Sentences with phrase «other abstract painters who»

Other abstract painters who belonged to the group included the likes of Willem de Kooning (1904 - 97), and Jackson Pollock, as well as the abstract sculptor David Smith (1906 - 65).

Not exact matches

Müller is often grouped with other figurative painters from the 1950s including Fairfield Porter and Bob Thompson - painters who married abstract expressionist technique and earlier influences, most notably the Nabis.
Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.
Unlike anything Malevich — or indeed any other modern painter — had done before, these geometric, completely abstract works were a shock to everyone who saw them.
In this exhibition six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — were asked to select one or two of their recent paintings to be shown alongside works by other artists who have had a significant impact on their thinking and the development of their practice.
But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»
And as the prices for Pollock and Rothko paintings keep setting new records, auction after auction, many collectors are now looking at other important abstract painters from that era who have, until now, been overlooked.
Other famous painters who utilized collage included Jean Arp, Marcel Duchamp, Picabia, and the American abstract expressionist Robert Motherwell.
«So Pasmore, in spite of his abortive pursuit of pure abstraction, joined the ranks of the British semi abstract painters, Lanyon, Hilton, Scott, Hodgkin, and others, who can not commit to a full hearted abstraction, but in their irresolution on the question offer succour to all those who hold on to that naturalistic spatial illusion, or hints of such, that keeps their work linked to the old English traditions of poeticised landscape reference»
«We work with some informed collectors in Uruguay, Argentina and Brazil who have made a significant commitment to the art of Joan Mitchell, and to that of other first - generation abstract expressionist painters.
In addition to those Vorticist members mentioned above, certain other artists were closely associated with the movement including the much underrated painter David Bomberg (1890 - 1957), the US - born sculptor Jacob Epstein (1880 - 1959), who settled in Londin in 1905, and the American - born British photographer Alvin Langdon Coburn (1882 - 1966) noted for his avant - garde black - and - white abstract photographs, known as Vortographs.
Ryman withheld the same level of praise for other abstract painters, particularly Barnett Newman, who, as far as Ryman was concerned, did not achieve the same strict nonrepresentation.
The most important monochromatic, richly nuanced paintings that are primarily made of one color, including works by Ellsworth Kelly who, as one of the most radically abstract painters, will be central in the display together with other American artists like Nassos Daphnis, Marcia Hafif, Joseph Marioni, Allan McCollum, Steven Parrino, Stephen Prina.
The other highlighted a «former painter» (not sure what that means) who fed a computer thousands of abstract art images then had it create its own images based on what it learned.
Not terribly long ago I saw a late career retrospective of an elderly Chicago artist who basically spent his whole life imitating the work of other abstract painters.
Six contemporary abstract painters each have been asked to select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.
It was named for Hans Hofmann, a revered teacher who, although himself an abstract painter, encouraged his students to experiment in other styles and media.
Six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — select one of their own recent paintings as well as works by other artists who have been significant in their thinking about their work.
Two great artists bounce and fizz off each other in an exhibition that compares Bridget Riley's early masterpieces of abstract art with the 19th - century painter who helped inspire them: Georges Seurat.
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