Sentences with phrase «other exhibition formats»
Other exhibition formats, old and new, have taken their cue from artists» changing modes of creating and presenting work, often intentionally pushing at the limits of what a traditional museum can support.
https://www.newmuseum.org/ Not exact matches
In addition to 12 large - format images from Lawrence Schiller, the exhibition features iconic prints from other photographers who captured Marilyn, including Philippe Halsman, Milton Greene, Bob Willoughby, Murray Garrett and Benn Mitchell.
The next installment of INK will offer further thoughts on the role of these marginalized formats in culture and art, with discussion of the following exhibitions, among others.
The exhibition includes large - format paintings, silk screens, graphic works and designs on paper, vinyl, and other materials, from private col...
In the gallery director Fiona van Schendel curates every year a group show that goes beyond the format of a commercial gallery exhibition and encompasses a collaboration with other galleries, artists and museums.
It functions as a platform and resource for an international community of artists, curators, museologists and other specialists, sharing diverse perspectives in the format of exhibition reviews, interviews, previews, special features, academic pieces and creative texts.
Other exhibitions include «Sinking Holes, Circles, Holes and Other Holes», Künstlerhaus Bethanien, Berlin; «NORMALITY IS THE NEW AVANT - GARDE», Kópavogur Art Museum, Gerðarsafn; «Artists «Books for Everything», Weserburg Museum of Modern Art, Bremen; «Dislocating Surfaces — New Scandinavian Photography», Kunstnernes Hus, Oslo; «Proposals for Commissioned Work», Bruch & Dallas, Cologne; «Books & Co.», Gagosian Gallery, Beverly Hills; «The Library of Babel / In and Out of Place», Zabludowicz Collection, London; «A Book Between Two Stools», Boghossian Foundation, Brussel; «A Narrow Scene of Hypothetical Circumstances», Fotogalleriet, Oslo; «The Drawing Biennale», Galleri Format, Oslo and «Norwegian Sculpture Biennale», The Vigeland Museum, Oslo.
Today OFCA International is developing exhibition concepts, lectures, writing and research in fine art such as the exhibition formats «Prima Visione» and «RE-PLAY», which have shown the works of Heri Dono, Entang Wiharso, Anusapati, Handiwirman Saputra and Filippo Sciascia and Sally Smart among others over the course of 2013 - 2018.
Beyond exhibitions, this project raised the question of how new communication methods and formats could be created for discussing culture and society, encouraging both a venturing out from art into other disciplines and a crossover of their respective audiences..
Other exhibitions have included the popular «Small Formats», with works ranging from late 19th Century to contemporary masters, and single - artists shows devoted to Sonia Delaunay, Lazar Khidekel and Alberto Magnelli.
19 June - 28 September: He exhibits five new large - format Abstract Paintings at documenta VII, including Yellow - Green [CR: 492], which are distributed throughout the exhibition in dialogue with work by other artists such as Claes Oldenburg and Robert Mangold.
This September, Independent Curators International (ICI) produces the Curatorial Intensive: Curating Now, a ten - day professional development program that offers curators the opportunity to discuss, among colleagues, the concepts, logistics, and challenges of organizing exhibitions, public programs, and other discursive formats.
REVIEWS feature short - form criticism about exhibitions, events, publications and any other format that prompts a critical response.
William Noel Clarke is an artist - curator who investigates artistic concerns in curatorial practice, such as the projection of the self onto exhibitions and the appropriation of the exhibition format and others work.
He is a founding member of Bisagra, a contemporary art platform active since 2014 in Lima, which is focused on developing experimental public programs and other formats for exhibition making.
Like other recurring exhibitions founded in the wake of tragedy (the Gwangju Biennale and Documenta come to mind), Surviving Sandy uses the exhibition format as a generative act.
We have thought up a Metelkova City puzzle, consisting of all possible formats: from exhibitions at different venues, interventions into public space, talks, performances and open studios, with the desire to give each artist an opportunity for a presentation adequate to her / his practice on the one hand, and a look into the artist's work space and work process to a visitor on the other hand.
Curator himself / herself will determine the content of cooperation — the invitation is open, it is possible to test formats of presentation, exhibition, as well as other experimental projects in the field of contemporary visual art.
There are these pressures of formats in other fields, and I think the format of the exhibition is a very free format.
Many of the artists included in the exhibition already incorporate the circular format into their work to confront these issues, while others were challenged to work with the shape specifically for this exhibition.
This is the format of a contemporary resume template submitted by candidates having experience in hosting solo as well as group exhibitions of literary works or other works of art.