Sentences with phrase «other exhibition highlights»

Other exhibition highlights include the film Disorient, which was first shown at the Venice Biennale in 2009 and conjures an east that is both magical and destitute.

Other exhibition highlights include a selection of animations and a well - known series of photographs featuring discreet interventions that the artist has orchestrated in various landscapes and interiors, injecting comedic irony into otherwise everyday banal imagery.

Other exhibition highlights include a group of small text - based portraits of artists and writers, made between 1966 and 1968.

Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.

Other exhibition highlights include Petersen's Picnic series, (ca. 1965); Arneson's Herinal (no date), representative of his important body of toilets and urinals made from 1962 to 1964; seminal works like Neri's Ceramic Loop IV (ca. 1961 - 65), a ceramic sculpture featured in the UC Berkeley Art Museum's Funk exhibition (1967); and brash experiments that strike one today as prescient.

Not exact matches

Highlights include a look at preserved animal specimens that zoologists and other scientists are still analyzing and a visit to the department's room - size walk - in freezer, where everything from new items for an upcoming exhibition to elephant skins are kept.

Other highlights include Fox recalling the original film's royal screening, in which he was seated next to Princess Diana and had to use the bathroom the whole time; Secret Cinema's alluring Back to the Future exhibition (in which the 1955 Hill Valley was impressively recreated); a discussion of BTTF books that have been published; and homages to the franchise from ABC's «The Goldbergs» (whose creator Adam F. Goldberg is both an executive producer and interview subject here) to «American Dad» and Harmon's «Rick and Morty.»

A highlight of the year for each Lower School student is the grade level Exhibition, which reflects a curricular study, and is presented to parents and to students of other grades.

Other portfolio highlights include his Postr Club work created with Spin, which was on show as part of the group exhibition at Twenty Twenty Two in Manchester around this time last year and a brilliant little film publication which demonstrates a deft way with layout and using found imagery.

The current exhibition of work by the late Alan Uglow (1941 - 2011) at David Zwirner highlights the way Uglow's abstract paintings engage with each other and the viewer to create subtle, shifting apprehensions of flatness and illusion.

Located in galleries on the LES, Chelsea, 57th Street, Brooklyn and other neighborhoods, expect to find group shows, solo shows and retrospectives on this week's exhibition highlights list.

Highlighting both the innate diversity of Neel's approach to portraiture and the extraordinary diversity of twentieth century New York City, in this exhibition Hilton Als brings together a selection of Neel's portraits of African Americans, Latinos, Asians, and other people of colour.

Highlighting both technical and conceptual breakthroughs, the exhibition includes seminal works spanning Graphicstudio's forty - six year history (by Robert Rauschenberg, Jim Rosenquist, Ed Ruscha, Allan McCollum, Louise Bourgeois, Jim Dine, and others) with some of its most recent collaborative endeavors (by Christian Marclay, Mark Dion, Teresita Fernández, Los Carpinteros, and Trenton Doyle Hancock).

The exhibition highlights the political dialogue inherent in the artist's artistic interventions — from his concern for the extreme plight of the homeless, his interest in direct community engagement, his belief that we should expand our lived experience of a city into its underground and other inaccessible spaces, and his commentary on development and socioeconomic stratification.

Other highlights include a performative exhibition by Yamini Nayar, photo collages by Zoe Croggon, an outdoor video projection and solo exhibition by Taisuke Koyama presented by Seen Fifteen, an installation by artist Jo Dennis, and a collaborative exhibition inspired by The Peckham Experiment by Rhiannon Adam, Natasha Caruana and Laura Pannack transforming a derelict terrace house.

To highlight the importance of exchange for Rauschenberg, this exhibition is structured as an «open monograph» — as other artists came into Rauschenberg's creative life, their work comes into these galleries, mapping the play of ideas.

The exhibition also highlights links between Josephson and other contemporary artists working in photography, film, and sculpture — including Roe Ethridge, Jessica Labatte, Marlo Pascual, Jimmy Robert, and Xaviera Simmons.

Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.

While many of our treasures are on display throughout the Museum, this show highlighted objects included in the book of the same name that are not included in thematic exhibitions in other galleries.

Other highlights from the exhibition include Rosemary Fishburn - Scott's layered photographs of landsapes on transparent acetate in handmade plexiglass boxes, as well as, Mauricio Saenz's video installations which challenge impossibilities.

This year, students chose objects from the Museum's permanent collection on long - term view and highlights from the Akari: Sculpture by Other Means exhibition to research and incorporate into a hypothetical Noguchi Museum Annex in the DUMBO neighborhood of Brooklyn.

And, in 2017 Harvard mounted a second exhibition, Christopher Wilmarth: Before and After Mallarme, which highlighted many of the artist's studio files and other archival materials that the Harvard Museums have acquired over the last 16 years.

Here is his winning entry, alongside other highlights from the prize exhibition

This May, our picks of NYC museum exhibitions highlight a wide range of mediums and materials with artists working in assemblage, painting, mixed media, quilts and other crafts, and installations.

The exhibition also highlights artists» approaches to interviewing as an integral part of their work, with contributions from Marysia Lewandowska's Women's Audio Archives and others.

Other highlights of the exhibition include South Korean artist Yehrim Lee's ceramic and mixed media installation that inhabits the center of the main gallery and the socio - political commentary paintings of Italian artist Vittorio Ottaviani.

Other highlights from the exhibition include Michelle Ramin's figurative, watercolor and colored - pencil on paper works and Joo Lee Kang's animalia works of ink on paper drawings, wallpaper installation and large - scale sculpture.

Other highlights from the exhibition include photographs of Tsunami - blighted Japanese schoolhouses in Tohoku by Ayano Hisa, NIKKI ROSATO's haunting studies of human connectivity using cut maps as her medium, and Edward Ramsay - Morin's hyberbolic prints which explore Western anxieties in the digital age.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

Other curatorial highlights include En Mas»: Carnival and Performance Art of the Caribbean, an Emily Hall Tremaine Exhibition Award - winning traveling curatorial platform (2014 — present); Up Hill Down Hall, a BMW Tate Live commission in Tate Modern's Turbine Hall (2014); and Tide by Side, the opening ceremony of Faena Art's Miami Beach district (2016).

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Righother by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RighOther Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

John Ollman (Fleisher / Ollman Gallery) highlighted the importance of ICA's 1969 exhibition, The Spirit of Comics, which included work by many Chicago Imagists — Barbara Rossi, Christina Ramberg, Jim Nutt, Ray Yoshida, and others — for Philadelphia artists.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

On view through January 17, 2016 and curated by Alex Gartenfeld, the exhibition includes the first complete presentation of photographs from the artist's ongoing series Black Box Collision A, as well as 12 posters from Ebner's collaborative project with David Reinfurt, A HUDSON YARD; and the title video, A PUBLIC CHARACTER, edited by Erika Vogt and scored by Alex Waterman, among other highlights.

Other highlights include the opening of an installation exhibition on the theme of «migration» in East Hampton and a solo show of abstract paintings in Quogue.

This exhibition of more than eighty of the Chicago - based artist's works will highlight her commitment to painstaking process as well as to the invention of platforms for others: Grabner will hang some of her paintings on backdrops made by Gaylen Gerber, and exhibitions by Karl Haendel, Jessica Jackson Hutchins, Amanda

This exhibition will highlight one of strengths of the Johnson Museum's collections: paintings, drawings, and watercolors from the first part of the twentieth century by artists such as John Marin, William Zorach, Edward Hopper, and Arthur Dove as well as new acquisitions by Jane Peterson, George Luks, Cecilia Beaux, Maurice Prendergast, and many others.

The intimate image dialogue between one celebrated photographer and another is an explicit theme of this exhibition with highlights including a portrait of Eugene Atget by Berenice Abbott, Lee Miller by Man Ray, Man Ray by David Bailey, Helmut Newton by Herb Ritts, Bruce Weber by Horst, Henri Cartier - Bresson by Arnold Newman, and Andy Warhol by Sir Cecil Beaton among other remarkable examples which capture significant 20th - century figures who are usually behind the camera.

Whether it be the interaction of space and color or the evolution in mediums, COMPENDIUM highlights each artist as an individual while simultaneously complimenting each other as a group exhibition

Other highlights from the sweeping exhibition include Romare Bearden's Jazz 1930s — The Savoy (1964), South Korean artist Lee Lee - Nam's digital video Early Spring Drawing - Four Seasons 2 (2011), a pair of Lakota gauntlets (ca. 1890), photography by Manuel Álvarez Bravo, Roy DeCarava, and Gertrude Käsebier; paintings by Emile Bernard, Ed Blackburn, Archie Scott Gobber, and Albert Bloch, sculptures by James Henry Haseltine and Tip Toland; works on paper by Kara Walker, George Copeland Ault, Miguel Rivera, and Jules Olitski; and decorative arts including a Christopher Dresser claret jug and umbrella stand, a frame by Archibald Knox, and jewelry by the late artist Marjorie Schick.

Highlights of the opening exhibition include Concetto Spaziale, Attesa (1965) by Lucio Fontana, Superficie Bianca (1969) by Enrico Castellani, R1 (1953) by Alberto Burri, Bianco (1975) by Agostino Bonalumi and Achrome (1957 - 1958) by Piero Manzoni amongst other iconic works.

Exhibition highlights include: two ornate, figurative paintings by Australian artist Del Kathryn Barton; three large - scale, realist paintings by Terry Rodgers portraying gaunt and privileged youth; conceptual portraits by Swedish artist Sara - Vide Ericson; a mixed - media fragmented figure by Brooklyn - based artist Nathaniel Mary Quinn; four small - scale sculptural works depicting contorted human forms by Korean artist Dongwook Lee; and one large - scale surrealist drawing by German artist Dennis Scholl; among others.

There are many other highlights in the exhibition, including Krasner's The Eye is the First Circle (1960), Arshile Gorky's early masterwork Water of the Flowery Mill (1944), de Kooning's Woman II (1952), Franz Kline's Vawdavitch (1955) and Mark Rothko's No. 15 (1957).

The museum also regularly partners with other leading art institutions to co-curate and produce exhibitions, such as the collaboration with Deutsche Bank and the Yokohama Museum of Art for Still Moving: A Triple Bill on the Image; Museum of Contemporary Art Tokyo for Trans - Cool TOKYO (highlighting works by Japanese artists such as Yayoi Kusama and Yasumasa Morimura); and Video, An Art, A History with the Pompidou Center (Bill Viola, Jean - Luc Godard, Bruce Nauman).

Other programming highlights of the fall include an exhibition curated by Tirdad Zolghadr, LUMA Fellow and CCS Bard Senior Academic Advisor, and Fionn Meade, Independent Curator, along with first - year CCS Bard students, at Family Business, Maurizio Cattelan and Massimiliano Gioni's exhibition space in New York City, opening on October 12, 2012; the CCS Bard Speakers Series, including Sarah Pierce, Gregg Bordowitz, and Julia Bryan - Wilson; and the Nova Benway Conference, Methods and Models: Experimental Education at the Hessel Museum of Art, on October 18, 2012.

: Art and Black Los Angeles,» a comprehensive catalog edited by curator Kellie Jones with contributions by Jacqueline Stewart, Naima J. Keith, and Franklin Sirmans, among others, highlights participating artists and their works, and features documentary material from the period such as exhibition posters and promotional cards.

The exhibition highlights the best photography to date from nearly 30 budding young artists enrolled in neighborhood high schools including Kenwood Academy as well as other Chicago public high schools.

In this exhibition we aim at highlighting art that relates in some fashion or other to reality.

Other career highlights include: a private artist preview sponsored by Credit Suisse; a feature in the set design at NYC landmark Don't Tell Momma Cabaret and Piano Bar; and two acclaimed solo exhibitions at Cipriani, Wall Street.