Sentences with phrase «pablo sigg»

In his 2010 essay «Tuymans, Loyola, Leibniz,» Mexico City — based artist Pablo Sigg describes painter Luc Tuymans's canvases as involving a «suspension of the surface that is separated from the depth and weight of matter.»

, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.

A fully illustrated catalogue, edited by Tommy Simoens, will be published by Ludion Press on the occasion of the show, featuring an introduction to Midcentury Studio by the artist and essays by Christopher Phillips and Pablo Sigg.

Pablo Sigg's film Der Wille zur Macht presented at A Proposition by Montserrat Albores Gleason at The New Museum of Contemporary Art in New York City 27 April 2013 at 3 pm

Pablo Sigg: The Swedenborg Room at ltd los angeles reviewed by Catherine Taft in ArtForum Summer Issue 2011

The exhibition is constructed through the work of A.L. Steiner & Robbinschilds, Adriana Lara, Alex Hubbard, Luc Tuymans, Pablo Sigg, Pedro & Juana, Tania Pérez Córdova, Ulla Von Brandenburg, and a selection of Pre-Hispanic pieces from a private collection.

Her lecture will be followed by a film entitled Der Wille zur Macht, by artist Pablo Sigg, which narrates the history of Nueva Germania, a colony founded by Elisabeth Nietzsche (sister of Friedrich) and her husband in the Paraguayan jungle, exploring their claims to the land and the complex culture that sprouted around and through their settlement.

Not exact matches

An Interview with Thomas Hirschhorn, October 113, Summer, pp. 77 - 100 Bryson, Norman, Books, Frieze, Summer, pp. 110 - 115 Smith, Terry, Primacy, Convergence, Currency, Art Papers, May / June, p. 23 Egenhofer, Sebastian, Form und Produktion, Texte Zur Kunst, March, pp. 196 - 200 Lafuente, Pablo, Thomas Hirschhorn, Frieze, April, pp. 109 - 110 Rian, Jeff, Swiss Diss Artforum, February, p. 68 Desanges, Guillaume, Thomas Hirschhorn, Exit Express, March, pp. 6 - 7 Hirschhorn, Thomas, Shrine On, Sleek magazine, Issue 9, Winter Hirschhorn, Thomas, Emergency Library, Old News, no. 2 Hirschhorn, Thomas, Utopia, Utopia = One World, One War, One Army, One Dress, Gagarin, no. 12 Kielmayer, Olivier, Le public blasé, Art Suisse Riding, Alan, Swiss democracy: a critique and a uproar, International Herald Tribune, 4 January Samoyault, Thiphaine, Souvenir bref du musée précaire Albinet, plus un commentaire, LeJournal des Laboratoires, no. 3, January Fiat, Christophe, Un sujet flambant neuf - Andy Warhol, Le Journal des Laboratoires, no. 3, January Haidu, Rachel, Les Utopies précaires de Thomas Hirschhorn, Le Journal des Laboratoires, no. 3, January Couto, Rodrigo Carrizo, Un eposición en París provoca una tormenta política en Suisa, El País, 6 January Sigg, Oswald, Wegen Brandgefahr verboten, Das Magazin, 22 - 28 January Sennewald, Jens, Die Kunst als Antithese der Demokratie, Kunst Bulletin, January De Saint - Do, Valérie, Hirschhorn met le feu