Sentences with phrase «other station moves»

You can find plenty of other station moves (many less than 2.5 km) in the USHCN that result in step changes, which the PHA then corrects for using correlation statistics to produce the F52 dataset.

Other station moves happen frequently for various other reasons.

Not exact matches

The channel is relegated to the higher - end of the dial with other distributors, and Rogers Communications (owner of Canadian Business) moved Sun News from channel 15 to a higher slot on its cable system, replacing the network with its own news station.

Bella spoke to the show's host in Russian, then moved on to six other stations on the stage to converse with adults in perfect English, French, Spanish, Chinese, and Arabic.

Two other waterfront trash transfer stations in Manhattan are expected to move forward: one at West 59th Street and one at Gansevoort Street are slated to start in Fiscal Year 2013.

«Then we do transfers because people will be moving from one constituency to the other, from one polling station of their previous registration to a new polling station.

The two women, one of them was an EC official on Election Day, moved away from her post at the polling station near the Asafo Palace to a drinking spot and handed over her EC jacket to the other woman.

In other words, all the GPS stations on one side of a given fault moved several centimeters in the same general direction.

But that windfall won't go far, as the agency failed to win approval to move money from other accounts into the station budget to meet cost overruns.

Some of the discontinuities (which can be of either sign) in weather records can be detected using jump point analyses (for instance in the new version of the NOAA product), others can be adjusted using known information (such as biases introduced because changes in the time of observations or moving a station).

It's hard to pick just one image from Andrew Dominik's masterpiece as it is one of the most beautifully photographed movies of the 21st century, the train station shadow / smoke scene is one other iconic moment that comes to mind, but for my money nothing beats this gorgeous frame in which Brad Pitt's Jesse James look over the sunset as he contemplates his next move.

The new agreement will enable passengers to board and disembark from the safe, weather - protected Union Station bus deck, improve access to other transportation and retail options available at Union Station and reduce congestion in the District by moving buses off of busy city streets.

Why can't we have the knobs and the other methods to turn the volume up or down or to quickly move to a new station?

You'll start to find other things that bug you, too, such as how a colossal space station has a single alien who never moves and can only be interacted with on the most basic of levels.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; 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Some of the discontinuities (which can be of either sign) in weather records can be detected using jump point analyses (for instance in the new version of the NOAA product), others can be adjusted using known information (such as biases introduced because changes in the time of observations or moving a station).

We also expect to move the vessel along the coast to other sites in the region such as Cape Jules, Port Martin and perhaps the French station of Dumont D'Urville.

After the 1982 relocation, the temperature at Chula Vista rose by 6 °F, in contrast to a drop in temperatures at the other 2 stations, so Chula Vista's move very likely caused its temperature to rise artificially.

2) Code that does adjustments for station moves and other homogeneities.

F, in contrast to a drop in temperatures at the other 2 stations, so Chula Vista's move very likely caused its temperature to rise artificially.

For the other series, the measuring station was even moved.

Adjustments are done for many reasons: because there are gaps in the temperature recording stations, because recording stations break, because a new station differs from the old station, because recording stations must be moved, or because the time of day they're read changes, or they shut down because of funding cuts, or the person reading it retires or dies or can't do it as often as they once did, because of urban heat island effects, or because other stations are too close (or toop far) relative to the averge, etc.........

For example, I visit DC's Reagan National Airport frequently, and that particular station has had a significant move in its past, and significant transitions in terms of surrounding land usage, runways and other manmade surfaces, and an increase in jet travel.

As you know, many historic stations do not have data available from their start to the prseent day, very many have moved, whilst still others have had their data substantially adjusted for such as the IMPROV project.

I'd say the Watts et al paper strengthens the case that homogenization or some other approach is necessary to deal with discontinuities in station data due to station moves, instrument changes, etc..

If you have a H / L for Thurs, then you average them (that's what NOAA or other provider does to get the «daily mean»)-- even though it isn't a daily mean... Imagine a station at the bottom of a steep canyon, solar heated high might be all of 2 hours, not 12; or imagine a 50 F drop in about an hour as front moves through, then the clock changes to the next day: the shape of the daily curve is ignored, but does change the actual mean as compared to the H / L average.

For instance, the dependence of the corrections on other information (such as regional station moves, which in itself has been found on occasion to be inaccurate) can be considered an indication of the uncertainty and limitations of the «corrective approach» that is being sought.

As part of the move to GBFS bike share systems will also begin publishing useful information for app users in a more standardized way; for example station relocations, «valet» or «pop - up» stations, and other service modifications.Motivate is committed to providing open data for all our systems and while we've converted four to GBFS today, we'll be working to bring more into this standard in the months ahead.

This means that when you compare the raw and adjusted stations, differences in elevation and other climatological factors between the 1218 stations and the 650 stations will swamp any effects of actual adjustments (e.g. those for station moves, instrument changes, etc.).

The raw database is a mess and any mathematical treatment to resolve problems (e.g. discontinuities, station moves, stations missing, TOBS, etc.) introduces other problems (e.g. estimating, correct adjustment to use, etc.).

Other notable PHA - detected adjustments are minimum (and more modest maximum) temperature shifts associated with a widespread move of stations from inner city rooftops to newly - constructed airports or wastewater treatment plants after 1940, as well as gradual corrections of urbanizing sites like Reno, Nevada.

Having worked with many of the scientists in question, I can say with certainty that there is no grand conspiracy to artificially warm the earth; rather, scientists are doing their best to interpret large datasets with numerous biases such as station moves, instrument changes, time of observation changes, urban heat island biases, and other so - called inhomogenities that have occurred over the last 150 years.

Can we surmise that just after the move of a station the data is likely to be less wrong than at any other time in the station history?

One station moved 20 km and one moved 5 km and other moves were «allowed» up 1500m... but they broke the rules for those two stations.

There are certainly published station logs (for stations used in the study) that refer to changes in location — how many is «a few» and how much of a move (or other change) is allowed in order for a station to be listed as one that did not experience a change in location?

Global temperatures are adjusted to account for the effects of station moves, instrument changes, time of observation (TOBs) changes, and other factors (referred to as inhomogenities) that cause localized non-climatic biases in the instrumental record.

One cool thing that I'd like to see other EV makers copy is Honda's latest move: They now offer a charging station with the Fit EV.

About half of that increase was due to information obtained about station moves (mostly from cities to airports where conditions were generally cooler), the other half from changes in the time of observation (mostly as a consequence of a concerted effort to transition to a uniform time of observation for a whole network of stations).

Additionally, the common practice during the 1950s of moving weather stations from downtown locations to airports, outside the «heat island,» would give a spurious impression of cooling, but Mitchell and others allowed for that too in their calculations.

You have to move away from your home to other bases or stations «as the mission requires,» and you and yours might absolutely despise where it is that you have to move to.

Their duties usually include gaining cooking and kitchen experience, developing skills while moving from one kitchen station to another, preparing food, assisting senior chefs, and communicating with the other members of the kitchen staff.

While you shouldn't rely solely on traditional advertising methods like print ads and press releases to gain the kind of attention needed to move the needle for your business, it doesn't hurt to cover your bases with your open house promotion by leveraging popular newspapers, magazines, news stations, and other outlets in your market.