Ephemera
comprises much of the show, and it's crammed into every nook of the galleries: there is the exhibition
announcement for Ms. Lippard's legendary 1966 exhibition «Eccentric Abstraction,» which included organic, tactile work by Eva Hesse, Louise Bourgeois and
others as the feminist counterpoint to minimalism; an issue of Aspen Magazine devoted to minimalism; and documentation of Richard Serra's famous molten iron piece Splashing (1968).