Sentences with phrase «other contemporary artists making»

Not exact matches

In a new book, My Name Is Charles Saatchi and I Am an Artoholic (out next month in the United States from Phaidon Press), Saatchi partially lifts the veil on his life by answering questions on topics ranging from his favorite artists to his influence on the contemporary - art market and other collectors to what makes him laugh.

Contemporary artists have made work depicting graphic sexual acts, damaging property, injuring their own bodies, or paying others to alter theirs.

The atmospheric townhouse was designed by Soane himself, and houses an impressive collection of Egyptian, Greek, and Roman antiquities — ancient works, yes, but ones that have proven an inspiration to contemporary artists like Fiona Tan, who made a haunting recent film about the museum, and others.

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

Other exhibitions such as «It Takes a Nation: Art for Social Justice: With Emory Douglas, and the Black Panther Party, Africobra, and Contemporary Washington Artists» at American University in Washington, D.C., and «Ruddy Roye: When Living is a Protest» at Steven Kasher, make the connection between earlier black rights movements and today's Black Lives Matters activism.

Other contemporary artists who have made screen prints are Ryan McGinness, Takashi Murakami, Sarah Lucas, and Keith Haring.

Tour - goers will learn that this reaction only made Mrs. Whitney more determined to succeed in her own work and in her support of other artists, showing small exhibitions of their work, hosting art competitions and amassing a collection of more than 600 works of contemporary American art.

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?

The exhibition presents over 50 historical and contemporary artists who make use of dolls, toys, mannequins, robots and other surrogates to create an expressive genre.

«Artists like Nina Chanel Abney and Titus Kaphar address contemporary issues and allow visitors to make connections with other works in our collection.»

21c Nashville features a wide range of gallery spaces, all highlighting the work of contemporary artists, and many showcasing cutting - edge audiovisual technology making it a unique venue for board retreats, executive meetings, cocktail gatherings, reception dinners, charitable events, weddings and other special occasions.

Steinberg's response to that landmark text was the 1962 Harper's essay «Contemporary Art and the Plight of its Public,» in which he made a startlingly democratic appeal: «May we then drop this useless, mythical distinction between — on the one side — creative, forward - looking individuals whom we call artists, and — on the other side — a sullen, anonymous, uncomprehending mass, whom we call the public?»

Other contemporary artists who are keen on the late Belgian include Shahryar Nashat and Uri Aran, who have been awarded commissions by the Walker Art Center to make a series of Broodthaers - inspired films.

A plan for the contemporary arts center began to emerge that would include a large gallery and exhibition space, a multidisciplinary artist residency program, and shared art - making facilities amid other programs and events.

While I'd love for the Museum of Fine Arts, Houston to pass on one of its never - ending «once in a lifetime» opportunities to rent other museums» Impressionist collections, it's hard to see how San Antonio's interests don't include giving the city its first look at a significant concentration of works by the artist Green has argued made the most important painting of the 20th century — especially since SAMA's contemporary collection includes painters such as Hans Hofmann and Richard Diebenkorn whom Matisse influenced.

Alongside this exposure to contemporary and international art, artists and curators from all over the world are invited to come to Limerick to make new work, engaging with the city, and building bridges to other personal, social, political and environmental contexts.»

M. K. Flavell, in George Grosz: A Biography, said of Mr. Cenedella that «no other artist chronicles the everyday life and the changing rituals and mythologies — of sex, sport, art, politics, money - making in contemporary America — with his combination of imaginative vitality, precision, and humor.»

He has also participated in group exhibitions that include, among others, 11th Triennial of Small Scale Sculpture, Fellbach, Germany (2010); BIENNALE CUVÉE 10, World Selection of Contemporary Art, OK Offenes Kulturhaus OÖ und Energie AG OÖ, Linz, Austria (2010); Making Worlds, the 53th Venice Biennale, Venice, Italy (2009); The Generational: Younger Than Jesus, New Museum, New York, USA (2009); Breaking Forecast: 8 Key Figures of China's New Generation Artists, Ullens Center for Contemporary Art (UCCA), Beijing, China (2009); China China China!

Represent culminates with a wide - ranging array of portraits created by several generations of artists, from those active over a century ago to those making work today, as well as audio excerpts of interviews with contemporary artists Moe Brooker, Barkley L. Hendricks, Odili Donald Odita, Joyce J. Scott, and others.

Deitch claims to be the first person to have bought Basquiat («five little drawings for $ 50 each»), midwifed the incredible ascent of Jeff Koons, forged the loss - leader gallery model of supporting exciting and attention - getting but deeply weird work with an aggressive backroom secondary - market hustle, helped give Art Basel Miami its bacchanalian gloss with his annual music - art extravaganzas (Fischerspooner, Devendra Banhart, Santigold, Chicks on Speed), and abetted the process by which the contemporary - art museum became a showcase and playroom for private collections, many of which he helped assemble, in part with work from artists he made stars: Vanessa Beecroft, Cecily Brown, Dan Colen, Shepard Fairey, and Miranda July, among many others.

«Intersections of Art and Architecture,» Catalyst Iowa, Des Moines, IA, November 11, 2009 «Temple Exercises: A Building Performance,» Levine Museum of the New, South Charlotte, NC, October 29, 2009 «Arts and Activism in St. Louis, Detroit, and Chicago,» Little Black Pearl Art & Design Center, Chicago, IL, October 1, 2009 «Representations Series,» Experimental Station and Illinois Humanities Council, Chicago, IL, April 10, 2009 «Artist talk with «Temple Exercises» fabrication team,» Little Black Pearl, Chicago, IL, January 10, 2009 «Shacks, Sheds, and Other Small Spaces,» University of North Carolina, Charlotte, NC, 2009 «Symposium on Contemporary Painting, Performance,» University of Illinois, Champaign - Urbana, IL, 2009 «Unpacking Yamaguchi, Myth, Ecstasy and the Black Church,» School of the Art Institute, Chicago, IL, 2009 «Why Make Art Now,» Performance Studies, School of the Art Institute, Chicago, IL, 2009

Other notable junk artists included the Indiana - born sculptor John Chamberlain (b. 1927), whose works included Untitled (1964, painted steel with chrome, Nice Museum of Modern Art), Untitled (1968, sheet metal, National Gallery of Modern Art, Rome) and Koko - Nor II (1967, Tate Collection London); the English photographer and sculptor Joseph Goto (1916 - 94); the American Richard Stankiewicz (1923 - 83), noted for his witty Middle Aged Couple (1954, Museum of Contemporary Art, Chicago); and the sculptor and film - maker Bruce Conner (1933 - 2008), noted for his spooky constructions made from broken dolls and old stockings.

Presenting new ideas of permanence, perspective, scale, and realistic depiction, these artists ignore the assumptions that contemporary representational painting lacks the cerebral qualities inherent to other modes of art making.

The Suzanne Deal Booth Art Prize, established in summer 2016, is an unrestricted award conferred every two years to an artist selected by an independent advisory committee made up of curators, art historians, and other contemporary art specialists.

His distinct perspective is what makes his work so noteworthy and over three decades later, his photos still resonate with the contemporary generation of artists, as evidenced by the contributions from Wes Anderson and other art world creators, each of whom command their own chapters of the new body of work.

In the course of over 20 years she has founded the Israel Museum's international contemporary art collection and curated numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museumcontemporary art collection and curated numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel MuseumContemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel MuseumContemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel MuseumContemporary Art from The Israel Museum, Jerusalem.

Louise Nevelson, Malvina Hoffman, Cleo Hartwig, Minna Citron, Nell Blaine, Dorothy Dehner, Alice Neel, Marisol, Pat Adams, Judy Chicago, Miriam Schapiro, Janet Fish and Audrey Flack, and other contemporary talented artists joined the organization making NAWA valid force in its time.

Few contemporary artists, if any others, can make a viewer think one minute of Henri Matisse and the next of British conceptual cartoonist David Shrigley, as Tucker Nichols does in a show of new paintings and drawings at Gallery 16.

Selected group exhibitions include It Is What it Is, National Gallery of Canada, Ottawa (2010); Following a Line, Contemporary Art Gallery, Vancouver (2010); 17th Sydney Biennial, Sydney (2010); Cubes, Blocks and Other Spaces, Musée d'art contemporain, Montréal (2009); GETTING EVEN: Oppositions & Dialogues in Contemporary Art, Kunstverein Hannover (2009); eXponential Future, Morris and Helen Belkin Art Gallery, Vancouver (2008); Modelle für Morgen, European Kunsthalle, Cologne (2007); Canada Dreaming (Desires And Ideas For The Future By Artists Of The Biggest Country In America), Kunstverein Wolfsburg (2006); Die Jugend von heute / Youth of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000).

The prize, to be awarded every other year, will be open to artists who have made «a significant contribution to contemporary sculpture».

Cofounded by curators Roxana Marcoci and Eva Respini on February 16, 2010, and conceived as an experimental platform for free - form critical discussions, MoMA's forums on contemporary photography are designed to encourage debate about the perspectives and scope of still and moving images and other forms of picture - making among leading artists, curators, and theorists in the field.

Many contemporary artists work in collaboration with others to make their work.

Known for her exquisite and revealing self portraits as well as her interpretations of other people in her life, Morgan's body of work redefines the genre of contemporary portraiture, making her one of the most exciting young artists in contemporary art today.

He continued to work regularly with two of the most important American contemporary artists: Christopher Wool, who had his first solo exhibition at the gallery in 1989, showing word paintings among others, and Jeff Koons — everyone in Cologne remembers his exceptional exhibitions Banality of 1988 as well as Made in Heaven in 1991.

Combining desolate landscapes with trite romantic phrases taken from popular movies, Roland Barthes» poetry, or other contemporary media made out of neon lights, Korean artist Jung Lee establishes herself as one of the prominent voices on contemporary scene.

IAN BERRY: The other new things are we invited four contemporary artists to make response pieces to the themes of our four sections.

Supported by a catalogue essay in which the curator Catherine Lampert discusses their habits and methods and introduces previously unseen writing by the artists, the exhibition will look at the way their conversations impacted on the development of their work, demonstrating that despite their wide - ranging styles they are each linked by a desire to catch what Bacon describes as «the mystery of appearance within the mystery of making», and in doing so broke new ground in contemporary painting The exhibition includes major works by each artist, several borrowed from public collections, among them Francis Bacon's Pope I 1951 from Aberdeen Art Gallery, David Hockney's Man in a Museum 1962 from the British Council and others like Frank Auerbach's Primrose Hill, Winter Sunshine 1962 - 64 and Euan Uglow's Nude, Lady C 1959 - 60 which have not been seen in public for many years.

Nevertheless, like his contemporary Paul Klee and others artists at that time, Dubuffet was fascinated by art made outside the art establishment like children's drawings and art by the mentally ill.

He had the idea, and he sent it out to be made by others, a concept contemporary artists such as Damien Hirst and Takashi Murakami have also adopted.

He had the idea, and he sent it out to be made by others, a concept that contemporary artists such as Damien Hirst and Takashi Murakami have since adopted.

Along with other contemporary, postmodern artists - Lara Schnitger, Shinique Smith and Sonia Gomes - they extend the use of fabric in a more assertive engagement with expansive space, and draw influences from the fashion of leather and lace (Schnitger); bold, psychedelic color (Smith, Barlow and Gomes); and pom - pom girl language (Barlow), with a touch of irony they inherit from Mike Kelley - who, of course, made fabric, traditionally used by women sculptors, famous.

The exhibition Fuel to the fire forms a bridge between the two figures Ricardo Brey unites within himself: on the one hand the historical artist at a crucial time in the history of Cuban art, and on the other the artist who lives and works in Flanders, and makes work that is highly contemporary, critical to the consumption of images and the slickness in which they now tend to dress themselves.

The program's main goals are to provide a stimulating and supportive environment in which students can thrive and develop as artists, to foster rigorous critical engagement with contemporary art and other cultural forms, and to produce an ongoing conversation, through work as much as through words, about what we make, how we make it and why.

Christie's contemporary evening sale made history last night in grand style, storming through its 72 lots to realize a world record $ 495 Million sales total that included new auction records for Jackson Pollock, Roy Lichtenstein, Jean - Michel Basquiat, and 13 other artists, aided auction house's impressively assembled catalog.

Notable group exhibitions include «Belief in Giants,» Miles McEnery Gallery, New York, NY; «Shift,» Denk Gallery, Los Angeles, CA; «Variations: Conversations in and around Abstract Painting,» curated by Franklin Sirmans, Los Angeles County Museum of Art, Los Angeles, CA; «Making Sense: Rochelle Feinstein, Deborah Grant, Iva Gueorguieva, Dona Nelson,» curated by Margaret Miller, USF Contemporary Art Museum, Tampa, FL; «Graphicstudio: Uncommon Practice at USF,» curated by Jade Dellinger, Tampa Museum of Art, Tampa, FL; and «Desire: Six Los Angeles Artists,» Pasadena Museum of California Art, Pasadena, CA, among others.

The reason that I have made it «Beer with a Painter,» as opposed to other artists is that I thought that contemporary painting wasn't being given the attention, institutionally - within the museum world, and art historically.

Recent noteworthy exhibitions include: Fleming's «Making Places,» exhibited at the Center for Contemporary Arts, Santa Fe and her touring exhibition showcasing the artist's extensive and intricate maquette series entitled, «Linda Fleming: Modeling the Universe» originating at the Nevada Art Museum and Drawn To / Drawn From: 1967 to 2012 at Oats Park Art Center, Fallon, Nevada; «Glimmer,» a site - specific sculpture for the Oakland Museum of Art, exhibited in the OMCA's iconic sculpture gardens; and Robischon Gallery's 2016 exhibition «DECLARATION,» in which Fleming's work was exhibited alongside other historically - important and esteemed artists such as: Louise Bourgeois, Helen Frankenthaler, Yayoi Kusama and Joan Mitchell.