Sentences with phrase «pusher trilogy»
It is the first indication that we are in Only God Forgives or Valhalla Rising territory where static framing with and sonic force reign supereme, more - so than Drive or The Pusher Trilogy, although to be fair, both all of his films show a wonderful proficiency on setting a distinct rhythm to the storytelling.
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Danish director Nicolas Winding Refn (the Pusher trilogy) is courting controversy with Bronson, a tour de force meditation on violence and celebrity about real - life British felon Michael Peterson.
From the Pusher trilogy to his recent collaborations with Ryan Gosling (Drive and Only God Forgives), creating violent and difficult men has been a touchstone of his career.
A fan of Refn's Pusher trilogy and his Tom Hardy spectacle Bronson, I was curious as to whether this movie would have the same Kubrickian calculated visual style, and if it would ultimately give us more artful brawn.
Pusher II (2004) and Pusher III (2005) sealed the box and success of the internationally renowned Pusher Trilogy.
In terms of Refn, I can't see this either, but he's an interesting choice after seeing his PUSHER trilogy and the recent British remake, which he co-produced.
In the alternate moral universe of the Pusher trilogy, a micro-epic docudrama about the Copenhagen drug scene from Danish director Nicolas Winding Refn, Frank (Kim Bodnia), the lowly dope dealer in the series» first entry, is correct: He didn't do anything wrong.
the Pusher trilogy (whether he wanted to do it or not), Bleede, Fear X and Bronson are masterclass.
It is gritty, high energy, and bleakly funny in a way that recalls Nicolas Winding Refn's Pusher Trilogy (particularly the 1990s - shot first film).
Nicolas Winding Refn (The Pusher Trilogy, Bronson, Valhalla Rising) talks to Reverse Shot's Damon Smith about growing up isolated in America, the act of creation, and the Michael Bay movie he really wants to make.
From the palm - prickling underworld anxiety of his Danish - language Pusher trilogy to the electro - fetish noir of his first Los Angeles - set film, Drive, sour milk and fresh meat is more or less what Nicolas Winding Refn has been serving up all along.
«The Pusher Trilogy» uses violence as an object, where it's simply there, and always will be.
He is famous for directing the Pusher trilogy.
But the director of the Pusher trilogy and a movie about Vikings has never been at a loss for movie - movie swagger, even if the success of his films leans heavily on the sustaining of trance - like states more than moviemaking chops.
Before there was Drive, there was director Nicolas Winding Refn's Pusher trilogy.
I loved his Pusher Trilogy, Valhalla Rising, and Drive.
I've enjoyed the Pusher trilogy, Bronson, Valhalla Rising, and his latest film, Drive, is my favorite flick of 2011 thus far.
Based on a crime novel by James Sallis, a disciple of pulp writers like Jim Thompson and David Goodis, Drive squares nicely with Refn's previous work, particularly the Pusher trilogy, which is about tough, low - level hoods who scrap their way through a narrowing set of choices.
Like Martin Scorsese and Quentin Tarantino before him, Danish director Nicolas Winding Refn's early works were immersed in the underworld: the acclaimed Pusher trilogy and powerful prison biopic, Bronson.
Within the first 10 minutes of Valhalla Rising, an acid - tinged Viking odyssey from Danish director Nicolas Winding Refn (the Pusher trilogy, Bronson), a mute, one - eyed warrior played by Mads Mikkelsen crushes one man's skull with a rock, slashes another's throat with an arrowhead, and forces a third to witness his own disembowelment.
Nicholas Winding Refn (Valhalla Rising, Bronson, the Pusher trilogy) has never made films for mainstream moviegoers.
It's been 20 years since Refn broke onto the scene with the first installment in his Pusher trilogy, which he continued in 2004 and 2005, and the director has consistently honed his technique since his debut in 1996.
I know you started off with Peter Peter for the Pusher trilogy.
From the poster and an early first glimpse of the film, it looks to be another piece of brutal, bloody, stylized mayhem from the man who brought us the Pusher Trilogy, Bronson, and Valhalla Rising, and won best director at Cannes (where he could be returning this year) for Drive.
Not exact matches
And I haven't even seen «Valhalla Rising» or his «Pusher» trilogy yet, but just to go by «Bronson» (a personal top 10er in 2009) and his latest, I feel an invigorating injection of originality in the cinema landscape.
He's brought something unique to every film, whether it's Nicholas Winding Refn's «Pusher» trilogy, Suzanne Bier's Oscar - nominated «After the Wedding,» or Refn's hybrid Viking misfire «Valhalla Rising.»
«I didn't do anything wrong» is the key line of Refn's entire trilogy, and it underlines Richard Coyle's predicament in Pusher.
After an auspicious start with small - scale gangster pulp (the «Pusher» trilogy) and stylish portraits of brutal men («Bronson,» «Valhalla Rising»), Danish filmmaker Nicolas Winding Refn has turned to the world of wispy ingénue models in Los Angeles for his latest, «The Neon Demon.»
An English - language remake of Drive director Nicholas Winding Refn's gritty 1996 Danish film of the same name, itself the first of a pulpy trilogy, crime drama Pusher has a neon - lit nervy energy — at once slick and grungy — and the sort of unabashed, screw - tightening rhythms that genre enthusiasts will embrace.
More on working with «Drive» director Nicolas Winding Refn, best known previously for such hyperviolent slices of cinema as the acclaimed «Bronson» starring Tom Hardy and the Danish «Pusher» trilogy.
Prieto's movie is based on Nicolas Winding Refn's 1996 Danish film trilogy, also called «Pusher.»