Sentences with phrase «other solo exhibitions of her work»

Not exact matches

This exhibition, which bears the title «Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature by the Legendary Survival Research Laboratories,» will be SRL's first art - world solo show, and will feature eight of their kinetic sculptures alongside video documentation of other work, much of which looks at how technological objects can overpower their users.

An exhibition, either solo or shared has been the most profitable experience in galleries but I found that it was too long between drinks just having a few pieces on their walls surrounded by many other works, often made up of pieces that had been created to fit in with that years interior design colour schemes and priced accordingly.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

Solo exhibitions of her work have been held at Museo Tamayo (2016); Espace Louis Vuitton Munich (2016); Statens Museum for Kunst, Copenhagen, Denmark (2014); The Fabric Workshop and Museum, Philadelphia (2013); Australian Centre for Contemporary Art, Melbourne (2013); the Botín Foundation, Santander (2013); the New Museum, New York (2012); the Turbine Hall, Tate Modern, London (2011) and the Museum Moderner Kunst Stiftung Ludwig, Vienna (2011), among others.

She has had solo exhibitions at institutions including MACRO Testaccio (Rome, Italy, 2016) and Museo d'Arte Contemporanea Donnaregina (Museo MADRE)(Naples, Italy, 2011), and her work has been exhibited at the Imperial War Museum (London, UK, 2017), Sala Pelaires (Palma de Mallorca, Spain, 2017), The Drawing Room's Drawing Biennial (London, UK, 2017 + 2015), Somerset House (London, UK, 2016), Royal Academy of Arts» Summer Exhibition (London, UK, 2016), Ackland Art Museum (Chapel Hill, NC, 2015), and 21er Haus (Vienna, AT, 2015), among many others.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

Throughout his distinguished career the artist's work was showcased in solo exhibitions worldwide at prominent venues such as The Museum of Modern Art, NY, the Stadtisches Kunsthalle, Düsseldorf, Germany, and the Fundació Antoni Tàpies, Barcelona, Spain, among many other places.

One is a solo exhibition by Lesley Dill, a New York artist, and the other is an international group show of works on paper.

In addition to overseeing the museum's acquisitions of modern and contemporary art, is other projects included solo exhibitions of work by Cathy Wilkes, Ragnar Kjartansson, and James Lee Byars, and the group shows Reanimation, Ordinary Madness, and Natural History.

It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.

Juarez's work has been in numerous group and solo exhibitions and he has received awards from the Guggenheim Fellowship, The National Academy of Art, and The American Academy of Arts and Letters, among others.

Other recent solo exhibitions include «Jiro Takamatsu» at Stephen Friedman Gallery, London, England (2015); «Jiro Takamatsu: Mysteries», National Museum of Modern Art, Tokyo, Japan (2014); «Jiro Takamatsu», Stephen Friedman Gallery, London, England (2013); «Jiro Takamatsu Words and Things, Refinement and Tautology», NADiff Gallery, Tokyo, Japan (2011); «Point Line, Form of Absence», Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2009); «Photograph of Photograph», Yumiko Chiba Associates / Viewing Room Ginza, Tokyo, Japan (2008); «Universe of His Thoughts, Fuchu Art Museum, Tokyo, Japan (2004); «1970s Three - dimensional Works and Others», Chiba City Museum of Art, Japan (2000).

His work has been shown in solo and group exhibitions at Kristina Kite Gallery, Los Angeles (2017); Hammer Museum, Los Angeles (2017); Santa Monica Museum of Art, California (2012); Whitney Biennial, New York (2008); LAXART, Los Angeles (2007); Harris Lieberman, New York (2007); Institute of Contemporary Art at the Maine College of Art, Portland (2005); and Massachusetts College of Art and Design, Boston (2005), among others.

Hammond has had over 40 solo exhibitions and her work has been shown internationally in venues such as: the New Museum, the National Academy Museum, the Downtown Whitney Museum, and White Columns in NYC; the Brooklyn Museum and Smack Mellon Studios in Brooklyn; the Bronx Museum; P.S. 1 MoMA Contemporary Art Center in Long Island City, Queens; the Museum of Contemporary Art and the Hammer Museum in Los Angeles; the National Museum of Women in the Arts, in Washington, D.C.; the Tucson Museum of Art and Museum of Contemporary Art in Tucson; the Walker Art Center in Minneapolis; the Phoenix Art Museum; Site Santa Fe, the Center for Contemporary Arts in Santa Fe; the Vancouver Art Gallery; the American Center, in Paris; the Neue Galerie, in Graz, Germany; the Gementemuseum Den Hague in The Hague, among others.

After 20 years of working in production for other artists, both to gain experience and to support his own practice, James L. Hayes reflects on his early career experiences in «A Near Visible Past,» a solo exhibition at UNO St. Claude Gallery.

His work has been included in solo and group exhibitions worldwide, includingCanon at Museo Experimental El Eco in Mexico City in 2012; In other words at NGBK + Kunstraum Kreuzberg, Berlin Germany in 2012; El horizonte del topo at Centre for Fine Arts in Brussels Belgium in 2010; Aftermath at Taka Ishii Gallery in Kyoto Japan in 2010; One foot apart at Leme Gallery in Sao Paulo, Brazil in 2009; Hecho en casa at the Museum of Modern Art, Mexico City in 2009; and in Declaraciones at El Museo de Arte Reina Sofia in Madrid, Spain in 2005 among others.

His work has been the subject of solo exhibitions at the Smithsonian's Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2010); MIT List Visual Arts Center, Cambridge, MA (2014); Museum of Contemporary Art Cleveland, Cleveland, OH (2014); Sammlung Goetz, Munich, Germany (2014); Screen Space, Melbourne, Australia (2015); Espace 104, Paris, France (2016); Kunstraum Dornbirn, Dornbirn, Austria (2017); Morsbroich Museum, Leverkusen, Germany (2017); and Kunstmuseum Wolfsburg, Wolfsburg, Germany (2017), among many others, and has been shown extensively across the world in group presentations.

His work has been included in the 2004 Whitney Biennial and in solo exhibitions at the Kunsthalle Zurich, Switzerland (2006); Whitney Museum of American Art, NY (2007); Museo de Arte Contemporaneo de Castilla, Leon, Spain (2008); Schirn Kunsthalle, Frankfurt, Germany (2011) and in the permanent collections of the Museum of Modern Art, NY; Tate Modern, London and many others.

The artist's work has been included in numerous museum solo exhibitions including the ICA Boston; MCA Chicago; ICA Philadelphia; Whitney Museum of American Art; Philadelphia Museum of Art, and many others.

Graham's work has been the subject of numerous solo exhibitions at venues such as Kingston Gallery in Boston, MA, where she is represented, and has been included in group exhibitions at Ruth Bachofner Gallery in Los Angeles, CA and Frederick Taylor Gallery in New York, NY, among others.

Varejão's first solo U.S. museum exhibition is currently on view at ICA Boston featuring among other works, «Polvo Portraits» (shown above), an oil on canvas series referencing Brazil's 1976 census, in which citizens were given 136 options for describing their race in terms of color.

Atkins's work has been included in a number of group exhibitions at the Institute of Contemporary Art in London, the SculptureCenter, New York and Performa 2011, among others, and he has had recent solo shows at MoMA PS1 (2012) and the Tate Britain (2011).

His work has been featured in a solo exhibition at the Foam Fotografiemuseum in Amsterdam, and his work is included in the collections of the Metropolitan Museum of Art in New York, the San Francisco Museum of Modern Art, and the GEM / Fotomuseum den Haag, among others.

Copro Gallery is opening two exhibits this month, the first one is titled Roadside Attractions lll a group exhibition curated by art collector and music composer, Cris Velasco, and the other is a solo show of work by Mark Garro, titled Blues of the World.

Solo exhibitions of his work have been mounted at Kunstverein Ulm, Germany; Susanne Vielmetter Los Angeles Projects; The Studio Museum of Harlem, New York; and the Project, New York, among others.

His work has been the subject of numerous solo exhibitions, including Bring Me the Hands of Piri Reis , Honor Fraser Gallery, Los Angeles (2012); Glenn Kaino: Safe Vanish , LAXART, Los Angeles (2011); Honor Among Thieves , Performa09, in collaboration with Creative Time, New York (2010); Transformer: The Work of Glenn Kaino , The Andy Warhol Museum, Pittsburgh (2008); and The Burning Boards , The Whitney Museum of American Art at Altria, New York (2007 amongst othwork has been the subject of numerous solo exhibitions, including Bring Me the Hands of Piri Reis , Honor Fraser Gallery, Los Angeles (2012); Glenn Kaino: Safe Vanish , LAXART, Los Angeles (2011); Honor Among Thieves , Performa09, in collaboration with Creative Time, New York (2010); Transformer: The Work of Glenn Kaino , The Andy Warhol Museum, Pittsburgh (2008); and The Burning Boards , The Whitney Museum of American Art at Altria, New York (2007 amongst othWork of Glenn Kaino , The Andy Warhol Museum, Pittsburgh (2008); and The Burning Boards , The Whitney Museum of American Art at Altria, New York (2007 amongst others.

The group exhibition is integrated into the solo exhibition with works appearing both independently and on Assists, a new body of work by Stockholder which are interstitial; acting as both sculpture and hardware, adjuncts to furniture or walls, and as plinths for other works.

Solo exhibitions of her work have been organized by San Francisco Museum of Modern Art; Philadelphia Museum of Art; Portikus, Frankfurt; Museum of Contemporary Art, Los Angeles; Kunstverein, Hamburg; The Getty Research Institute, Los Angeles; and Hirshhorn Museum, Washington, D.C., among others.

Her work has been included in many solo and group exhibitions worldwide, solo shows include Edwynn Houk gallery, Fifty One Fine Art Gallery, James Hyman and Gagosian Gallery, London among others and group shows include The Museum of Modern Art New York, MoCP Chicago and The Photographers» Gallery, London.

Apart from having his work included in esteemed group exhibitions like the 2008 Whitney Biennial and the Museum of Modern Art's «New Photography» series in 2009, Beshty has also numerous solo shows at MoMA PS1 (2004), the Hammer Museum of Art in Los Angeles (2006), and the Hirshhorn Museum (2009), among others.

Their work has been featured internationally, at venues including the 50th Venice Biennial, the 2nd Sevilla Biennial, the 5th Berlin Biennial, the 8th Gwangju Biennial, 1st Cartagena Biennial and in institutions such as MIT, The Generali Foundation, Haud der Kulturen der Welt, with solo exhibitions at The New Museum of Contemporary Art New York, Moderna Museet Stockholm, Museo Rufino Tamayo Mexico City, Lunds Kunsthall, DAAD Galerie - Berlin, MMK Museum für Moderne Kunst Frankfurt, among others.

Other notable solo exhibitions explore significant artists working today, such as Salon 94's presentation of new works by MoMA - honored Pakistani sculptor Huma Bhabha, and the first four - decade survey of Joyce Pensato's work, presented by Petzel.

His work has appeared in numerous solo and group exhibitions at such venues as the Whitney Museum of American Art, the Studio Museum in Harlem, the Los Angeles County Museum of Art, and the Museum of Modern Art, among others.

Paul P. has exhibited his work globally since the early 2000s and has been the subject of solo exhibitions in New York, Toronto, London, Tel Aviv, Berlin, and Paris, among other cities.

Scobel has shown her work in a number of solo and group exhibitions including Firecat Projects, Chicago, Illinois, Michel Soskine Gallery, Madrid, Spain, Galerie Kolb, Karlsruhe, Germany, Galerie der Stadt Backnang, Backnang Germany, and Thomas Erben Gallery, New York, among others.

Her videos, drawings, performances, and other works have been the subject of solo exhibitions at The Art Institute of Chicago, Chicago (2015); Hayward Gallery, London (2014); the Julia Stoschek Collection, Dusseldorf, Germany (2013); Contemporary Art Gallery, Vancouver (2012); MoMA PS1, Long Island City, New York (2011); Performa 11, New York (2011); Mills College Art Museum, Oakland, CA (2011); the MIT List Center for Visual Arts, Cambridge, MA (2010); Center for Contemporary Art, Glasgow (2010); Nottingham Contemporary (2009); Portikus, Frankfurt, Germany (2008); Secession, Vienna (2008); Culturgest, Lisbon (2008); and the Van Abbemuseum, Eindhoven, The Netherlands (2006).

Erik's work been featured in solo exhibitions at the Arts Club of Chicago, Open House Contemporary, EXPO CHICAGO, Bert Green Fine Art, Waubonsee Community College, Project 1612, Chicago Artists Coalition; via public art projects and performances for the Broadview Hotel in Toronto, the Downtown Norfolk Council, Chicago Department of Special Events & Cultural Affairs (DCASE), and Pick Museum of Anthropology; and in group shows at The Franklin, Arizona State University, Eastern Illinois University, University of Nebraska — Omaha, University of Wisconsin - Milwaukee, and Columbia College, among others.

Axell's work was shown in numerous solo and group exhibitions, among others at Centre Pompidou (Paris, France, in 2009), at Kunsthalle (Vienna, Austria, in 2010), at Kunstverein (Hamburg, Germany, in 2011), at Tate Liverpool (UK, in 2013), at Schirn Kunsthalle (Frankfurt, Germany, in 2013), at LENTOS Kunstmuseum (Linz, Austria, in 2013), at the Barbican Art Gallery (London, UK, in 2013), at the Dallas Museum of Modern Art (USA, in 2015), at Walker Art Center (Minneapolis, USA, in 2015), at the Philadelphia Museum of Art (USA, in 2016), at Tate Modern (London, UK), at the Warsaw Museum of Modern Art (Poland, in 2017) and at KIOSK Art Center (Ghent, Belgium, in 2017).

Solo exhibitions of Gilliam's work have been presented at the Whitney Museum of American Art; the Museum of Modern Art, New York; The Phillips Collection, Washington, D.C.; The Studio Museum in Harlem, New York; and Philip Morris Branch, New York, among others.

Since the mid 1980s, Ottersbach's works have been included over one hundred international group and solo exhibitions and are held in some of the most important international collections today including the permanent collections of the Blibliothèque Nationale, Paris, the Museum of Modern Art, New York, the Getty Center, Los Angeles, and National Gallery, Canberra Australia amongst others.

On the occasion of Julian Charrière's first UK solo exhibition, Parasol unit has published a beautifully illustrated publication including images of all the works in this exhibition as well as other related works.

His work has been the subject of numerous solo exhibitions at major institutions, including comprehensive retrospectives at the Museum of Contemporary Art, Los Angeles, the Whitney Museum of American Art, New York, the Musee d'Art Moderne de la Ville de Paris, and the Dallas Museum of Art, among others.

Prior to this, Horwitz's work was the subject of solo exhibitions at Raven Row, London, UK (2016); Kunst - Werke Institute for Contemporary art, Berlin, Germany (2015); Brandenburgischer Kunstverein, Potsdam, Germany (2009); among others.

Significant exhibitions include: Andy Warhol's Campbell's Soup Boxes in December 1986, just weeks before the artist's untimely death; She: Works by Richard Prince and Wallace Berman, brought together, for the first time, two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010); other shows of important New York - based artists have included new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith HaWorks by Richard Prince and Wallace Berman, brought together, for the first time, two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010); other shows of important New York - based artists have included new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Haworks by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Haring.

Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, The Paine Weber Collection, and many others.

In addition to her first two solo shows at MoMA and the MFA Boston in 1966, and her inclusion in John Szarkowski's 1978 landmark exhibition Mirrors and Windows at MoMA, other major exhibitions of her work have been held at The Art Institute of Chicago; the International Center of Photography, New York; and the Fine Arts Museum of San Francisco.

Her work has been featured at solo exhibitions at Postmasters Gallery, New York; And / Or Gallery, Dallas; Windows, Brussels, Belgium; The New Museum, New York; O.K. Center for Contemporary Arts, Linz, Austria; and FACT, Liverpool, England, and in group exhibitions at The Museum of Modern Art, The New Museum, The 1997 Whitney Biennial, Guggenheim Museum, Artists Space, and the Brooklyn Museum of Art, New York; STUK, Leuven, Belgium, Stedelijk Museum, Amsterdam; and Bard CCS Galleries, among others.

Her works have been included in exhibitions at Moscow Museum of Modern Art, Blue Star Contemporary Art Museum, The Drawing Center and Gaîté Lyrique, among others; she had solo shows in New York and Houston.

She has exhibited her work throughout New Orleans at Antenna Gallery, New Orleans Art Center, Ogden Museum of Southern Art, St. Claude UNO Gallery (solo exhibition), The Front, and other venues.

American artist Amie Siegel's work has been exhibited in solo and group exhibitions at the Metropolitan Museum of Art, New York MoMA / PS1, NY; Hayward Gallery, London; Whitney Museum of American Art, NY; Walker Art Center, MN; CCA Wattis, San Francisco; Kunstmuseum Stuttgart; Kunst - Werke, Berlin, Cannes Film Festival and Berlin Film festival among many others.