bering Sea, to community colleges in Appalachia, to inner - city schools in Detroit — to find stories that will have an impact on the future of American schooling.

Our kids must be able to think analytically through incomparable volumes of information, to imagine, to work effectively with others, to find their voice in a sea of noise, to tell a compelling story, and to ask incisive questions to name just a few.

Aquaman # 26: This issue kicks off a new story arc, «Sea of Storms,» by a new writer, Jeff Parker, whose other works include the first issue of the digital - first Adventures of Superman.

While long form journalism and e-novellas have taken off thanks in large part to digital publishing, short story authors are still feeling the frustration of being relegated to anthologies or trying to swim their titles in the sea of other 99cent - ebooks without a platform for discovery.

The whale tale forms the center of the story but, for me, it was the bit players that stole the show - the rays wallowing in the warm water under the pier, the sun fish snoozling close to the legs of the oil rig, the green sea turtles «carrying their homes along with them like aquatic RVs» and the herd of dolphins vying with each other to perform the most dare - devilish tricks (I thought the collective noun for dolphins was pod, but Lynne refers to them as a herd, and I'm not the landlubber to question her!)

The Fourth Fisherman by Joe Kissack Waterbrook, $ 19.99, 240 pages The Fourth Fisherman, by Joe Kissack, is a story about men lost at sea — one lost in the sea of worldly success and excess, and the others lost in the actual vast waters of the Pacific Ocean.

The sea creatures kept my mind so busy that I didn't even realize I was diving at nearly fifty feet.I've heard horror stories from other divers about their first experience in the water — where instructors left them to figure things out on their own or put them in situations only for advanced divers.

With the advantage of several other photos I'd taken over the years from the same location I was able to augment my composition, but the primary story is first light hitting these basalt sea stacks on a beautiful morning.

With gameplay halfway between a visual novel and a point - and - click adventure, Burly Men at Sea's branching story carries its ungainly heroes into waters where lurk creatures from Scandinavian folklore and other misadventures.

The Boy Who Loved the Sea and Other Stories will bring together works inspired by the sea and stories that we know and love, all with Rego's signature dark twist of courSea and Other Stories will bring together works inspired by the sea and stories that we know and love, all with Rego's signature dark twist of Stories will bring together works inspired by the sea and stories that we know and love, all with Rego's signature dark twist of coursea and stories that we know and love, all with Rego's signature dark twist of stories that we know and love, all with Rego's signature dark twist of course.

Update: Paula Rego: The Boy Who Loved the Sea and Other Stories opens at Jerwood Gallery on 21 October 2017 and runs until 7 January 2018.

We are delighted to share with you that new works by Paula Rego for The Boy Who Loved the Sea and Other Stories have now been selected by our guest curator, Colin Wiggins.

The first UK public gallery exhibition in 10 years, The Boy Who Loved the Sea and Other Stories, will bring together new works and old favourites, inspired by Rego's love of the sSea and Other Stories, will bring together new works and old favourites, inspired by Rego's love of the seasea.

Other publications include: Tobacco Hour by Dara Mandle with art by Brece Honeycutt («14), A Modicum of Mankind: new short stories by John Talbird with art by Leslie Kerby -LRB-» 14), JACK by Mika Gellman with illustrations by Steve Harding -LRB-» 13), Bodies, Voids and a Tale of Seas by Paul D'Agostino («12), Concrete Sound: new poems by Christine Shan Shan Hou with illustrations by Audra Wolowiec («11), Untitled: new poems by Jerome Sala with art by Tamara Gonzales («11).

Culminating in a series of interactive performances and workshops, Fish Bones tells a story inspired by the Taino myth of how the sea began, speaking to how communities come together and support each other in the face of overwhelming circumstances.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Solo Exhibitions 2018 «Material Longevities», Galeria Francisco Fino, Lisbon (upcoming) 2018 «Tris Vonna - Michell», Local Arte Contemporaneo, Santiago 2017 «From The Serralves Collection: Tris Vonna - Michell», Museu Serralves, Porto 2017 «PUNCTUATIONS & PERFORATIONS», La Verrière, Brussels 2016 «Register», T293, Rome 2015 «Wasteful Illuminations: Distracted Listening», Jan Mot, Brussels 2015 «Capitol Complex», Appleton Square, Lisbon 2015 «Tris Vonna - Michell», Overduin & Co., Los Angeles 2015 «Tris Vonna - Michell», Presentation House Gallery, Vancouver 2014 «Turner Prize 2014», Tate Britain, London 2014 «Postscript III (Berlin)», Metro Pictures, New York 2014 «Capitol Complex», TPW, Toronto 2014 «Tris Vonna - Michell», VOX Centre de l'image contemporaine, Montreal 2013 «Postscript II (Berlin)», Jan Mot, Brussels 2013 «Pebble Dash», T293, Rome 2013 «Capitol Complex», Jan Mot, Mexico City 2012 «Ulterior Vistas», BALTIC Centre for Contemporary Art, Gateshead (in collaboration with Inheritance Projects) 2011 «Tris Vonna - Michell», Metro Pictures, New York 2010 «Wasteful Illuminations», T293, Naples 2010 «Not a Solitary Sign or Inscription to Even Suggest an Ending», Overduin and Kite, Los Angeles 2010 «Tris Vonna - Michell», Capitain Petzel, Berlin 2010 «No more racing in circles — just pacing within lines of a rectangle», Focal Point Gallery, Southend - on - Sea 2009 «Capstans», Halle fur Kunst, Lüneburg 2009 «Finding Chopin: Endnotes», Jeu de Paume, Paris 2009 «Tris Vonna - Michell», Tensta Konsthall, Stockholm 2009 «Auto - Tracking: Ongoing Configurations», Jan Mot, Brussels 2009 «Tris Vonna - Michell», X Initiative, New York 2009 «Auto - Tracking - Auto - Tracking», Kunsthalle Zurich 2009 «Studio A: Monumental Detours / Insignificant Fixtures», GAMeC, Bergamo 2008 «Tris Vonna - Michell», Cabinet Gallery, London 2008 «Auto - Tracking», Kunsthalle Zurich 2008 «The Trades of Others», T293, Naples 2007 «Tall Tales and Short Stories», Cubitt, London 2007 «Puzzlers», Kunstverein Braunschweig Cuboid, Braunschweig 2007 «Tris Vonna - Michell», Witte de With, Rotterdam 2006 «Faire un effort», Palais des Beaux - Arts, Brussels 2006 «Down the Rabbit - Hole», Milliken Gallery, Stockholm

2001 Beyond Turners Road publication to accompany solo exhibition at Agnew's, London, with story commissioned from Iain Sinclair Jock McFadyen, A Book About a Painter, monograph by David Cohen with contributions from other authors, published by Lund Humphries 1999 From Orkney and Other Places, publication to accompany solo exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacother authors, published by Lund Humphries 1999 From Orkney and Other Places, publication to accompany solo exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard JacOther Places, publication to accompany solo exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacobson

Mostre Personali 2018 «Material Longevities», Galeria Francisco Fino, Lisbona (in programma) 2018 «Tris Vonna - Michell», Local Arte Contemporaneo, Santiago 2017 «From The Serralves Collection: Tris Vonna - Michell, Museu Serralves, Porto 2017 «PUNCTUATIONS & PERFORATIONS», La Verrière, Bruxelles 2016 «Register», T293, Roma 2015 «Wasteful Illuminations: Distracted Listening», Jan Mot, Bruxelles 2015 «Capitol Complex», Appleton Square, Lisbona 2015 «Tris Vonna - Michell», Overduin & Co., Los Angeles 2015 «Tris Vonna - Michell», Presentation House Gallery, Vancouver 2014 «Turner Prize 2014», Tate Britain, Londra 2014 «Postscript III (Berlin)», Metro Pictures, New York 2014 «Capitol Complex», TPW, Toronto 2014 «Tris Vonna - Michell», VOX Centre de l'image contemporaine, Montreal 2013 «Postscript II (Berlin)», Jan Mot, Bruxelles 2013 «Pebble Dash», T293, Roma 2013 «Capitol Complex», Jan Mot, Città del Messico 2012 «Ulterior Vistas», BALTIC Centre for Contemporary Art, Gateshead (in collaborazione con Inheritance Projects) 2011 «Tris Vonna - Michell», Metro Pictures, New York 2010 «Wasteful Illuminations», T293, Napoli 2010 «Not a Solitary Sign or Inscription to Even Suggest an Ending», Overduin and Kite, Los Angeles 2010 «Tris Vonna - Michell», Capitain Petzel, Berlino 2010 «No more racing in circles — just pacing within lines of a rectangle», Focal Point Gallery, Southend - on - Sea 2009 «Capstans», Halle fur Kunst, Lüneburg 2009 «Finding Chopin: Endnotes», Jeu de Paume, Parigi 2009 «Tris Vonna - Michell», Tensta Konsthall, Stoccolma 2009 «Auto - Tracking: Ongoing Configurations», Jan Mot, Bruxelles 2009 «Tris Vonna - Michell», X Initiative, New York 2009 «Auto - Tracking - Auto - Tracking», Kunsthalle Zurich, Zurigo 2009 «Studio A: Monumental Detours / Insignificant Fixtures», GAMeC, Bergamo 2008 «Tris Vonna - Michell», Cabinet Gallery, Londra 2008 «Auto - Tracking», Kunsthalle Zurich, Zurigo 2008 «The Trades of Others», T293, Napoli 2007 «Tall Tales and Short Stories», Cubitt, Londra 2007 «Puzzlers», Kunstverein Braunschweig Cuboid, Braunschweig 2007 «Tris Vonna - Michell», Witte de With, Rotterdam 2006 «Faire un effort», Palais des Beaux - Arts, Bruxelles 2006 «Down the Rabbit - Hole», Milliken Gallery, Stoccolma

My news story on the study includes cautionary comments from some other Antarctic specialists who warn that the long - term rise in seas is less relevant than what could happen in the next 100 years.

She also covers events or other stories for the paper as needed, but her primary project is «Faces of the Sea.»

Black swans aloft, episodesof Armageddon, or worse, tipping points, typhoons and other things adverse, in each episode, each new infilling of missing records, some new high, seas rising, (land subsiding edited out, it's deux ex machina in this story.)

In other words, there has been virtually no change in sea ice cover over the last 12 years, despite the fact that atmospheric CO2 has now surpassed 410 parts per million, a considerable and steady increase over levels in 2006 which were about 380 ppm (see below, from the Scripps Oceanographic Laboratory, included in the Washington Post story 3 May 2018):

Climate Central gets the story right with its story, «HOW WARMING WORSENED SANDY»S IMPACTS: Global warming made Hurricane Sandy more destructive than it otherwise would have been, through sea level rise, warmer ocean temperatures, and other influences.

In other words, the earth today is dangerously close to the temperature levels during that period when the sea levels were up to two stories higher than they are today, making a comprehensive climate agreement at the COP - 21 talks in Paris all the more urgent.

The fact that ice sheets will respond to warming is not in doubt (note the 4 - 6 m sea level rise during the last interglacial), but the speed at which that might happen is highly uncertain, though the other story this week shows it is ongoing.