Sentences with phrase «painting exhibitions by»

Smarts, Serious Fun in Painting Exhibitions By Peter Plagens Mary Corse Lehmann Maupin 536 W. 22nd St., (212) 255-2923 Through June 13
Some New Painting (and Photography) exhibition by Hockney opened about a month ago at Pace Gallery New York, as the first major painting exhibition by the artist since 2009.
The Seven Rain Paintings exhibition by Lucien Smith is on show until the 20th of October at the OhWow Gallery, 937 North La Cienega Boulevard, Los Angeles.
It will coincide with a painting exhibition by the American artist at the Simon Lee Gallery in London.

Not exact matches

Please join us at the opening reception for an exhibition of recent paintings by Alastair John Gordon.
This exhibition of his work, «Souvenirs from the Waste Land,» includes eight paintings inspired by collector Roberta Green Ahmanson's extensive private postcard collection in Los Angeles.
There will be face - painting, a watermelon - eating contest, games, educational exhibitions, entertainment and a noon appearance by Benny the Bull.
It will be the first exhibition of Lowry's work by a public institution in London since his death in 1976, and comprises around 80 paintings.
Alongside paintings, caricatures and cartoons by such well - known artists as Marcin Bondarowicz of Poland and Lee Won - soo of Korea, the exhibition also presented heart - felt artwork by young students and informational videos on desertification and desert - restoration activities.
I had a lot of photos inside the palace including beside the wall painting of Queen Marie - Antoinette but having the opportunity to pose beside these great shoes by Joana Vasconcelos which I first saw in June from an exhibition photo, is timeless.
Muzeo is home to a permanent exhibition of Anaheim history, as well as a huge variety of limited - time exhibits like The Art of Woodworking, historical fashions, Trash Art, painting and photography by local artists, African arts, pottery, glass, and more.
This exhibition will explore connections between the art of the impressionist painter and his filmmaker son, in part by showing clips from Jean Renoir's films adjacent to Pierre - Auguste Renoir's paintings.
Four paintings by Two Rivers Press author / illustrator Christina Hart - Davies (including two illustrations from A Wild Plant Year) will be included in a major exhibition of botanical art in London.
In Gillespie and I, a painting of Ned's called By the Pond hangs in the Exhibition; Harris might have based it on James Guthrie's To Pastures New (image below, left).
Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.
This art exhibition features 12 unique, hand - painted cast - stone statues of dogs and cats donated by local artists to help raise funds for A Tail at a Time, Bideawee, Ready for Rescue, Stray from the Heart, and Waggin» Train Rescue.
With more than 100 paintings and photographs from the 1920's to the 40's and four contemporary environmental projects (including one by Maya Lin), this exhibition homes in on the utopian, isolationist, rural face of the Midwest.
This exhibition marks the 100th anniversary of his death, gathering his own artwork and more than 250 paintings by Turner, Rossetti, and others whom Ruskin either praised or condemned.
After a visit of the capital or a business meeting, return to the calm and subtle décor of the hotel where you can admire the year - round exhibition of paintings and photographs by renowned French and Belgian artists.
Beauty in Impermanence is the title of an exhibition of paintings by Joana Cutri an American who is inspired by Balinese life and culture and decided to live in Bali.
We apologize because on 9th until 11th April, we do not special performance, but you can find the unique painting that made by our local people at our exhibition hall.
Steven Alexander reviews an exhibition of new paintings by Rebecca Purdum at Jack Tilton Gallery, on view through November 5, 2011.
Asked to comment on his last exhibition, he explained: «By playing on the border between clarity and suggestion, my work prioritises the intuitive application of paint and aims to describe the viscosity of light and fragility of form.»
Featuring 60 paintings and collages made between 1954 and 2013, the exhibition was monumental in both scope and effect: by showing a less frequently seen side of Katz's work, it prompted the viewer to reconsider the artist's overall project, now well into its sixth decade.
Coinciding with the exhibition Re-Generation, which maps the lasting effect of Josef Albers teaching on three successive generations of painters, is a small but exuberant show of paintings and works on paper by another teacher of color theory, painter Siri Berg.
John Yau reviews an exhibition of paintings by Keltie Ferris at Mitchell - Innes & Nash, New York, on view through January 12, 2013.
Emyr Williams reviews the exhibition Making Painting: Helen Frankenthaler and JMW Turner at Turner Contemporary, Margate writing: «The two artists are represented by paintings and watercolours.
Chalk & Vermilion Fine Arts has loaned two oil paintings — La Dialectique appliquée and Les Grands rendez - vous — and a 1950 sketch by renowned Belgian surrealist René Magritte to «The Pleasure Principle,» a traveling exhibition that just completed a run at the Albertina Museum in Vienna.
Julia Schwartz reviews an exhibition of recent paintings by Ginny Casey at Mier Gallery, Los Angeles.
As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.
John Seed writes about a new triptych by painter Kyle Staver on view as part of the exhibition Kyle Staver: A Survey of Paintings and Prints on view at the Pennsylvania College of Art & Design through January 20, 2012.
«I am excited by the idea of this exhibition and delighted it will take place in David Chipperfield's remarkable building, The Hepworth Wakefield, where I greatly enjoyed the show of paintings by Stanley Spencer.»
James Kalm visits the exhibition Painting Is History at Winkleman Gallery, New York, featuring work by Charles Browning, The Chadwicks, David Fertig, Joe Fig, Valerie Hegarty, and Steve Mumford, on view through August 10, 2012.
We're fascinated by Deborah Paswaters» abstract figure paintings, which are often accompanied by «living model sculptures» at shows and exhibitions.
Wilson writes that the current exhibition «is compelling, and that the pieces have been selected with a sense of the visually rhythmic — by which I mean, the paintings dialogue with each other: they carry on an engaging conversation that feels neither repetitive nor disconnected.
Tomorrow (November 15) is the last day to see an exhibition of recent paintings by John Walker at Alexandre Gallery, New York.
The current exhibition of work by the late Alan Uglow (1941 - 2011) at David Zwirner highlights the way Uglow's abstract paintings engage with each other and the viewer to create subtle, shifting apprehensions of flatness and illusion.
Painter Paul Behnke tours several painting exhibitions in Brooklyn including: Louder Milk: Tom Burckhardt at Pierogi Gallery (closed May 8, 2011), One Dozen Paintings at The Journal Gallery (with work by Peter Coffin, Jacob Kasssy, Sam Moyer, Joshua Smith, Sarah Braman, Olivier Mosset, Tauba Auerbach, Dan Walsh, and Leif Ritchey - through May 20, 2011), Bezold Effects: Molly Herman at b. conte (through May 11, 2011), and Drawing Into Paint: Margrit Lewczuk at Janet Kurnatowski Gallery (through May 29, 2011).
My Back to Nature is a free exhibition of more than fifty new paintings and drawings by the talented, George Shaw.
The success of the exhibitions organised by enthusiastic people from my hospital in May and December 2016, convinced me to advertise my painting on this website.
A new exhibition at the MCA in Chicago aims to put the emphasis back on her painting by placing it in the context of work being made today Read More
In the exhibition, 23 - year - old Chicago artist Darius Airo's bright, poppy paintings will be displayed near classics by the influential painter Ed Paschke, and whimsical semi-figurative works by the recent School of the Art Institute of Chicago M.F.A. graduate Jenn Smith will share space with those of Hairy Who founding member Jim Nutt.
Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»
«Painting in Parts» exhibition catalogue with essay by Michael Klein, published by Maryland Art Place, Baltimore, 2011
[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.
Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.
«We are privileged to showcase work from the extraordinary collection assembled by Preston and Joan Haskell through this exhibition and publication, and in doing so, we are asking our audiences to consider abstract painting in a new light.»
This is the exhibition's only horizontally aligned canvas and the picture plane here appears to unfold, recalling the unraveling motion of Chinese and Japanese scroll painting and — as indicated by the work's title and emphasized by its green hues — the undulation of waves.
She presented two dozen harmoniously blended paintings and drawings (none larger than 25 by 23 inches) in her third solo exhibition at Corbett vs. Dempsey.
Mitchell, Galerie Rencontres, Paris (June 19 — July 9) Group exhibition including works by Joseph Cornell, Willem de Kooning, Michael Heizer, Joan Mitchell, and Pat Steir, Fourcade - Droll, Inc., New York (June 19 — July 9) One Hundred: An Exhibition to Celebrate the Centennial Year of Smith College, Smith College Museum of Art, Northampton, Massachusetts (May 1 — June 1) 34th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (February 22 &mdashexhibition including works by Joseph Cornell, Willem de Kooning, Michael Heizer, Joan Mitchell, and Pat Steir, Fourcade - Droll, Inc., New York (June 19 — July 9) One Hundred: An Exhibition to Celebrate the Centennial Year of Smith College, Smith College Museum of Art, Northampton, Massachusetts (May 1 — June 1) 34th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (February 22 &mdashExhibition to Celebrate the Centennial Year of Smith College, Smith College Museum of Art, Northampton, Massachusetts (May 1 — June 1) 34th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (February 22 &mdashExhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (February 22 — April 6)
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