Not exact matches
Others left the picture intact, yet used obvious studio - set environments, in addition to costume and make - up, to reveal the construction of their
photographic subjects.
The «Fact» paintings have taken various
other photographic themes as their
subject matter since 2000, including: details from Hirst's own work, personal photographs of the birth of the artist's son; famous diamonds; and biopsies.
The work adheres to Ariella Azoulay's concept of the civil contract of photography, which asserts the
photographic image as a relational encounter between
subject, photographer and spectator; that in the moment of looking, photographing and being photographed, each party has a responsibility to the informed participation of the
other two.
He appropriated most of his
subjects from
photographic reproductions he amassed from newspapers, books, calendars, magazines and
other popular print media.
On the
other hand my
photographic work is usually brightly coloured and offers an optimistic view of the
subject, and in many cases most of my personal
photographic work is self - portraiture.
Eyes, cameras, film, developing trays, and the
other integral components of the
photographic process are the
subjects of Anne Collier's art, which turns the act of photography inward on itself, asking provocative questions about why, by whom, and for whom pictures are taken.
Notable, the o in So is filled in to create a solid form that rhymes with the
other half of the diptych: a small
photographic print doctored so that its solitary
subject, a midcentury woman in clown attire in the desert, appears to hold a matching black ellipse or hole.
The paintings have taken various
other photographic themes as their
subject matter since 2000, including: details from Hirst's own work, personal photographs of the birth of the artist's son such as «Self - Portrait as Surgeon», which depicts Hirst in the hospital; famous diamonds; scientific photo library pictures of butterflies; and biopsies.
Volume 1 includes a focused presentation of 35 images, bringing together 37 years of Stipe's practice of creating and collecting
photographic materials, in addition to posing as a
subject in the photographs of
others.
Works on view include 24 x 20 - inch large - format, single - image Polaroids Ray, 1979, and Self - Portrait, 1979 Known for depicting images of friends and family in his paintings, Close expanded his
subject interests in his
photographic work to include people he has met throughout his career, such as artists, dancers, actors, or politicians: Jasper, 1997 (Jasper Johns); Robert, 1997; Hillary Rodham Clinton, 1999; Renée, 2007; Bill T.Jones, 2008, and Alec Baldwin, 2010, among
others.
Named after an image by Callis, the exhibition opens with her haunting work and moves through the photography of
others who derived inspiration from the tradition of West Coast
photographic experimentation, including Ed Ruscha, Lewis Baltz, Andy Warhol, Wolfgang Tillmans, Eileen Quinlan, Amy Adler, and Catherine Opie (who's the
subject of a concurrent exhibition at the museum).
The dual exhibitions highlight his experimentation with the medium, his technical expertise in the
photographic craft, and the attention he gave to his
subjects: himself;
other artists (like Patti Smith); musicians; bodybuilders; and urban gay culture.
Barbara Kruger's adoption of advertising techniques emphasized the coercive authority of language while work by Renée Cox and Catherine Opie, among many
others, brought renewed attention to the politics of the body — be it the black male body in the case of Cox's
photographic collage, or the gay, lesbian and transgendered
subjects of Opie's reverent
photographic portraiture.
Over 100 works from the 1920s and «30s by key Soviet artists are brought into dialogue with new site - specific commissions and recent works by contemporary artists, including Cuban performance artist Tania Bruguera noted for her strong political messages, Mikhail Tolmachev, a young artist from Moscow who explores the
subject of memory through
photographic archives, renowned American artist Barbara Kruger, German photographer Wolfgang Tillmans and Russian multi-media artist Kirill Savchenkov, amongst many
others.
Her works — mingling acrylic, textiles, Nigerian magazine cut - outs,
photographic image transfers, and
other media — are currently on view in New Orleans's Prospect.4 triennial, and are the
subject of two concurrent exhibitions this fall at the Baltimore Museum of Art and the Tang Museum at Skidmore College in Saratoga Springs.
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