Not exact matches
Wilson writes that the current exhibition «is compelling, and that the pieces have been selected with a sense of the visually rhythmic — by which I mean, the
paintings dialogue with each other: they
carry on an engaging
conversation that feels neither repetitive nor disconnected.
The
painting greets me, draws me into a
conversation, but one that has already commenced some time ago, a bit like when I meet up with my twin brother and we just «
carry on from where we left off» even though we haven't seen each other for months.
While
painting, Shanks would
carry on
conversations with his subjects, discussing how to solve world problems.
Sometimes they make
paintings to
carry on
conversations with themselves — internal dialogues that clarify what they are doing in the studio.
So let me begin by saying that the exhibition is compelling, and that the pieces have been selected with a sense of the visually rhythmic — by which I mean, the
paintings dialogue with each other: they
carry on an engaging
conversation that feels neither repetitive nor disconnected.