Sentences with phrase «other curators who»

Norden tried to represent Ruscha at the 2003 Venice Biennale, and she and several other curators who were passed over two years ago have modified their proposals and are waiting to hear whom, if anyone, they can resubmit them to.
The Seminar offers curators from around the world an unparalleled platform of exchange and discussion, and the opportunity to connect with other curators who share their concerns and research interests.
It's great to sit with these other curators who are operating at a much higher level certainly than I am and have conversations and hear their responses to work.

Not exact matches

However, from looking through other dusty records elsewhere in the basement of the British Museum, you discover some notes from an earlier curator, who had also observed the box.
Scenes focus on curators from other sections of the museum who see fashion as a lesser form.
Re Lucian's concern i think publishing will continue to morph and new alliances of writers, journalist, curators, illustrators, translators and social & mobile geeks will collaborate on ways to create ebooks, enhanced ebooks, interactive books — and additional distribution channels along with amazon... and increasingly what we create can be agnostic of technology, available on any devise, Mathew's coverage has been in - depth, up - to - date and writing for a wide audience... as a former JSJ reporter who is interested in this area i am in awe of his writing, and thankful for it, like so many others here evidentally are... maybe you, Matthew, will author your own Amazon - supported book?
Join others who are outraged and let the Guggenheim curator know your thoughts.
As she was explaining how she was blown away by the number of collectors who had made the trek from other countries, up walked Paul Lang, the deputy director and chief curator of the National Gallery of Canada in Ontario.
These issues are hardly confined to race, of course — curators of exhibitions on gender, nationality, and other aspects of identity routinely encounter artists who decline to participate because they don't want to be considered in the context of «women artists,» «Jewish artists,» and so on.
«By her obsession, she opens herself to others,» said Akira Tatehata, the president of the Kyoto City University of Arts and a curator and art critic who has been a key supporter of Kusama's art.
Tiffany Bell and Frances Morris — the loving curators who put the London survey of her work together — include 1954's Untitled, with its Adolph Gottlieb — like shapes and a few other paintings of its kind, the better to show what it looked like as Martin moved away from the body and into drawing something more ineffable — nature, or more specifically, the cosmos at the heart of the natural world.
Curator Leah Dickerman should be applauded for guiding the viewers towards so many lesser - known artists and skillfully demonstrating that beyond the super stars of early Modernism (Moholy - Nagy, Kandinsky, Larionov, Delauney, Malevich, Kupka, Hartley, Leger, Mondrian, Picasso, van Doesburg, etc.) stood many others who defined, developed and promoted the innovations of the first decades of the 20th century.
Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.
One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.
UMOCA will also provide residents with private meetings with national curators, critics, and other art world professionals who will be brought to UMOCA specifically to give our residents opportunities for higher visibility inside and outside the state.
The collections of British furniture and other decorative arts have been assembled for well over a century according to the tastes of such New York collectors as Judge Irwin Untermyer (1886 — 1973) who, in the assessment of Luke Syson, curator in charge of European sculpture and decorative arts at the Met, «put together the greatest collection of British works of art formed in 20th - century America».
As former Venice - and Whitney - biennial curator Francesco Bonami puts it, «They're like those in the fashion world who only follow the last collection and are content to have their shows look like those of other museums.»
We are delighted to share with you that new works by Paula Rego for The Boy Who Loved the Sea and Other Stories have now been selected by our guest curator, Colin Wiggins.
Known in six other cities as Hauser & Wirth, the Los Angeles gallery is marked by the addition of partner Paul Schimmel, who previously worked as chief curator of the Museum of Contemporary Art in downtown L.A., now across the street from the Broad.
Their donation of $ 3 million will endow the Chief Curator position held by Anthony Elms, who joined ICA in 2011 from Performa where he was part of the organizational team behind the 2011 visual art performance biennial in New York, along with other independent curatorial projects.
Come September, Stuart Comer, who is currently the film curator at the Tate Modern, will be assuming the new role of chief curator of media and performance art at MoMA, an institution that's seen a considerable amount of success with its recent performance art initiatives like Marina Abramovic's «The Artist Is Present,» among others.
Guest curator Anjali Gupta presents work by San Antonio artist Megan Harrison, who «has installed a number of vaulting forms in the gallery — each like a five sided crystal, some diminutive, others towering.
The New Museum's exhibition «Carol Rama: Antibodies» and the Met Breuer's exhibition «Marisa Merz: The Sky Is a Great Space» give long - overdue attention to these two distinct artists who might be said to occupy, in the words of critic and curator Lea Vergine, «the other half of the avant - garde.»
We discuss webinars with 25 art world experts; gallery owners, art critics, museum directors, curators, art consultants, successful artists, and others who demystify the art world.
The other relevant person was curator Henry Geldzahler, who encouraged Poons to simplify his work and introduced him to the geometric abstractions of Frank Stella.
Laurie Anderson, Cindy Sherman, Abigail DeVille, Barbara Kruger, Catherine Opie, Tania Bruguera, and thousands of other artists, writers, curators and directors have signed an open letter condemning Artforum publisher Knight Landesman, who resigned last month after a lawsuit accused him of sexual harassment.
«This is the biggest fear for most artists for whom there is serious demand,» said Allan Schwartzman, a veteran art adviser and curator, who, like others involved in selling work, described an increasingly complex interplay between contemporary artists» market value, collector base and long - term reputation.
Independent curator Jenelle Porter organized the project in association with the Hammer Museum and brought in Barbara Kruger, Catherine Opie, Sharon Lockhart and other big name artists who Porter felt would be provocative.
As a council member, you'll learn directly from curators, go behind the scenes of the collection, and connect with other Museum supporters who share your interests.
Other topics included an influential 1983 article by Sid Sachs (University of the Arts)-- who was in the audience — on whether there was such a thing as a Philadelphia Imagist tradition; a College Art Association conference chaired by curator Judith Stein (also in the audience); the number of artists who taught and lived in both Chicago and Philadelphia (particularly Ree Morton and Rafael Ferrer); and the equal representation of men and women among the Chicago Imagists.
In a public conversation held within his solo exhibition in Hunt - Cavanagh Gallery, Robert Andrade discusses the trajectory of his studio practice in sculpture and installation, among other media, with Chris Mansour, an artist, curator and writer who has a longterm scholarly relationship with Andrade's work.
This reformation has radically changed the knowledge production within the art school often resulting in the fact that the art school / universities are more producing intellectuals who then become artists or even critics, curators, gallery workers or other kind of professionals within the art world.
The latter component was organised in collaboration with curator Fabio Santacroce, who then enlisted a number of other artists to contribute, including Dan Bodan, Jesse Darling, Kareem Lotfy, and others.
An artist who was also one of the three curators of the past Whitney Biennial, where she packed her floor of the museum with extraordinary women painters, Michelle Grabner creates worked - over canvases that use obsessively rendered geometric patterns — often lifted from home textiles and other distaff sources — to enormously powerful effect.
SHIFT residency, formerly the Residency for Arts - Workers as Artists, was launched in August 2010 to provide an unprecedented opportunity: studio space and peer support for practicing artists who also work as arts professionals (administrators, curators, directors, and others).
No reason was given for the exit of the high - profile curator, who currently holds positions at the Jewish Museum in New York, the Museum of Contemporary Art in Detroit, the 2019 Honolulu Biennial, and the 3rd People's Biennial for the Indianapolis Museum of Contemporary Art in 2019, among others.
In the introduction to his catalogue for Information, often considered the first exhibition of Conceptual Art at a major museum, curator Kynaston McShine places Reinhardt among those who marked the intellectual climate that produced Conceptualism, along with Marcel Duchamp, Buckminster Fuller, Marshall McLuhan, the I - Ching, the Beatles, Claude Levi - Strauss, John Cage, Yves Klein, Herbert Marcuse, Ludwig Wittgenstein, and others.
Also, Untitled Film Stills is the only series of works that Sherman titled, others have been given unofficial titles by curators or historians who have written about the work.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
Following the presentation, Laurie Wilson and Arezoo Moseni converse about Nevelson's unshakeable self - confidence, even in the face of failure, her relationship to other artists of her era (Mark Rothko, Diego Rivera, Willem de Kooning), and the gallerists, curators and critics who shaped her career, most especially The New York Times critic Hilton Kramer and the art dealer Arne Glimcher, founder of the Pace Gallery.
summarizes the collective research of a group of artists, curators, observers, activists and critics who test the boundaries of art and other fields — not only to define, defend and expand that space, but to develop, improve, and bring those methodologies back to the public sphere — to make a public, perhaps, in its accumulation.
Included in this group portrait are the famous: Roy Lichtenstein and his «Blam - Pow» comics panels, Andy Warhol, shy, shrewd and tough as nails, the power couple of Leo Castelli and Ileana Sonnabend; the infamous, such as the collector Robert Scull, who bought so heavily that his own dealer deemed him «vulgar»; and a variegated cast ranging from artists Jasper Johns, Robert Rauschenberg, Robert Indiana and James Rosenquist to pioneering dealer Ivan Karp, controversial curator Henry Geldzahler, media guru Marshall McLuhan, author Tom Wolfe and many, many others.
He pointed out that exhibitions are not collected nor have they been documented with the consistency and depth that historical research requires, leaving in obscurity the work and imagination of curators who absorbed the lore of their elders and informally passed on their accumulated expertise to the succeeding generation: Only by comprehending those genealogies can we understand how some objects rather than others entered into conventional art history.
To Make a Public summarizes the collective research of a group of artists, curators, observers, activists and critics who test the boundaries of art and other fields — not only to define, defend and expand that space, but to develop, improve, and bring those methodologies back to the public sphere — to make a public, perhaps, in its accumulation.
We will discuss acknowledged art world experts - gallery owners, art critics, museum directors, curators, art consultants, successful artists, and others who demystify the art world.
Michael Inman, who received a master's degree in library and information science in 2002, is curator of rare books for The New York Public Library, administers the Rare Book Division, George Arents Collection, and Historic Children's Book Collection, among others.
Others soon took note, such as dealer Jeffrey Deitch — now the director of the Los Angeles Museum of Contemporary Art — and curators Dan Cameron and Klaus Kertess, who featured Ward's work in the 1995 Whitney Biennial.
Curator Michael Klein, who has been studying and assembling a small exhibition of Hartigan's works from the early 1960s, thinks a new examination of Hartigan's achievement is overdue, and he asks a powerful question: just where where does her art, and the art of other pioneering women artists of the 1950s and 60s fit into the «canon» of American painting?
Talk / «Leeza Ahmady» Cabinet, 300 Nevins Street, Brooklyn Monday, 16 March 2009, 7 — 9 pm Organized by ArteEast As part of its «Across Histories» series, Arte East presents a talk by independent curator Leeza Ahmady, who will discuss the process and development of her research and advocacy of work produced by artists from Afghanistan, Tajikistan, Uzbekistan and other countries of Central Asia.
Sarah Brin is an art historian and curator who has collaborated with SFMOMA, MOCA, The Armand Hammer Museum, and Vice Magazine's The Creators Project, among others.
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