Sentences with phrase «other critics noted»

Other critics noted with genuine puzzlement that the title character manages to be compelling in spite of her moral goodness.

Other critics note that her schools tend to serve fewer special education students and nonnative English speakers than surrounding neighborhood schools.

Not exact matches

The biggest shortcoming, as other critics have also noted, is that the iPad Air 2 doesn't bring new functionality to the iPad, such as multitasking.

Critics also noted that HP made its announcements on a day when it also released a quarterly earnings report that revealed new weaknesses in other segments of its business.

I consider this an ambiguous gift: on the one hand, postmodern tendencies open up spaces for the new perspectives and voices mentioned above; on the other hand, as the social critic Jane Flax notes, a hard - core kind of postmodernity which would postulate the death of history, of the human being and of metaphysics undermines the kind of critical reason that is necessary to counter the «master narrative» constituted by capitalist globalization.

I recently read the book «Punished by Rewards: The Trouble with Gold Stars, Incentive Plans, «A's, Praise, and Other Bribes» by Alfie Kohn, a noted author and outspoken critic of traditional education, including grades, test scores, and homework.

Note: I'm be curious to hear the views of respected, longstanding critics of the fast food industry like Marion Nestle (Food Politics), Michele Simon (Appetite for Profit) and others.

In the wake of the prostitution scandal that eventually forced him from office, Spitzer came under fire for (among other things) hypocrisy, with critics noting that he had busted at least two prostitution rings when he was AG and portrayed himself as a champion of women's rights.

Past New York City mayors often dismissed critics and refused to admit fault, but advocates, elected officials and others have noted a shift under Mayor Bill de Blasio.

Some critics questioned the mutation rate the authors applied, and others noted that the sharp decline could have occurred eons ago — a point Roman and Palumbi don't dispute.

With The Spectacular Now «s Miles Teller in the role of a young drummer, many critics note that the film provides its other star, J.K. Simmons, a near - perfect vehicle for the former J. Jonah Jameson's brand of half - screamed scolding.

The Critics» Choice Awards have lined up with the Oscars in six of the last seven Best Pictures, but it's worth noting that the Broadcast Film Critics Association spread the wealth around with genre awards to the other Oscar favorites, Gravity (Best Sci - Fi / Horror Movie) and American Hustle (Best Comedy).

Other critics, like Entertainment Weekly and USA Today were quick to note that while the film is undeniably fun, it doesn't always take itself seriously enough.

The Atlantic piece ends by reminding us that «the absence of women film critics has been in the news recently thanks to Meryl Streep, who questioned in October how having so few women writers might affect the reception of female - centric films,» while noting that «There are no headlines recently about the representation of other races or sexual orientations, though they deserve many of their own.»

Other critics of the Brown Center report noted that NAEP may not be the best means for measuring the common core's effect.

My novel The Rescuer's Path came out this January, with glowing cover comments from Ursula Le Guin («exciting, physically vivid, and romantic»), Cheryl Strayed («held me from the first page to the end»), and many other noted authors whose opinions, one would think, would count with the media; yet, except a notice in Small Press Review («lyrical and poetic, the characters vividly drawn, the story captivating») and elsewhere, and mostly 5 - star Amazon reviews, media critics and bookstores will not so much as open the book.

Coker and others who say that Howey frequently is soft on Amazon as its «partisan» will want to take note that in this case he is taking his place now beside other critics of Amazonian exclusivity.

I read a lot professionally, so when I read for pleasure, I want to detach from work or other external responsibilities (I should note that as a social scientist and a critic I'm never fully detached from what I do for work or professionally, but there's still a difference in intent that is important when it comes to reading).

News & Notes is a weekly Saturday post featuring book - and publishing - related news, links to interesting articles and opinion pieces, and other cool stuff Book News Michiko Kakutani, Chief «Times» Book Critic, Steps Down After Nearly 4 Decades (NPR Books) «Sensational» lost play by Peter Pan author JM Barrie published... Read more»

Wayne Koestenbaum has published nineteen books of poetry, criticism, and fiction, including Notes on Glaze, The Pink Trance Notebooks, My 1980s & Other Essays, Hotel Theory, Best - Selling Jewish Porn Films, Andy Warhol, Humiliation, Jackie Under My Skin, and The Queen's Throat (a National Book Critics Circle Award finalist).

«It is beauty that we experience with Villareal's work, at times haunting and mysterious, at other times voluptuous and grand,» writes noted critic and scholar Michael Rush in his essay.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The exhibition will be accompanied by a fully illustrated catalogue published by Lund Humphries, with contributions from Shanay Jhavery, Associate Curator at the Metropolitan Museum of Art, and Geeta Kapur, noted critic and art historian, among others.

So while critics gave these black paintings a lukewarm reception — Pollock, says Delahunty, was devastated — other artists took notes: «They were seen by Helen Frankenthaler, Frank Stella, Ad Reinhart, Robert Ryman, Morris Lewis, Kenneth Noland.»

The 93 - year - old painter will present small - scale portraits (made in the sixties and seventies) of noted critics, curators, and other artists, nude, with big heads of bad hair, and flowery clothes.

Other famous 20th century art critics in the United States included the so - called formalist Clement Greenberg (1909 - 94), his rival Harold Rosenberg (1906 - 1978)- who tended to focus on the content and circumstances of the artwork - the conservative John Canaday, art critic of the New York Times, and Leo Steinberg (1920 - 2011)- the critic and Renaissance historian, noted for his scintillating lectures, his clarity of writing and his book Other Criteria: Confrontations with 20th Century Art.

[note 4] Gurr's contributions to these shows drew the attention of two critics from the New York Times, [18] one of whom said she appeared to abandon herself to the rich beauty of her medium [21] and the other that her still lifes were excellent.

The centerpiece was a room of materials relating to the Thousand - Yen Note Trial, which saw artists and critics — as well as artworks — making appearances in court to defend Akasegawa, who was charged with counterfeiting after police found out about the invitation to his 1963 solo exhibition at Shinjuku Dai - ichi Gallery, «On the Ambiguous Ocean,» featuring a reproduction of a 1000 - yen note on one side, and exhibition information and other motifs on the reveNote Trial, which saw artists and critics — as well as artworks — making appearances in court to defend Akasegawa, who was charged with counterfeiting after police found out about the invitation to his 1963 solo exhibition at Shinjuku Dai - ichi Gallery, «On the Ambiguous Ocean,» featuring a reproduction of a 1000 - yen note on one side, and exhibition information and other motifs on the revenote on one side, and exhibition information and other motifs on the reverse.

Some say thermometers are flawed and the world isn't warming much, others that warming and cool spells are the result of solar vagaries, ocean cycles or simple random variability in a sloshy system (basically anything but greenhouse gases, their critics note).

While it's not sci fi, one critic, a former upstate New Yorker now living in Canada, noted the other day: «Kunstler's latest book, a novel, is a western disguised as a future dystopia.»

Obama dismissed those critics, noting the same arguments have been used in the past when the U.S. has taken other steps to protect the environment.

However, if Obama was to secure a second term, critics note, contentious issues like carbon taxes and other potentially unpopular «green» policies may come full force.

If the Anon is the same here as in other threads, I'll note that I'm not particularly one of the «scam bloggers» you seem to imagine in your head to be the only critics of legal academia.