Sentences with phrase «painting between the lines»

; traveled to Contemporary Arts Museum Houston; Montclair Art Museum, Montclair; Ackland Art Museum, North Carolina Painting Between the Lines, CCA Wattis Institute for Contemporary Arts, San Francisco, California (cat.)
For Painting Between The Lines, fourteen contemporary painters created newly commissioned paintings based on descriptions of paintings in historical and contemporary novels by authors such as Marcel Proust, Samuel Beckett, Sylvia Plath, and Milan Kundera.
Examining the state of contemporary painting, Painting Between the Lines attest to the vitality of the medium.
Lead sponsorship of Painting Between the Lines is generously provided by the Fiorucci Art Trust.
Commissioning works of art based on these segmented portions of famous texts, Painting Between the Lines fills in the visual information that is left out of the organization of black - and - white letters on each literary page.
For Painting Between the Lines, however, the approach is slightly different; rather than providing a broad sweeping idea that speaks (sometimes in ways that seem tangential or essentializing) to the works present, literature is dissected, here, into micro-moments.
Painting Between the Lines extends Wattis curator Jens Hoffmann's exploration of literature, which began with his trilogy of exhibitions on the classic American novels The Wizard of Oz, Moby Dick, and Huckleberry Finn.
Intersecting at familiar angles that recall the pages of a book left open, the walls of the upstairs gallery of the Wattis Institute for Contemporary Arts act as meticulous displays for the intermedia exhibition Painting Between the Lines.
Die Kunst des Zitierens», Karlsruhe, Germany Palais des Beaux - Arts BOZAR, «The Power of Fantasy: Modern and Contemporary Art from Poland», Brussels, Belgium CCA Wattis Institute for Contemporary Arts, «Painting Between the Lines», San Francisco CA MARTa Herford, «Kraftwerk Depot: Wie Kunst altert», Herford, Germany SMAK Stedelijk Museum voor Actuele Kunst, «Tomorrow is the Question», Ghent, Belgium Herzliya Museum of Contemporary Art, «The Second Strike», Israel MMK Museum für Moderne Kunst, «MMK 1991 — 2011.
Painting Between the Lines enacts a visual game of telephone: the original quote as the anchor, the painting as the second step, and the written descriptions of the paintings of the quotes serving as a final (and perhaps unintentional) element in the loop.
San Francisco, Calif., September 8, 2011 — The CCA Wattis Institute for Contemporary Arts will present the exhibition Painting Between the Lines from October 4 through December 17, 2011, in the Logan Galleries of California College of the Arts, 1111 Eighth Street, San Francisco.
With Painting Between the Lines, the Wattis Institute continues its investigation into the relationship between literature and art.
Through an examination of how contemporary artists look at storytelling, literature, and writing as expressions of individual thought, Painting Between the Lines provides a look into the state of painting today and attests to the vitality of the medium, presenting some of its most innovative practitioners.

Not exact matches

The franchise cost of building out includes everything from paint and furniture, to signs, line feeds for plumbing and electrical, lighting fixtures, and everything else in between.
painted drinking glasses Muffin Tin Mom water bottle covers Our Yellow House needle felted happy face trivet Lilla A scrappy fabric bookmarks Pink And Green Mama felt sunglasses case Sew Together With Children artwork checkbook cover MSL Kids whimsical pillows Between The Lines painted and collaged wood tray Petunia popsicle stick house One Crafty Mumma matchbox magnets Inspiration Surrounds... Creativity Abounds simple notepad holder Let's Explore fleece boa scarf Living On 4th Street Altoid Tin earbud case Charlotte's Fancy diy treasure soap 4 Crazy Kings children's art tote bag Just Deanna
Then fold the paper in half on the original fold line and gently smooth over the outside and spread the paint between the folds.
THE WATERCOLOR EFFECT In this illusion by Italian vision scientist Baingio Pinna, a thin, orange contour adjacent to a darker purple contour casts an orange tint over long distances — as though a watery paint was filling in the gaps between the orange lines [see «Illusory Color and the Brain,» by John S. Werner, Baingio Pinna and Lothar Spillmann; SCIENTIFIC AMERICAN, March 2007].
Tag - lined as «An Uncomplicated Indulgence,» the line has grown into a collection of colorful bands of stackables that live somewhere between strips of candy confections and a child's paint box palette, albeit, in more sophisticated colors.
I painted a second coat of the same two colors, but this time I painted a much more free flowing «line» between the two shades.
Another favourite is the sniper rifle, here charging up before firing a spurt of paint across the map, hitting your target and coating everything in a straight line between the pair of you with paint.
Jason Schwartzman, playing a bitterly sarcastic modern art gallery owner, and the formidable Terence Stamp, an art critic who savagely pans a special painting commissioned for the 1964 World's Fair, get perhaps a total of ten lines between the two of them, lighting up the screen with even the smallest sense of conflict that exists beyond the Keane household.
And yet as the chalk lines are painted across many a playing field in preparation for sports days across the country, the dividing lines between sport and drama are still too great.
The Sixty Special line expanded to four models this year: Touring Sedan (the base model), Imperial sedan (priced at $ 2,230, it featured a retractable glass partition between the front and rear seats), and two open - front Town Car models (one style with a painted roof, the other with a leather - covered roof).
Switching on its Lane Keeping Assist System (LKAS), I feel the steering wheel move under my hands as the car actively keeps between the painted lines.
But a visit from a dangerous stranger, who looks uncannily like a subject in one of Derek's older paintings, leads the young artist to a place where the line between life and art seems not to exist at all.
With its Pro line of tablets, Samsung adds yet another flagship brand, and bridges the gap between work and play Introducing the Samsung «Pro» line, a sampling of the best tablet models Samsung has to offer complete with beefed - up specs, a shiny new coat of paint and the next iteration of TouchWiz.
White painted wall panels, upscale cottage furnishings, smooth hardwood floors and lines brilliantly blurred between indoors and out are welcoming highlights.
While it would be nice to paint the rivalry between the Oculus Rift and Sony's PlayStation VR (previously codenamed Project Morpheus) as a David and Goliath - style battle, the lines are actually a bit more... Continue reading →
My intention involves blurring the lines between genres, so that still lifes can read as landscapes, portraits, history painting, etc..
I also paint the line of shadow between the edge of the shutter and the wall and indicate shadow under the hinges.
Tuck writes that: «the paintings in this show alternate between the quiet and the chaotic: landscapes that are represented like in comics and topographical maps — on a soft colored ground lines are drawn with paint, the figures are much smaller than life size and feel like quotes from movies... [Richter] draws seamlessly from our common cultures of art, entertainment, violence, music, etc., and plants these things in his paintings
Current art world phenom Wyatt Kahn, whose fragmented canvases blur the line between painting and sculpture, transcends traditional roles once again as curator for Rachel Uffner Gallery's group show, «Proper Nouns.»
Her current solo exhibition at Mid-Wilshire's David Kordansky Gallery, More Life features her largest paintings to date, ones that blur the lines between landscape, minimalism, abstraction and help to elevate human consciousness.
Singling out the season's most tweet - worthy, opening night acolytes tracking our Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for love.
This he referred to as his «found drawing»; it created a fluidity between his painting, sculpture and printmaking: «I loved the idea that simply inking the surface of the plywood board would produce a web of white lines, if one only pressed a piece of paper against it.
This exhibition gathers Freilicher's paintings and drawings, as well as two videos by Rudy Burckhardt, and features four vitrines containing photographs, book covers, letters, and manuscripts — some poems with lines crossed out and handwritten additions in the margins — that point to the interrelated friendships between painter and poets, and to the development of work at hand.
Philip Taaffe's new paintings press your face up against a fence, and, like the first line of The Sound and the Fury, leave you looking «between curling flower spaces.»
Sharon Brant has produced conceptually and aesthetically rigorous abstract paintings and drawings for more than four decades that commonly blur the lines between media.
Many artists have taken a «provisional» stance, while others are producing highly finished work that so blurs the line between two and three - dimensional practice that categories of media such as painting and sculpture become all but useless.
The category of painting is examined more generally in the wood panels on top of the pedestals: straddling the line between abstraction and representation, they offer painting as both an object within sculpture as well as a discrete project central to the artistʼs studio practice.
Ekaterina Panikanova (Russia) paints across large spreads of old books and other documents mounted on wood, resulting in artwork that blurs the lines between painting, installation and collage.
A crack of synesthetic thunder sounded inside me as I felt the cold, hard marble through my shoes, grasped the lightness of the canvas by comparison, and came to terms with an artist bypassing Serra's fearsome weight and brawny power; finding essences between painting and sculpture, perception and experience, I crossed a delicate line between something I'd never seen before and something I already feared I'd never see again.
With the ballpoint pen, Gatti blurs the lines between painting and drawing, while renegotiating relationships between space, line, form and void.
When Torpedo Factory associate artist Stephanie Lane agreed to paint a mural in a D.C. - area home in 1990, she didn't know she was cultivating a relationship that would bear fruit for more than 20 years, even as she blurred the lines — as our artists often do — between a traditional workplace and a paint - flecked studio.
The paintings, with richly hued backgrounds, depict androgynous figures and abstracted and historically vague settings to blur the line between abstraction and figuration.
In Gorky's most effective and accomplished paintings between the years 1941 and 1948, he consistently used intense stained fields of color, often letting the paint run and drip, under and around his familiar lexicon of organic and biomorphic shapes and delicate lines.
A pioneer in painting and former professor at Bard College, Murray is known for distinctively shaped canvases that break with art - historical tradition and blur the lines between painting and sculpture.
It's tempting to applaud his argument for further blurring the already fuzzy lines between art and craft, and to commend the museum for branching out into painting.
Painted from historical photographs taken from old magazines, family albums and the propagandist publications distributed by the government during the Cultural Revolution, At a time of immense and rapid socio - economic change in China, these works look back at its past, marking a fragile line with delicate layers of ash between individual memory and official historical record.
Blurring the lines between drawing, painting, animation and installation, his work incorporates a wide array of materials.
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