Sentences with phrase «other characters in the film seem»

Other characters in the film seem to exist solely to push him towards his redemptive finale, such as James Purefoy's King George VI, the one man to whom Churchill shows deference, or Ella Purnell as a meek secretary whose emotional outburst rouses him to action.

Not exact matches

The other major flaw is that so much time was spent in this movie on it's stylistic looks which as i said earlier were flawless but so much time and effort was spent on these that it seems to have taken away from the character development side of the film.

And for some reason half of the film is in Spanish, which is rather disjointing and makes the different character plots seem disconnected from each other.

In fact, the people who seem to understand each other best, our title character, remain almost complete strangers to each other throughout the film.

Most of Lady Bird's teen characters are united by these and other populist totems (in one adorable departure from a world of cultural verisimilitude, Sacramento seems to be a haven for Stephen Sondheim nuts), but the film finds them increasingly aware of the highly visible class markers that separate them.

Most of his other early roles are disappointing, either showing his tendency to go overboard (his lawyer in «Criminal Law» is more over-the-top than Kevin Bacon's psychopath) or select roles in films where eagerness trying on new accents and psychological profiles seem to overshadow coherent character work («Chattahoochee»).

He's living in the San Fernando Valley and has three best friends, who all seem like stock characters from other, better films.

Director Todd Louiso, screenwriter Gordy Hoffman, and star Philip Seymour Hoffman play nicely off each other in a feature - length commentary in which the film seems to reveal itself anew to the self - effacing trio, who revel in psychoanalyzing Love Liza's characters and, when you get down to it, defending them.

The film seems to be about a bunch of different characters that have had different troubles with the law in the 1970s, centering on two brothers, one a convict and the other a cop.

Sure, characters like Hawkeye or Black Widow could have cameos in other films, but big, marquee characters being part of another's movies seems unlikely.

At first, the prospect of characters in the MCU interacting in - depth with each other in films seemed like something that would only happen in during the Avengers movies.

In the conversations I've had with others who have seen the movie, I was amazed to find that, in discussing who this film actually belongs to — whose story it is — everyone seemed to identify with a different characteIn the conversations I've had with others who have seen the movie, I was amazed to find that, in discussing who this film actually belongs to — whose story it is — everyone seemed to identify with a different charactein discussing who this film actually belongs to — whose story it is — everyone seemed to identify with a different character.

In Shanghai Blues, they're almost always in the same space, often literally not seeing each other but just as often looking right at and not recognizing each other, while at the same time every peripheral character in the film seems to be actively attempting to avoid being seen by someone elsIn Shanghai Blues, they're almost always in the same space, often literally not seeing each other but just as often looking right at and not recognizing each other, while at the same time every peripheral character in the film seems to be actively attempting to avoid being seen by someone elsin the same space, often literally not seeing each other but just as often looking right at and not recognizing each other, while at the same time every peripheral character in the film seems to be actively attempting to avoid being seen by someone elsin the film seems to be actively attempting to avoid being seen by someone else.

The diminutive and demure Vorspan, playing a character who seems like she's from a Todd Solondz film by way of the Farrelly brothers (or perhaps the other way around), is a real treat — cracked and vulnerable in a uniquely compelling way.

West is a talented actor in his own right, primarily known for his work on both The Affair and The Wire, and he should be able to bring the right kind of weight to a role that seems like it'll hold some serious gravitas over Lara and the other characters in the film.

In many other Coen Brother's films, they sometimes seem to view their rural characters and settings from a somewhat superior distance, like incredulous anthropologists.

In other films, such as yet another Payne - directed road trip movie, Sideways, there were certainly just as many events that play for laughs, but those seemed to stay true to the characters and the scope of the film.

The negatives I'm seeing are a lack of character development, clinical tone, and violence, which to me seems like Yorgos» other films being criticized in the same way.

Say what you will about the artistic merits of a film like Nine 1/2 Weeks — an obvious comparison — but the characters played by Mickey Rourke and Kim Basinger seemed, at a minimum, to enjoy being in each other's presence.

Marvel films now deliver on what seems like an absolute obligation to integrate multiple characters from other storylines into one film, and the additions of Ruffalo's Hulk, along with Benedict Cumberbatch's Doctor Strange in the early section, are welcome ones.

At times, he genuinely seems sympathetic, mainly because we spend more time with him than most other characters in the film.