Sentences with phrase «other films in this general»

Other films in this general category include Forks over Knives, Cowspiracy, Farmland, Food, Inc., King Corn, and Fast Food Nation.

Not exact matches

Besides watching every game on film and fielding the complaints of outraged general managers, Kuharich assigns officials to games — there are 45 NFL officials of whom 35 are used every weekend — keeps tabs on other officials, college and high school, who would like to get into professional football and, of course, makes certain that the officials he has now are always in control of the game.

More recently, in 2014, Professor Jenny Harrison from UC Berkeley extended Douglas's work, providing a proof valid under general hypotheses encompassing, for example, situations in which junctions are present where multiple soap films meet each other.

Clearly, I'm wearing more than just foundation in the «after» picture so I filmed a Get Ready With Me video to walk you through my general everyday makeup process and show you a few other products that have stolen my heart lately.

Television animation for children and eldest... An animated cartoon is a film for the cinema, television or computer screen, which is made using sequential drawings, as opposed to animations in general, which include films made using clay, puppet and other means.

Other than that, I love films and media in general and I'm a very shy and introverted person with too much time on his hands: 3 Also my discord is: Uncle Explosion # 3849

Here you'll find reviews of the latest films as well as DVD recommendations in For Your Queue, tales of general woe in So That Happened, and other fascinating reportings.

Johnson writes her character well enough, though the film's general dearth of women characters — there are three, two of them serve mostly as Mother figures (and, in Perabo's case, as a hooker), and the other is a waitress — is something I hope he takes note of.

There's a unique novelty in general to this film's featuring its protagonist as a biopic in the starring role, and as a war film, it has a few other twists, but when it falls to formula, it falls pretty hard, with very mid-20th century Hollywood tropes to its plotting, characterization and, for that matter, fluff which tends to get a little too fluffy for its own good.

I don't think film festival mega-stars like Lars von Trier or Abbas Kiarostami or Wong Kar - Wai are nearly well - known or influential enough to have this kind of impact, on movie fans in general or on other filmmakers.

Like many of Rogen's other films, «Sausage Party» exists to poke fun at films in general with its meta - references and seeks to emphasize some sort of screwed up part of our psyches.

First, a seven - minute piece called «The Spirit of the Ride» has the director and various other cast and crew discussing how they drew on the amusement park ride for ideas and general atmosphere for the film; the 14 - minute mini-documentary «Dead Men Tell No Tales» (also available in the DVD - ROM content in the two - disc edition) gives a history of the «Pirates of the Caribbean» ride, complete with lots of behind - the - scenes looks at the animatronic pirates and nostalgia - inducing footage from the ride itself.

In an era where so many films are merely stealing elements from each other, The Mack emerges as one of the most unique, and even if it lacks the focus and jointed structure to call it a great film for mainstream viewers, it is well worth seeking out for fans of not only Blaxploitation films, but gritty crime dramas in generaIn an era where so many films are merely stealing elements from each other, The Mack emerges as one of the most unique, and even if it lacks the focus and jointed structure to call it a great film for mainstream viewers, it is well worth seeking out for fans of not only Blaxploitation films, but gritty crime dramas in generain general.

While Tom Cruise's reputation as an action actor in Jack Reacher, the Mission: Impossible movies, Minority Report and War of the Worlds holds up in this story, the film's content, much like the content in his other movies, pushes Oblivion outside the realm of general family viewing.

Fans of Miles Teller, boxing and sports movies in general will probably come to appreciate something about this film while others are probably going to need to keep on browsing for something else.

While the opening scene, which serves only as back - story and general reasons as to why it takes so long for Raleigh (Charlie Hunnam) to return to the Jaeger game, is fluff for the film and even in the moment felt unnecessary as opposed to just being retro - actively less awesome than the other greater action sequences.

The couple is Jenn (Missy Peregrym) and Alex (Jeff Roop), and the film starts with them driving from the city to the countryside in a montage that establishes they are comfortable with each other — enough to have a little inside joke about a song he loves and she hates, moments of silence without feeling obligated to talk, and, in general, enough patience to last a lengthy road trip without getting into a serious fight over the little things.

In his earlier films, such displacements are made to seem characteristic of Taiwan itself — a country in an existential crisis, not knowing how much its identity belongs to other countries that have occupied or otherwise dominated it, such as Japan, China, and the U.S. — but here they seem a more general condition of contemporary urban livinIn his earlier films, such displacements are made to seem characteristic of Taiwan itself — a country in an existential crisis, not knowing how much its identity belongs to other countries that have occupied or otherwise dominated it, such as Japan, China, and the U.S. — but here they seem a more general condition of contemporary urban livinin an existential crisis, not knowing how much its identity belongs to other countries that have occupied or otherwise dominated it, such as Japan, China, and the U.S. — but here they seem a more general condition of contemporary urban living.

In March 2003 I was having dinner in London with Faber and Faber's editor of film books, Walter Donohue, and several others when the conversation turned to the current state of film criticism and lack of knowledge of film history in generaIn March 2003 I was having dinner in London with Faber and Faber's editor of film books, Walter Donohue, and several others when the conversation turned to the current state of film criticism and lack of knowledge of film history in generain London with Faber and Faber's editor of film books, Walter Donohue, and several others when the conversation turned to the current state of film criticism and lack of knowledge of film history in generain general.

Soft - spoken but intense, Taylor had obviously pondered the deeper significance of the film, but he also had some interesting things to say about film acting in general and about his other film, the sequel to LAURA CROFT.

7:45 am — TCM — Isle of the Dead In this Val Lewton - produced film, Boris Karloff is a Greek general who, along with a few others, is quarantined on an island when a strange sickness threatens them.

Plus, unlike the latest installment, the other four movies are all worthy of repeat viewings (yes, even the underrated «Live Free or Die Hard»), making this five - disc box set a must - have for any fan of the series, Bruce Willis or great action films in general.

But he hooks you in with the primary narrative — a play on Beauty and the Beast wherein the mute and the «asset» communicate wordlessly towards a deeper understanding of each other and the world in general — and he elevates his source material until the entire film coheres with an operatic swagger.

Other extras include audio commentaries on their respective films by The Abominable Dr. Phibes director Robert Fuest and Witchfinder General producer Philip Waddilove and co-star Ian Ogilvy; an hour - long interview with Price that was conducted in 1987; a rare prologue for The Pit and the Pendulum that makes no sense in the context of the film (is there also a long - lost epilogue that ties it all together?)

On the one hand, the film suffers from all the stuff recent Nancy Meyers films have suffered from (Rich People Problems, White People Problems, a general veneer of bland entitlement and perky malaise); on the other hand, though, it is, in the universe of recent Nancy Meyers Films, probably the best.

We talk about the film's various strengths, the rich themes woven into the story, the meteoric rise of director Ryan Coogler, the incredible villain, how it compares to other Marvel movies (there are more than a few insults lobbed at Doctor Strange), how Marvel movies changed after the dissolution of the story group, what Black Panther means for the future of the MCU and for blockbusters in general, and more.

But compared to all the other films in the Insidious series, and to other horror films in general, it's clearly a bit of a letdown.

; the featurette Witchfinder General: Michael Reeves» Horror Classic; theatrical trailers for not only all six films in this set but also for several other Price titles like The Raven, House of Wax and The Fly; and a 24 - page booklet packed with great photos.

Among other things, the actress discussed how the horror thriller «Fear,» and the horror genre in general, influenced her decision to take on the role of Sylvia; how forming close working relationships with both Johnston and Bota while filming helped develop her character; and how she has already been receiving positive feedback from fans who have seen the movie.

He's actually quite watchable in films such as The Wedding Singer and Punch Drunk Love... it's a pity about his other films (such as Little Nicky — an insult to humanity in general).

That's, to me, a disappointing read of not only the French New Wave but film critics as well — these ones, especially, and others (the good ones) in general.

The General's Daughter is a slickly - directed and competently - acted thriller that fails to be a good film due to the many similarities with other military whodunits (primarily A Few Good Men and Courage Under Fire) as well as heavy - handed political statements regarding the treatment of females in the military and the code of silence that is so pervasive.

Carried over from the previous disc releases are two commentary tracks (one production - focused track by Terry Gilliam and Terry Jones, and other with general complaints and back - biting by John Cleese, Eric Idle and Michael Palin), featurettes («The Quest for the Holy Grail Locations» hosted by Michael Palin and Terry Jones, the 18 - minute 1974 BBC report «On Location with The Pythons,» «How To Use Your Coconuts»), «Lost Animations» (a 12 - minute collection of unused animated bits prepared for the film with an introduction by Terry Gilliam) nearly 20 minutes of outtakes and extended scenes with an introduction by Terry Jones, three sing - alongs, clips from the film in Japanese with English subtitles, and the all - interlocking «Monty Python and the Holy Grail In Lego.&raquin Japanese with English subtitles, and the all - interlocking «Monty Python and the Holy Grail In Lego.&raquIn Lego.»

This list, or so I've tried, was put together following many different but intimate echoes in between films; some correspond just in reflections of a single shot, others to the general feeling experienced, many to a communal and identified way of being (for example, woman), of living, cinematically.

The film is lacking in well - known actors, and with no other strong comedian in a major role, it makes the characters in general less interesting.

Variety's general synopsis says the film «follows a large ensemble of characters who are affected — and in some cases destroyed — by the Internet and other forms of modern communication.»

You can target people who read the author's in your genre, like films and / or other general interest topics that are similar to your own.

Here you'll find reviews of the latest films as well as DVD recommendations in For Your Queue, tales of general woe in So That Happened, and other fascinating reportings.

It seems to me that, for the cost, it might be a good way to get started and get a feel for film - making in general, and then could / should be supplemented with other courses, ideally at a film - making school.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.

Here you'll find reviews of the latest films as well as DVD recommendations in For Your Queue, tales of general woe in So That Happened, and other fascinating reportings.

FATHERS: In our view, this film, if given credence, will have the effect of creating an environment in which judges are fearful of allowing perfectly good men from participating in the care of their children, and of creating the impression among the general public, custody evaluators, the legal community, legislators and others that it is dangerous to award any form of custody to fatherIn our view, this film, if given credence, will have the effect of creating an environment in which judges are fearful of allowing perfectly good men from participating in the care of their children, and of creating the impression among the general public, custody evaluators, the legal community, legislators and others that it is dangerous to award any form of custody to fatherin which judges are fearful of allowing perfectly good men from participating in the care of their children, and of creating the impression among the general public, custody evaluators, the legal community, legislators and others that it is dangerous to award any form of custody to fatherin the care of their children, and of creating the impression among the general public, custody evaluators, the legal community, legislators and others that it is dangerous to award any form of custody to fathers.

Television animation for children and eldest... An animated cartoon is a film for the cinema, television or computer screen, which is made using sequential drawings, as opposed to animations in general, which include films made using clay, puppet and other means.