Not exact matches
Linder features
recent and older
works, including the Star series (2007), in which the
artist imposes giant roses and
other lush flowers on naked female torsos, and the Pretty Girl series (1997), a suite of images in which the heads of black - and - white pinups are replaced
by home appliances.
From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived tradition of African - American abstract painting (which has historically had a primarily black audience) is intermingled with the tradition of so - called self - taught or outsider
artists such as Bill Traylor and Bessie Harvey (whose audience has been mostly in the rural south and mostly black); the more
recent wave of African - American conceptualism represented
by Adrian Piper, Lorna Simpson, and
others (whose
work
Curator Gary Garrels
worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own
recent paintings as well as
works by other artists who have influenced their thinking.
Featuring renowned pieces
by, among many
others, Diane Arbus, Robert Gober, Jeff Koons, Sherrie Levine, Richard Prince, and Christopher Wool, the exhibition will also include
recent work by artists such as Liz Deschenes, Sam Lewitt, Laura Owens, Frances Stark, and Bernadette Corporation.
Patrick Rowe (M.S. Art and Design Education» 14, M.F.A. Printmaking» 13)
Work by Patrick Rowe was featured at SCOPE along with work by other recent Rush Arts Gallery Artists in Reside
Work by Patrick Rowe was featured at SCOPE along with
work by other recent Rush Arts Gallery Artists in Reside
work by other recent Rush Arts Gallery
Artists in Residence.
The atmospheric townhouse was designed
by Soane himself, and houses an impressive collection of Egyptian, Greek, and Roman antiquities — ancient
works, yes, but ones that have proven an inspiration to contemporary
artists like Fiona Tan, who made a haunting
recent film about the museum, and
others.
Please join us for a talk
by the current Bloom Projects
artist Yara El - Sherbini where she will discusssome of her
recent pieces, their location, context, and audience, alongside
other artists»
works that have influenced her.
Some present
recent work by living
artists spanning several generations;
others showcase fascinating historical material of varying vintages.
The third installment of Prospect, the New Orleans triennial, follows suit with
work by 58
artists on view at 18 venues and is further distinguished
by three attributes: Franklin Sirmans serves as artistic director; He curates the show with a decidedly New Orleans lens that doesn't lose sight of the global perspective; And most significantly, there are more Black
artists represented at Prospect 3 (more than 20) than at any
other American biennial - style gathering in
recent memory, perhaps ever.
New and
recent work on view
by Mark Bradford, Mariah Robertson, Alfredo Jaar, and
other ART21 - featured
artists, featured in this week's roundup.
Mentioned in the
recent article «Rising Rents Leave New York
Artists Out in the Cold» by Cara Buckley (The New York Times, March 9, 2014), Richard and other working artists strive to continue their work while finding affordable studios in the ever - changing landscape of New Yor
Artists Out in the Cold»
by Cara Buckley (The New York Times, March 9, 2014), Richard and
other working artists strive to continue their work while finding affordable studios in the ever - changing landscape of New Yor
artists strive to continue their
work while finding affordable studios in the ever - changing landscape of New York City.
In the same period, Rauschenberg immersed himself in all aspects of the New York art world, attending lectures
by major critics and
artists at the Club, the legendary space where
artists associated with the New York School gathered for debate beginning in 1948, and frequently viewing
recent work by Willem de Kooning (1904 — 1997), Jackson Pollock (1912 — 1956), Franz Kline (1910 — 1962), Philip Guston (1913 — 1980), and Barnett Newman (1905 — 1970), among
others, all of whom were acquaintances of varying familiarity.
The
Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins
other exhibitions at the Broad MSU examining
work by living
artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including
recent exhibitions of South Asian
artists Naiza Khan, Imran Qureshi, and Mithu Sen.
New and
recent work on view
by Mel Chin, John Baldessari, and Ai Weiwei, as well as news featuring Pierre Huyghe, Carrie Mae Weems, and
other ART21 - featured
artists, all in this week's roundup.
Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual
artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips»
recent paintings based on Gerhard Richter's highly valued
work; Miami
artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and
works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.
In this exhibition six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — were asked to select one or two of their
recent paintings to be shown alongside
works by other artists who have had a significant impact on their thinking and the development of their practice.
«Air Mail Stickers» will now be in the opening exhibition, along with
other recent acquisitions
by artists who are not American
by birth but have resided here, including «July 4, 1967,» the Whitney's first
work by the Japan - born conceptualist On Kawara, or «Blanco y Verde,» an abstract painting from 1959
by Carmen Herrera, the 99 - year - old Cuban - born
artist, who now resides in Manhattan.
But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters
working in the United States to «select one or two of their own
recent paintings to be shown with
works by other artists who have had a significant impact on their thinking and the development of their own
work.»
Recognized for contributing to Aspen's profile as one of the nation's leading cultural destinations, The Baldwin Gallery has mounted
recent shows featuring new
works by artists such as Donald Sultan, Tony Feher, and Marilyn Minter, among many
others.
[25] Bui has curated
other exhibitions at various galleries including
recent work by Ron Gorchov at Cheim & Read [26] as well as Exquisite Fucking Boredom, a exhibition of Polaroid images
by artist and writer Emma Bee Bernstein at Microscope Gallery.
These and
works by other important
artists, including Isaac Julien and Mona Hatoum, make this two - centred show a fascinating recovery of the
recent past.
In addition to the many
recent acquisitions to the Marieluise Hessel Collection including new
works by Rachel Rose, Philippe Parreno, Hito Steyerl, and Jutta Koether, among
others, in 2012, CCS Bard acquired the Colin de Land, American Fine Arts, Co. and Pat Hearn Gallery Archives (for which a major exhibition is planned for 2017), and in 2013 received the gift of the John Hanhardt Archive, a unique history of exhibitions and
artists working with the moving image over the past fifty years (from Nam June Paik to Cory Arcangel).
In fact, according to a
recent report
by the University of Southern California's Stevens Institute for Innovation, «there are more
artists, writers, filmmakers, actors, dancers and musicians living and
working in Los Angeles than any
other city at any time in the history of civilization.»
Recent Work and
Other Myths combines appropriated pages from The Originality of the Avant - Garde and
Other Modernist Myths — a collection of 15 essays
by the influential American critic Rosalind E. Krauss — and screendumps from the
artist's Instagram account, where he has posted photos of discarded items he has stumbled across in the street.
New and
recent work on view
by Cai Guo - Qiang, Kara Walker, Kerry James Marshall, and Jacolby Satterwhite, as well as news featuring
other ART21 - featured
artists, all in this week's roundup.
Among
other programs, AA also presented the third edition of «Video
Works» (5/18 — 21), showcasing
recent productions
by established figures and eight commissioned videos
by emerging Lebanese
artists.
The ongoing policy of identifying and filling significant gaps in the Collection continues, with the
recent addition of 39
work by the distinguished Irish
artist Hughie O'Donoghue on permanent loan from the American Ireland Fund, plus the acquisition of major
works by Sean Scully, Patrick Scott, Barry Flanagan, Brian O'Doherty / Patrick Ireland, Anne Madden, Willie Doherty, Cecily Brennan and many
others.
Two
recent editions
by the
artist are exhibited alongside
works by David Batchelor, Richard Deacon, Nicholas Pope and Richard Wentworth, amongst
others.
Organised
by the Museum's Chief Curator David McFadden and Curator Lowery Sims with Assistant Curator Elizabeth Edwards Kirrane, Dead or Alive features new site - specific installations and
recent work by contemporary
artists from around the world, including Jennifer Angus, Nick Cave, Tessa Farmer, Tim Hawkinson, Jochem Hendricks, Damien Hirst, Alastair Mackie, Kate MccGwire, Susie MacMurray, Shen Shaomin, and Levi van Veluw among
others.
Step and Connection, dated 1979, are part of a
recent Edward R. Broida bequest that includes 48 more
works by seven
other artists, including Jonathan Borofsky, Ken Price, Joel Shapiro and Christopher Wilmarth.
The photographic
works Near Nogales (2017) and Four Clouds (2017)-- a quadriptych — represent the
artist's
recent interest in what he refers to as «invisible images» — images made
by machines for
other machines, without human vision or
other intervention.
Recent independent curatorial projects include: CORPORATE OCCULT, let's talk about the body baby, NU Performance (2016), which presented
works by international
artists that dealt with contemporary issues surrounding gender and the body; Art in the Era of Digital Capitalism (2016), a conference considering the tendencies of acceleration and post-2011 institutional alternatives, which included Franco Bifo Beradi as its keynote speaker; and numerous
others.
Other gifts include Jack Whitten's 2010 monumental painting Port au Prince: A Painting of Hope and Spirit for the Haitian People and
recent works by emerging contemporary African American
artists, such as Rashid Johnson, Titus Kaphar, and Charles McGill.
Recent and future exhibitions include
work by painters Roland Thompson and Jennifer Rasmusson, amongst a range of
other accomplished and emerging
artists.
Her
work also appeared in numerous group exhibitions including: Beyond the Border: Art
by Recent Immigrants, Bronx Museum; Asia / America: Identities in Contemporary Asian American Art, Asia Society, New York; Olympiad of Art (in conjunction with the 24th Olympics), National Museum of Contemporary Art in Seoul, Korea; 2nd Asian Art Show, Fukuoka Art Museum, Japan; La Bienal de la Habana, Museo Nacional de Bellas Artes, Habana, Cuba; Art for Africa, traveling exhibition to Oslo, Cologne, Algiers, London and Rome; UNESCO: 40 Years, 40 Countries, 40
Artists, traveling exhibition to 15 museums around the world; Filipino
Artists Abroad, Metropolitan Museum of Manila; and At Home and Abroad: 21 Contemporary Filipino
Artists, traveling exhibition to the Asian Art Museum of San Francisco, the Contemporary Arts Museum, Houston and the Metropolitan Museum of Manila, among
others.
To view all available
works by Kim Rugg, a full biography,
recent reviews, video interviews, press, and
other materials, please visit his
artist page on the Mark Moore Fine Art website.
Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and con
Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for
other artists to
work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her
recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and con
recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm
by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and confound.
In the course of over 20 years she has founded the Israel Museum's international contemporary art collection and curated numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and
others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in
Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and
others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks:
Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and
others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and
others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project
by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, Jerusalem.
This collection of more than 100
works spanning from Baselitz's earliest years to the present day offers an unparalleled overview of his oeuvre, as well as insight into the subtle changes that have come to his
work as he has matured: In
recent years the distinctive visual universe that grew out of the
artist's study of art, myth and literature has expanded to make room for the personal, for memories of an upbringing in the German and Slavic cultural borderland, for everyday life and his family and for revisiting
works by himself and
others.
The museum also announced several
other acquisitions: a large sculpture
by German
artist Anselm Kiefer and six
recent works of figurative art.
Inspired
by their great affinity for the exhibition theme and for the PinchukArtCentre as a leading institution in contemporary art, all of the
artists decided to create some special pieces, partly in the form of new productions such as those
by, amongst
others, Anish Kapoor, AES+F, Cindy Sherman, Matthew Barney and Elmgreen & Dragset; of a special reappraisal of existing
works by Paul McCarthy, Richard Prince, Boris Mikhailov and Takashi Murakami; or the selection of rare or
recent work groups that have never been displayed as part of a major international exhibition before.
In
recent years the Tate, in conjunction with
other UK museums, acquired 64
works by Mapplethorpe through the
Artists Rooms Art Fund and The d'Offay Donation, which culminated in an exhibition at Tate Modern in 2014.
Augmented
by major
works from important private collections to fill gaps in the MCA Collection and to provide examples of
recent works made during the last few years, the exhibition includes
work by approximately 75 of the most important
artists of the last sixty years including Chuck Close, Andy Warhol, Gerhard Richter, Jasper Johns, Lari Pittman, Rudolf Stingel, Clare Rojas, Laura Owens, Josef Albers, Rene Magritte, Francis Bacon, Brice Marden, Caroll Dunham, Thomas Scheibitz, Jean Dubuffet, Sherrie Levine, Jules Olitski, Kenneth Noland, Sigmar Polke, Rebecca Morris, Roberto Matta, and Yves Tanguy, among
others.
Works by artists represented in the collection will be exhibited alongside some of their more recent creations, or alongside works by other artists invited for the occasion, reviving and renewing approaches to, and interpretations of, the CRP's photographic collec
Works by artists represented in the collection will be exhibited alongside some of their more
recent creations, or alongside
works by other artists invited for the occasion, reviving and renewing approaches to, and interpretations of, the CRP's photographic collec
works by other artists invited for the occasion, reviving and renewing approaches to, and interpretations of, the CRP's photographic collection.
Marni defines contemporary art as «
work that is being created
by artists now or in the
recent past and responds to current social, political, economic, identity, sexual and
other relevant issues.»
Its purchase comes on the heels of several
other recent acquisitions, among them Ellsworth Kelly's Tablet, an untitled sculpture
by Tony Smith, an untitled painting
by Mark Rothko and a group of 12
works by artists from Texas.
Finch's first solo exhibition in an English public gallery in over five years brings together new and
recent works by the
artist, all of which reflect on the changing coastal light of Margate and
other sites.
Beginning with a core of
works by artists who in some way are tied to the Museum's history — be they present in collections or part of some of the most significant events that have distinguished the Castello's thirty years of activity — the investigation is broadened to include
others who, in the
recent past, have proven to be, with their
works, decisive for newer generations of
artists.
Over 100
works from the 1920s and «30s
by key Soviet
artists are brought into dialogue with new site - specific commissions and
recent works by contemporary
artists, including Cuban performance
artist Tania Bruguera noted for her strong political messages, Mikhail Tolmachev, a young
artist from Moscow who explores the subject of memory through photographic archives, renowned American
artist Barbara Kruger, German photographer Wolfgang Tillmans and Russian multi-media
artist Kirill Savchenkov, amongst many
others.
Featuring more than 55 artworks, the exhibition includes John Singer Sargent's masterpiece Gassed, which has never traveled to New York before; Childe Hassam's The Fourth of July, 1916, a
recent gift from Chairman Emeritus Richard Gilder; and powerful
works by George Bellows, Georgia O'Keeffe, Horace Pippin, and Claggett Wilson, among
other American
artists.