Sentences with phrase «performance rights we work»

FILM, TELEVISION AND PERFORMANCE RIGHTS We work with a variety of co-agents to represent rights for our books in film, TV and performance.

Not exact matches

Spencer has also said of virtual reality that he sees Scorpio's performance as «very attractive to some of the VR companies that are out there already,» adding that Microsoft has «architected it such that something will be able to plug right in and work.»

BMI represents the public performance rights of nearly 13 million musical works created and owned by more than 800,000 songwriters, composers, and music publishers.

Our experienced engineers will work with you to determine your needs for your system to create the right high performance, cost - effective system.

Another awful dive marred his performance, as despite playing at right back he remained a menace going forward and worked tirelessly for the team.

This is simple a very intelligent child can solve this problem.Firstly today our keeper was very poor however i know he will come good.By the way why is Paulista no getting his chance.What i have observed about arsenal since we signed Mertesacker from day one and since he started playing is that Mertesacker hardly gets involved you will usually see him a few times because he does not want to get caught out.e has always been a weak link in the defence even in his greatest performances here.When i see us playing with a high line and he is there i always laugh.It is just a mistake waiting to happen and i can tell u that it will happen again this season.Secondly why is Ramsey Cazorla and Ozil playing in the same line - up in a 4 -5-1 formation.That is just not right though it will win you some matches due to individual brilliance.It wont work at all.Lastly the least i say about Giroud the better i am not judging him on one game.One would imagine if he was not french and like chinese will he be getting these chances under Wenger.To me he will always be an average player and i will stand by my word even if he has good games.

what they have to do is be professional about their line of work but they can simply view it as their work and if you do nt like their performance as employee of the brand, you can demand change and criticise but just being disappointed with the results do nt give the fans the right to insult on such a low level like some guys on here and in this kind of view insulting a man who worked 20 years absolutely professionally for a club is just downright wrong, i never said you shouldnt criticise him

We've got to put in a performance, work hard and earn the right to win.»

Off topic anyone notice how ozil was used on the left wing last season and the first part of this season and he was under performing fans and pundits were all saying how wenger should build the team around ozil since that was his best position and he cost us 42m well since his return he has only played either cam or right wing (he said in a interview that those were his fav positions since he played them at real) taking the place of an in form cazorla and it all seems to work I think wenger has done this all on purpose because if u look at ozils overall performance after his injury its much better than before, he tackles, wins the ball back and covers more distance than anyone else wenger does this often using players out of position for a while only to make their overall game better and mostly it works genius

I was impressed with the fact that he has a physical therapist and a pitching coach working right along with his strength coaches to improve all the qualities of his athletes and ensure the highest level of performance.

And while Coquelin has not tried to hide from the fact that our performance was nowhere near good enough, he has declared that all of the players have treated it as a big wake up call and have been working really hard all week to put things right on the training field.

A first win of the season in the league − a narrow and slightly fortuitous 1 - 0 win over Swansea at the Emirates — and a creditable draw away in Germany against the defending domestic champions, Borussia Dortmund, would suggest they are on the right path; however, their performances in both will have reaffirmed what Arsene Wenger already knew − that there is still plenty of work to be done on the training ground before the Gunners are back firing on all cylinders.

on the off chance our collective karmas may rub off on his performances and that please god he manages to just get the basics right as far as diabys concerned we really cant keep poundin the guy, he did wel the other night so at least wait until hes underperformed again to criticise, i doubt ul hav to wait long to be fair, hes so inconsistent wolves wont be easy, especially with the dangerous doyle and ebanks - blake up front, you can be sure these 2 will set the tone for a high pressure hard working team effort but i just cant see us being troubled by any1 in our current mood....

The carbohydrate or sugar content of Gatorade offers functional benefits and are scientifically formulated to provide the right amount of energy to fuel working muscles and deliver a performance benefit that water does not provide.

When your body is fueled the right way, your energy levels and performance improve — in life, in work, in everything — helping you be the best version of yourself.

You came to work at Performance Trust right out of college in 2004 and have been there ever since!

That strategy paid off for Mina as she landed her first position as an analyst with Performance Trust right out of college and has worked her way up the ladder since.

And they both deliver for their director, particularly Streep, who hasn't given a performance this nuanced in a very long time — reminding one what she can do when she's paired with the right collaborator (my biggest problem with Streep's «00s and «10s work is how rarely she works with directors who challenge her).

If it works at all, it is thanks to the likeable performances from the stars of the film, with Lindsay Lohan (Mean Girls, Freaky Friday), who practically grew up making movies for Disney, knowing exactly the right way to play her role.

It's a fine performance that not many actors working today could have delivered, at once showing commanding power while also being quite vulnerable to his own doubts about whether he is doing the right thing.

Right from the beginning Sally Hawkins is given fantastic on - screen partners in Richard Jenkins and Octavia Spencer that jive well with her phenomenal performance built solely on hand gestures and body language (Jenkins makes a fine best friend working on his career as a painter, while Spencer's motormouth skills and sassy banter make conversations amusing and easily involving), but as she notices the creature being housed in isolation inside a large rectangular pool (referred to as The Asset) at the laboratory, things get complex and become transfixing.

We also get tastes of stuntwoman Debbie Carrington at work and Brad Dourif recording his vocal performance, while a bit of B - roll captures the small army of puppeteers working in unison to get Chucky's moves right.

Filmmaker Carl Tibbetts, working from a screenplay cowritten with Janice Hallett, has infused Retreat with an almost excessively deliberate pace that proves problematic right from the outset, with the movie's hands - off atmosphere exacerbated by Newton's cold, oddly unsympathetic performance (ie she seems to actively hate her own husband).

The intense attention - to - detail, filming only with natural light at the right time of the day (and the cinematography of Emmanuel Lubezki), the amount of work that went into making it, the performances, it's all extraordinary.

Well, I'm in San Francisco right now, working on a project called Beautiful Boy, trying to follow in the footsteps of committed performances and performers — I'm playing a heroin and methamphetamine addict.

Edmands finds the right balance between atmospheric undertones and understated storytelling, managing to get solid performances from his cast — it's easy to forget we're watching the work of a first - time director.

Most of the women winners — most prominently among them Nicole Kidman and Laura Dern for their performances in Big Little Lies, and Reese Witherspoon for her producing — spoke about the issues at hand when up on stage, many of them having brought women's rights advocates who work outside of the film industry with them to the show, as a sign of solidarity and support.

Chastain is one of the best actresses working right now, and she gives perhaps her best performance to date in this film.

Importantly, they're all impressive actors in their own right, and after seeing the performances Durkin was able to draw from Elizabeth Olsen and John Hawkes, we can't wait to see his work with this cast.

Less Than Zero works because its performances are right and its presentation is strong.

Here, he works this with a promising cast, especially Kidman, who can turn in a great performance under the right director.

That we are right there with Caesar in his agonizing predicament is a testament to Serkis» groundbreaking work in motion - capture performance (his turn in

Best Actress: Annette Bening — Kids Are All Right — stern, intelligent yet moving and likeable — it takes a real pro to accomplish that with such style and verve Nicole Kidman — Rabbit Hole — heartbreaking but resilient — a perfect balance between broken and fixed — it is so joyful to watch a character so succinctly communicated Lesley Manville — Another Year — heartbreaking with closeup after closeup of vulnerability and grasping hope — truly a fragile and pulsating performance Julianne Moore — Kids Are All Right — courageous and oh so human — sexy and vulnerable in an earthy way — her struggles with herself are the heart of the movie and she carries it magnificently and warmly Natalie Portman — Black Swan — the tour de force this year — the crazy, emotionally volatile core of a crazy, emotionally volatile film — some wonder if it might be «easer» to play such big emotions but the incredibly thin wire she has to traverse in such an extreme environment is daunting and she makes it work and gives us believability and solicits true sympathy in the middle of a fright fest — a truly accomplished achievement

But while Sean Penn, Philip Seymour Hoffman or Meryl Streep win prizes, and their acting may feel true or right, it is detrimental to the craft to hold up as ideal only those performances that work as audition pieces, or as 30 - second excerpts on Oscar night.

Farrell's previous collaboration with Lanthimos in «The Lobster» serves him well here, once again impressively investing in droll deadpanning, and Nicole Kidman («Lion») has worked with such an extensive roster of different directors that it's no surprise she can leap onto the right wavelength immediately, but Keoghan is a relative newcomer and his performance here is frighteningly nuanced, masterfully plucking the strings of ambiguity.

Edgerton's typically captivating turn is matched by a flawless supporting cast that includes Melissa George and Sarah Roberts, and yet it's clear right from the get - go that Wilkinson turns in the picture's most impressive and flat - out engrossing work - with the actor's scene - stealing performance standing as a consistent (and virtually undeniable) highlight within the proceedings.

The film's politics are often glib and reductive — it doesn't have a keen interest in the Lebanese people or the history of the region — but, if you like spycraft stories in the vein of John le Carré's work, this is a briskly paced, occasionally clever thriller featuring a winning performance from Hamm, who has struggled to find the right star vehicle since the end of Mad Men.

Sean Baker, the award - winning director and co-writer of the great new movie, «The Florida Project,» joins Justin in studio to discuss the film, what drew him to tell this story, the juxtaposition of the hidden homeless living right outside of the most magical place on Earth, the importance of getting the details exactly right, how the movie was inspired by «The Little Rascals,» wanting to show how children make the most out of any situation no matter how dire, how desperation plays a big role in the film, the wonderful performance from Willem Dafoe, the relationship between Willem and the child actors, the challenge of working with child actors, the way Florida is portrayed in the film and what he plans to do next.

When: June 19th Why: Mark Ruffalo is hands - down one of the best actors working today, but while he's earned great reviews for his performance in writer Maya Forbes» directorial debut, his character feels a little too close to the eccentric fathers he's played over the past few years, especially in fellow indies like «The Kids Are All Right» and «Begin Again.»

Working with, and extracting the best performances from, kids, as well as finding the right atmosphere on set, where huge things that I learned that became a big benefit to me as I was making «Sinister 2.»

In a kooky yet vulnerable and heartfelt performance, Franco gets right at the heart of what makes Wiseau a true hero — his sheer willingness to try — and that is what makes «The Disaster Artist» work so well.

Directed by Denzel himself, as he did with his previous Antwone Fisher, Washington proves his own style to mimic that of Tolson himself — he is able to elicit just the right performances from his actors while his content is manufactured to win people over much more so than to be a work of true art.

Moss is having her moment in Hollywood right now, and there is a strong chance she receives a second nomination in the limited series category for her work on Top of the Lake, a performance we know Globes voters loved after she won a few years back.

Every action, every methodical movement on the boat feels like the work of hands that have grasped this hunk of wood and metal for years, resulting in a character that is always believable and a performance that feels authentic right down to its salt - soaked bones.

Performance - based assessment can work with the curriculum, instruction, or unit that you're teaching right now.

In 21C, Learning and Development has to be prepared to deliver the right information at the right time, the right place in order to facilitate working and learning at the speed of performance.

Working on eLearning analytics and adaptive learning solutions to improve students» experience, maximize their learning performance, and provide institutions and companies with the right analytical tools to get the most...

But there can be a lot of genius in subtlety, and when it started costing them consumer dollars, Sony got to work righting the shift and pleasing the masses, and soon Playstation users had their own system to document and curate player performance — and in parallel, unique pathways of media consumption.

That clearly didn't work because folks like NOLA advocate Josh McCarty replied: «moving the left end of the performance curve to the right through regs has gotten more kids in higher perf schools.»

And there's the difficulty of drawing the right conclusions about teacher performance from very small numbers of student test scores, an especially tough challenge in elementary schools, where teachers typically work with a single classroom of students every day.