Sentences with phrase «other actors spoke»

Other actors spoke on the condition of anonymity because they said they were asked to sign a non-disclosure agreement about the meeting.

Not exact matches

In an interview with Business Insider, Akshay Kumar — one of the most famous actors in Bollywood — said sexual misconduct is «everywhere» and that the allegations against entertainment stars in the US may encourage other women around the world to speak up.

EASTWOOD: As you probably noticed that was slightly operatic and the people were... I had other actors, were all different languages so everybody spoke their own language as we only had a $ 200,000 budget and so they didn't... Everybody... They didn't have time to do a lot of training or anything.

He spoke about his improv days, and how when actors are working together properly, they're all serving each other, playing off each other on a common idea.

He and a few others tried to argue that preaching was a performance and just as an actor can speak Shakespeare's lines, so a preacher can speak someone else's.

Emails, coupled with interviews and court documents, show Flynn was not a rogue actor, as the White House has suggested, but rather was in close touch with other senior members of the Trump transition team both before and after he spoke with the Russian ambassador, Sergey I. Kislyak, about American sanctions against Russia.

The actor James Cromwell speaks alongside other environmental activists in opposition to a fracked gas power plant planned for the Hudson Valley.

The actor spoke to one woman in a positive way — smiling, leaning toward her, using a warm tone of voice — and the other negatively, by scowling, leaning away and speaking in a cold tone.

He and his lead actors, including Cage and costar Anton Yelchin, did appear in photos online recently wearing t - shirts that read, «I have no comment on the film or others connected with the picture,» which isn't, strictly speaking, a criticism but sure doesn't feel like an endorsement.

Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.

Adams» response was so deeply - felt as to be difficult to watch, but it speaks to the depth of the connection that Philip Seymour Hoffman created with other actors.

With the actress in town as part of the impressive delegation representing Scandinavian filmmaking (including Mads Mikkelsen, Nicolas Winding Refn, Tomas Alfredson, Bille August and Tobias Lindholm — our interview here — among others) we spoke with Ms. Rapace about these and other projects, her impeccable work ethic and the importance for her of maintaining recurring relationships with actors and directors.

Like other nonconformist, iconoclastic actors such as Sean Penn and Joaquin Phoenix, Bale eschews playing the Hollywood celebrity game and doesn't care about how he is perceived publicly, wanting his work to speak for itself.

Other voice cast members include actor / spoken word artist Henry Rollins, Jason Isaacs (the Harry Potter films), Arnold Vosloo (The Mummy), Wade Williams (Prison Break), Kelly Hu (The Vampire Diaries) and professional wrestling legend «Rowdy» Roddy Piper!

It's essentially one long conversation mixed with relevant clips: De Palma speaks candidly to the camera about surviving Hollywood horror stories, the recurrence of actors who don't learn their lines, and other tricks of the trade he's learned along the way.

And while the acting really isn't top notch (Ritchie prefers real criminals playing actors, instead of the other way around), there are some great breakout performances by Jason Statham and Vinnie Jones, who are fast becoming hot commodities in the industry as we speak.

He films his characters» conversations at right angles, a two - shot with them facing each other, perpendicular to the camera, followed by medium close - ups of each actor as they face the camera directly and speak in turn, Green not cutting until they've finished what they have to say.

Speaking to EW, Franco talked about why he felt the need to maintain Tommy Wiseau's distinctive accent even when he was behind the camera directing the other actors.

He was reticent to speak about his motivations or give any evaluations of other actors» work, and his answers, when given, were chiefly indecipherable.

Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and using the (constant - and - never - moving as a way to allow viewers to focus on acting and the body rather than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention of digital shooting) camera merely as a functional recording - device rather than as an originator of instant meaning and knowledge as in Hollywood, this film remains the best summation of the truism that a longwinded presentation of several actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic language» is involved, in other words, the dreaded «merely filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach than any Hollywood mode of filmmaking but is more dramatic than any car chase.

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Bourne Dossier, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and other «top secret training material»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

While actors always say nice things about each other when they have movies to plug, Brolin speaks with authority here.

Tim Holt, the soft - faced, soft - spoken actor whose career was made up of B Westerns on the one hand, and on the other, a handful of starring and supporting roles in some of the greatest American films ever made.

MS: Speaking of the other actors, you have a great supporting cast, including James Caan, Blythe Danner and Marcia Gay Harden.

It might seem a hollow, too - clever trick, but the necessity to cram the frame — comparatively speaking, of course — gives the proceedings a lot of comic tension, as the actors are rarely more than a foot away from each other, and complements Anderson's tableau form of narrative shorthand — such as the proper introduction to one villain with a shot looking down at the weapons arranged on his desk — incredibly well.

Along the way Kwan introduces a fascinating array of relatively unknown figures (I'm especially intrigued by Maxu Weibang, a «uniquely perverse» horror specialist who worked in the Shanghai studios in the 30s) and also provides absorbing commentary by and about, among others, Hong Kong action director Chang Cheh and his disciple John Woo; Hong Kong directors Wong Kar - wai and Allen Fong; Taiwanese directors Hou Hsiao - hsien, Edward Yang, Ang Lee, and Tsai Ming - liang (most of them speaking about their fathers or children and how these relationships inflect their films); older mainland directors such as Xie Jin; and actor Leslie Cheung (critiquing some of his own pictures).

There are exceptions, of course (like Bernal and Luna) and the Latino market at least has the benefit of a really large and natively Spanish speaking film community that it can fall back into but, seriously, name a latino character actor other than Luis Guzman.

We spoke with the veteran DP about working in horror, collaborating with other artists, and why actors shouldn't feel restricted by what is on their storyboards.

We had each student speak as their character and practiced accepting other actors» choices.

On the other, as long as they keep Link silent and found good enough actors to speak for the supporting cast, it would make the world a little more engadging and believable, as voices would add a whole other layer to characters personality.

I was able to speak to investment bankers, financial planners, actors, deans of colleges, engineers, and other people by sending them short emails like this:

Britton Newell speaks of a triangular relationship between artist, scientist and other human actor (farmer, freediver, synaesthete, or person living with HIV), while Sonia Levy, and other artists I've spoken to, see successful collaboration as an «exchange».

I'm catching up with the «Nature is Speaking» education push by Conservation International, featuring a set of videos in which actors give voice to the oceans, rain forests and other beautiful and bounteous facets of the planet's sheath of life.

Other famous actors including Cameron Diaz and Sharon Stone have filed and won defamation lawsuits because of false written and spoken statements that damaged their reputations as well.

In other words, in the world where anyone can memorize scripts and speak words, do you have what it takes to become a better actor?

We speak with actors from the films, the Clone Wars, and Star Wars Rebels, as well as other podcasts and fans.