Other abstract painters who belonged to the group included the likes of Willem de Kooning (1904 - 97), and Jackson Pollock, as well as the abstract sculptor David Smith (1906 - 65).
Not exact matches
Müller is often grouped with
other figurative
painters from the 1950s including Fairfield Porter and Bob Thompson -
painters who married
abstract expressionist technique and earlier influences, most notably the Nabis.
Curator Gary Garrels worked with six
abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by
other artists
who have influenced their thinking.
Unlike anything Malevich — or indeed any
other modern
painter — had done before, these geometric, completely
abstract works were a shock to everyone
who saw them.
In this exhibition six contemporary
abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — were asked to select one or two of their recent paintings to be shown alongside works by
other artists
who have had a significant impact on their thinking and the development of their practice.
But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six
abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by
other artists
who have had a significant impact on their thinking and the development of their own work.»
And as the prices for Pollock and Rothko paintings keep setting new records, auction after auction, many collectors are now looking at
other important
abstract painters from that era
who have, until now, been overlooked.
Other famous
painters who utilized collage included Jean Arp, Marcel Duchamp, Picabia, and the American
abstract expressionist Robert Motherwell.
«So Pasmore, in spite of his abortive pursuit of pure abstraction, joined the ranks of the British semi
abstract painters, Lanyon, Hilton, Scott, Hodgkin, and
others,
who can not commit to a full hearted abstraction, but in their irresolution on the question offer succour to all those
who hold on to that naturalistic spatial illusion, or hints of such, that keeps their work linked to the old English traditions of poeticised landscape reference»
«We work with some informed collectors in Uruguay, Argentina and Brazil
who have made a significant commitment to the art of Joan Mitchell, and to that of
other first - generation
abstract expressionist
painters.
In addition to those Vorticist members mentioned above, certain
other artists were closely associated with the movement including the much underrated
painter David Bomberg (1890 - 1957), the US - born sculptor Jacob Epstein (1880 - 1959),
who settled in Londin in 1905, and the American - born British photographer Alvin Langdon Coburn (1882 - 1966) noted for his avant - garde black - and - white
abstract photographs, known as Vortographs.
Ryman withheld the same level of praise for
other abstract painters, particularly Barnett Newman,
who, as far as Ryman was concerned, did not achieve the same strict nonrepresentation.
The most important monochromatic, richly nuanced paintings that are primarily made of one color, including works by Ellsworth Kelly
who, as one of the most radically
abstract painters, will be central in the display together with
other American artists like Nassos Daphnis, Marcia Hafif, Joseph Marioni, Allan McCollum, Steven Parrino, Stephen Prina.
The
other highlighted a «former
painter» (not sure what that means)
who fed a computer thousands of
abstract art images then had it create its own images based on what it learned.
Not terribly long ago I saw a late career retrospective of an elderly Chicago artist
who basically spent his whole life imitating the work of
other abstract painters.
Six contemporary
abstract painters each have been asked to select one or two of their own recent paintings to be shown with works by
other artists
who have had a significant impact on their thinking and the development of their own work.
It was named for Hans Hofmann, a revered teacher
who, although himself an
abstract painter, encouraged his students to experiment in
other styles and media.
Six contemporary
abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — select one of their own recent paintings as well as works by
other artists
who have been significant in their thinking about their work.
Two great artists bounce and fizz off each
other in an exhibition that compares Bridget Riley's early masterpieces of
abstract art with the 19th - century
painter who helped inspire them: Georges Seurat.