PEOPLE IN THE ART WORLD say that the reason openings in Chelsea have become so overcrowded is because people who are not in the art world have heard that they can get free booze there.
Not exact matches
Now as an arty egg - heady guy I can relate to the need (and sometimes temptation) to brood alone, but what I particularly notice is that this music often oscillates, as much of the classic 60s
art pop did, between rhythmically simplistic evocations of lonely - ish innocence,
say, the Mo Tucker and Marine Girls moments, and a-rhythmic plunges into enervated hopelessness,
say, the The Loneliest
Person in the
World moments.
The answer is always revelatory, which is one of the reasons Chesterton was right to
say that «the simple need for some kind of ideal
world in which fictitious
persons play an unhampered part is infinitely deeper and older than the rules of good
art, and much more important.»
about me im single 44 i love the out doors free hand drawing and just a gud guy just want to meet
ppl in the
art world and i hope miss right!!!! i like the joke around and have fun if u like what u see just
say hello
Redford has
said in the past, «Cinema, both fiction and non-fiction, has shown over and over that as human beings, we share values beyond any border, real or imagined,» and he founded Sundance Institute on the belief that
art, and
in particular film, has a unique power to nurture understanding between diverse cultures and
people — to foster tolerance
in an often intolerant
world.
«Theater is an
art of transformation because it gives
people a chance to take on roles they've never played before — to try out new identities, to redefine themselves — and sometimes what happens on stage can be a rehearsal for new ways of looking at the
world off stage
in real life,» he
says.
I would
say putting
people first, improving wellbeing by including all and eradicating poverty via holistic and sustainable approaches are focal points which
in many ways are not separated from my strong commitment to vulgarizing education, sharing and learning, communication, cultural exploration and inter-cultural dialogue,
art, environmental protection and broadening the use of transformational technologies as a way of combating poverty, achieving millennium development goals and reducing suspicion and development lapses
in Africa and the
world.
«We think having [the Portal]
in this public / democratic space — our parklands — offers a great platform for discussing all kinds of topics and ideas not only with
people on the other side of the
world, but also with those a few states over,»
says Sabrina Bedford, the Parks Conservancy's
Art & Community Engagement Coordinator.
«For me,» he
said in his MCA Chicago lecture, «the thing that has the greatest transformative capacity
in the
art world today,
in terms of what
people expect to see when they go to the
art museum, is a painting that has a black figure
in it, because 95 percent of all the other paintings you see are going to have white figures
in them.
The work being done is actually not for one show but two, at probably the city's most powerful galleries: Gagosian, which has represented Koons since 2001, after production costs derailed his partnership with Deitch (one
person who knows him
says, «His perfectionism basically bankrupts everyone who works with him»), and gallerist David Zwirner, the ambitious and prosperous younger rival to Larry Gagosian, who instigated an
art -
world gossip kerfuffle when he announced
in the fall that Koons was doing a show with him.
In the
art world at the end of the «80s, Rosen
said, «
People thought the clock was going to strike 12 at 1990 and
art was going to stop and nothing was going to happen after that.»
What is great about putting your
art in the
world is then receiving the feedback of what other
people have to
say about your work.
The figurative painter Lois Dodd, the last living founder of the Tanager Gallery (1952 - 1962), the most influential of the artist - run galleries that clustered on East 10th Street,
said it was difficult for
people in today's supercharged contemporary
art world to imagine how profoundly uninterested collectors and dealers were
in the 1950s
in most
art being made at the time.
That
said, if Sherman's one - off still images of herself as invented women characters have become legendary, I wonder why so many
people have blank looks on their faces when the name of Lynn Hershman Leeson comes up
in conversation regarding the
world of contemporary
art.
«When I was growing up I just wanted to be a runner... I'd
say everybody
in the
world should do a foundation year
in art, because of the way it opens
people up.»
EW: Considering your extended time
in the New York scene and what it's like to be an «
art -
world survivor,» or what it's like to have maintained a practice for many years, do you feel like there's a difference between what you're
saying now and what you've
said before and how you feel
people have responded?
And on the day of his first lecture last October there were very few
people in the New York
art world who did not wish to ride the Boston shuttle to hear what he would
say.
The
art fair that
people in the know
says is the best now — its certainly the plushest and its also the one where galleries get to show off a bit, we really like the decor, the carpet and the general calm of the fair which is a great compliment to the crazy energy of Frieze London featuring over 120 of the
world's leading galleries, from ancient to modern. friezemasters.com Opening Wednesday to Sunday
In the
art world, for the first time ever,
people were
saying that London rather than Paris was the place to watch.
«When Phyllis Lambert bought Brown and Blacks
in Reds she was seeking to assemble a collection of the finest contemporary
art in the
world to adorn what many
people were
saying was the most beautiful building
in the
world.
People always
say New York is the center of the
art world, and that we started talking about ideas of multiculturalism and diversity
in the
art world in the»80s and»90s.
«I think the
art world can be intimidating to
people not
in it,» she
said.
But then I ran into these artists — I mean also going back to Sol [LeWitt]-- for whom the very idea of
art was on the level of intellectual or critical propositions and
said, «Well, you know, there are
people in the
world who are driven by thinking about
art as an ideational space.»
«New York is obviously the center of the contemporary
art world,»
said the center's director, Neil Barclay... «But I think more and more
people are interested
in where creative production is happening at a high level everywhere else.
In her February 10, 2010 article in The New York Times, art critic Roberta Smith, discussing current trends in the «art world» says, «What's missing is art that seems made by one person out of intense personal necessity, often by han
In her February 10, 2010 article
in The New York Times, art critic Roberta Smith, discussing current trends in the «art world» says, «What's missing is art that seems made by one person out of intense personal necessity, often by han
in The New York Times,
art critic Roberta Smith, discussing current trends
in the «art world» says, «What's missing is art that seems made by one person out of intense personal necessity, often by han
in the «
art world»
says, «What's missing is
art that seems made by one
person out of intense personal necessity, often by hand.
The heterogenous artist, Enrike Gharés, creates
in his works various accesses to the
world of
art, or better
said, to the indiviual sensitivity of each
person towards
art — a code for flying.
There's an added factor, Westreich
says, that with market recognition and the imprimatur of the Whitney show, «as it becomes more and more present
in the international
art world,
people can accept it into collections that don't necessarily accommodate it, visually,» Westreich
says.
«When the history of this moment
in the L.A.
art world is written,» she ventures, «
people will
say, «The Underground Museum?
«
People were saying: «I find I can't even have this conversation about equality in the art world»,» says Rolls - Bentley, «because so many people think it's already been ach
People were
saying: «I find I can't even have this conversation about equality
in the
art world»,»
says Rolls - Bentley, «because so many
people think it's already been ach
people think it's already been achieved.
«He influenced so many
people in the
art world to care for artists the way he did,» Stein
said.
«Ted was a great connoisseur of Modern and Contemporary, which might surprise some
people, given his
world - renowned expertise
in Italian Renaissance
Art,»
said Frank Hettig, Director, Modern & Contemporary
Art.
In September, Brian Stechschulte, gallery director of NIAD, sent him an e-mail saying he was leaving and «did I want to share the job opening with people I knew in the art world?&raqu
In September, Brian Stechschulte, gallery director of NIAD, sent him an e-mail
saying he was leaving and «did I want to share the job opening with
people I knew
in the art world?&raqu
in the
art world?»
Art Everywhere will engage millions of people by bringing art out of the museum and into the world we live in,» said Los Angeles Mayor Eric Garcet
Art Everywhere will engage millions of
people by bringing
art out of the museum and into the world we live in,» said Los Angeles Mayor Eric Garcet
art out of the museum and into the
world we live
in,»
said Los Angeles Mayor Eric Garcetti.
But today, many
people who aren't immersed
in the
art world don't know a lot about Olitski,
says Alison de Lima Greene, curator of contemporary
art and special projects at the MFAH.
«
Art is important because you can tell what happened to people all over the world at any time in their history from looking at their art,» Ringgold sa
Art is important because you can tell what happened to
people all over the
world at any time
in their history from looking at their
art,» Ringgold sa
art,» Ringgold
said.
«I wanted to be stimulated by many different things and different types of
people in one space,» she
says casually by way of explaining her rise
in the
art world.
If anything, I'd
say the list reveals a disheartening shortsightedness, made all the more depressing by the fact that it was compiled by some of the most high - profile
people in the
art world today, including Guggenheim Director Richard Armstrong, MoMA Director Glenn Lowry, Hammer Museum Director Ann Philbin, and Serpentine Gallery Co-Director Julia Peyton - Jones.
«It is a pleasure to work with The Museum of Modern
Art on this exhibition, as well as with Tate Modern
in London and the San Francisco Museum of Modern
Art,
in order to bring Robert Rauschenberg's important work to millions of
people around the
world,»
said Rena Desisto, global
arts and culture executive, Bank of America.
«I know a lot of
people in the
art world, and I immediately thought of two
people I knew for whom this property would be perfect,» Nora
said.