Sentences with phrase «other borrowed images»

Other borrowed images include a Barnett Newman print at the upper right, a Swiss avalanche warning sign, two ceramic vessels, and an optical illusion that oscillates between a young maiden and an old crone as one stares at it.

Not exact matches

For no matter how many concepts, images, and phrases were borrowed and adopted from other religions, and no matter how superficial their reception has often been, there is a new center here.

When not leaning hard on ideas borrowed from the Paranormal Activity series — the doors that open on their own, the surveillance - camera footage, the sound design that clearly cost more than any other part of the movie — Lincoln scares up a few potent images that contrast the sterile dream - home interior with an entity that manifests itself via rot and mold.

Furthermore, it's clear from the images that the project is doing some liberal borrowing from other Konami properties.

by Walter Chaw Less a portmanteau than a Tarantino time - shift / overlap, Trick» r Treat is a handsomely - mounted bit of fluff that dribbles out like the Cat's Eye redux for which no one was clamouring, with more than a few images borrowed from other Stephen King errata such as Creepshow and Pet Sematary.

Some of the images and ideas have been borrowed from other resources.

The Michigan eLibrary provides all Michigan residents with free access to online full - text articles, full - textbooks, digital images, and other valuable research information at any time via the Internet; and provide an easy - to - use interlibrary loan system to allow Michigan residents to borrow books and other library materials for free from participating Michigan libraries.

People can add their own and borrow other folks images into a comprehensive collection.

In our case, it's a way to test our ability to think about games outside everyday terms, using original language, interpreting images, sounds, and ideas in ways that only we could imagine, that we have not borrowed from others.

Other works, painted from magazine photographs and snapshots, such as the Portrait d'un couple (ca. 1942 - 43), blandly reproduce their borrowed artificial compositions wholesale, definitively neutralizing any of the meaning the image in its original form may once have yielded.

The others are Ciara Phillips, who creates workshop installations with screen prints, textiles and photographs; James Richards, who makes and borrows film and images to create video installations; and Tris Vonna - Michell, who delivers fast - paced spoken word performances.

... [while other images] celebrate Africa as a continent in which the geopolitical boundaries imposed by European colonial authorities were completely dissolved... [giving] artists the freedom to... borrow visual icons from any part of the continent... This exhibition has been organized with Pace Primitive, New York, and is accompanied by a fully - illustrated color catalogue with an essay by Dr. Nnamdi Elleh, Assistant Professor of Architecture History and Theory at the University of Cincinnati, Ohio.

In very different ways Michael Dean, Anthea Hamilton, Helen Marten and Josephine Pryde all create situations and tell stories, via sculpture, photographs and other kinds of images, manufactured objects, the found, the handmade and the borrowed.

Film stills, digital images and other found, stolen or borrowed visual materials are brought together to extend contemplation of familiar scenes.

«Take It or Leave It,» Ellegood explains, aims to challenge power structures and social - cultural institutions — be it politics, media, racism, sexism or art museums themselves — through artists who borrow and re-contextualize images, text and other elements from pop culture and fine art, among other places, to make a conceptual point.

He integrates conceptual photography with commercial work, including out - takes from his own shoots and borrowed images already in circulation in other contexts.

Many of the images and variant proof impressions are borrowed from the artist; other works are from the Zimmerli Art Museum's collection or from other museums and private holdings.

Cartagena's «Transparencias» and his other uses of anonymous portrait photos may borrow from French artist Christian Boltanski, who has long used such images to evoke the nameless, unnumbered casualties of war and the Holocaust.

Borrowing images from others can be risky, and can result in lawsuits.