Sentences with phrase «painting gallery royal»

Half day Monkey forest tour package will see some interesting Bali destination will take about 6 hours, we are going to to start from Batuan Temple, Painting Gallery Royal Palace and Monkey Forest.

Not exact matches

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The painting, which now hangs in the Kremlin Gallery, was painted by Royal portrait painter Valentin Serov.

Guests can explore nearby cultural venues and museums, such as the Royal Picture Gallery Mauritshuis, home to the famous Vermeer painting «The Girl with the Pearl Earring.»

Half day Ubud and waterfall Tegenungan tour package will enjoy the interesting destination such as Painting Gallery, Tegenungan Waterfall, Tegalalang Rice Terrace, Ubud Royal Palace and the Traditional Ubud Market.

She exhibited at the Royal Academy from 1879 and her work was championed by Academicians including John Singer Sargent, who bought her painting Oreads and presented it the Tate Gallery in 1922.

2010 Joan Mitchell: The Last Decade, Gagosian Gallery, Beverly Hills (November 13 — December 23) Joan Mitchell, Inverleith House Royal Botanic Garden, Edinburgh, Scotland (July 27 — October 3) Joan Mitchell in New Orleans: Paintings, New Orleans Museum of Art (March 31 — June 30) Joan Mitchell in New Orleans: Prints, Contemporary Arts Center, New Orleans (March 31 — June 30) Joan Mitchell in New Orleans: Works on Paper, Newcomb Art Gallery, Tulane University (March 31 — June 30) Joan Mitchell: The Roaring Fifties, Galerie Thomas Modern, Munich (February 26 — May 15)

Alice Neel's recent two - gallery David Zwirner exhibition showed her painting the faces of her neighbors in Harlem as insightfully as anyone ever rendered the royal kings and queens of yore.

1980 Aspects of the 70's: Painterly Abstraction, Brockton Art Museum, Brockton, MA L'Amerique aux Independants, 91e Exposition, Société des Artistes, Paris, France Paintings from the Andre Emmerich Gallery, Audrey Strohl Gallery, Memphis, TN Art In Embassies, Collection of US Ambassador and Mrs. Warren Manshe, State Museum of Art, Copenhagen, Denmark Works on Paper, Allen Rubiner Gallery, Royal Oak, MI Contemporary Works on Paper, Meredith Long & Co., Houston, TX

Her work has been included in exhibitions worldwide including «Sensation: Young British Artists from the Saatchi Collection», Royal Academy of Arts, London (1997, traveled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1998 - 99); «The Nude In 20th Century Art», Kunsthalle Emden, Germany (2002, traveled to Arken Museum of Modern Art, Copenhagen in 2003); «Painting», Museo Correr, 50th Biennale di Venezia (2003); and «Paint Made Flesh», Frist Center for the Arts, Nashville (2009, traveled to the Philips Collections, Washington D.C. and Memorial Art Gallery, University of Rochester, Rochester, NY in 2010).

2017 Pearled and Pasted and other new paintings, Fold Gallery, London PIER, Linden Hall Studio, Deal, with Stephen Lewis 2014 Odelay and Wishpool, with Stephen Lewis, Kapil Jariwala, London 2012 Mali Morris: Paintings, Mostyn Gallery, Llandudno Pressure Drop and Hoopla, with Stephen Lewis, Watchtower, Berwick upon Tweed Back to Front, Eagle Gallery, London 2010 Mali Morris: Paintings, The Cut Gallery, Halesworth, Suffolk Mali Morris, Small Works, Royal Academy of Arts, London 2008 Mali Morris: New Paintings, Poussin Gallery, London 2005 and 2007: Robert Steele Gallery Project Room, New York 2005 Mali Morris: Work From Four Decades, Poussin Gallery, London 2002 - 3 Angel Row Gallery, Nottingham, touring show 2000, 2004, and 2005 in Tokpaintings, Fold Gallery, London PIER, Linden Hall Studio, Deal, with Stephen Lewis 2014 Odelay and Wishpool, with Stephen Lewis, Kapil Jariwala, London 2012 Mali Morris: Paintings, Mostyn Gallery, Llandudno Pressure Drop and Hoopla, with Stephen Lewis, Watchtower, Berwick upon Tweed Back to Front, Eagle Gallery, London 2010 Mali Morris: Paintings, The Cut Gallery, Halesworth, Suffolk Mali Morris, Small Works, Royal Academy of Arts, London 2008 Mali Morris: New Paintings, Poussin Gallery, London 2005 and 2007: Robert Steele Gallery Project Room, New York 2005 Mali Morris: Work From Four Decades, Poussin Gallery, London 2002 - 3 Angel Row Gallery, Nottingham, touring show 2000, 2004, and 2005 in TokPaintings, Mostyn Gallery, Llandudno Pressure Drop and Hoopla, with Stephen Lewis, Watchtower, Berwick upon Tweed Back to Front, Eagle Gallery, London 2010 Mali Morris: Paintings, The Cut Gallery, Halesworth, Suffolk Mali Morris, Small Works, Royal Academy of Arts, London 2008 Mali Morris: New Paintings, Poussin Gallery, London 2005 and 2007: Robert Steele Gallery Project Room, New York 2005 Mali Morris: Work From Four Decades, Poussin Gallery, London 2002 - 3 Angel Row Gallery, Nottingham, touring show 2000, 2004, and 2005 in TokPaintings, The Cut Gallery, Halesworth, Suffolk Mali Morris, Small Works, Royal Academy of Arts, London 2008 Mali Morris: New Paintings, Poussin Gallery, London 2005 and 2007: Robert Steele Gallery Project Room, New York 2005 Mali Morris: Work From Four Decades, Poussin Gallery, London 2002 - 3 Angel Row Gallery, Nottingham, touring show 2000, 2004, and 2005 in TokPaintings, Poussin Gallery, London 2005 and 2007: Robert Steele Gallery Project Room, New York 2005 Mali Morris: Work From Four Decades, Poussin Gallery, London 2002 - 3 Angel Row Gallery, Nottingham, touring show 2000, 2004, and 2005 in Tokyo, Japan

From his first submission to the Royal Academy Summer Exhibition to this final display in his own gallery, Turner strategically constructed both a reputation for his paintings and a persona for himself, at the heart of which were his pictures of the sea.

Painted in Paris in 1977, and unveiled that year at the Royal Academy of Arts in London, this highlight of the Post-War and Contemporary Art Evening Sale in New York comes from the distinguished collection of Magnus Konow, who acquired it from Bacon through Marlborough Gallery shortly after its creation.

The campaign to reform the EBacc is supported by the Royal Academy; visit www.baccforthefuture.com Paul Winstanley, Art School: New Prints and Panel Paintings Alan Cristea Gallery, 17 March — 7 May 2016.

1, no. 8, November 1970; (introduction) John Hoyland (catalogue), Beaux Arts, London, 2003 Maloon, Terence, «Hoyland Retrospectively» in John Hoyland, Paintings 1967 - 1969 (catalogue), 1979 Maloon, Terence and John Edwards, «Two Aspects of John Hoyland» in One, no. 2, 1974 Marginson, R.D., (foreword) John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, LonPaintings 1967 - 1969 (catalogue), 1979 Maloon, Terence and John Edwards, «Two Aspects of John Hoyland» in One, no. 2, 1974 Marginson, R.D., (foreword) John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, LonPaintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, LonPaintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, LonPaintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, Lonpaintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, LonPaintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, LonPaintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, LonPaintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, London, 1990

As reported by the New York Times and the Denver Post today, nine paintings from the Clyfford Still Museum will fill one of the two largest galleries at the Royal Academy of Arts in London (RA) during the first comprehensive...

Opie has exhibited his paintings and sculptures internationally and reached beyond the traditional gallery audience with his animated LED outlines of human figures walking, sometimes presented on billboards on city streets, sometimes elsewhere — as with the huge, computer - generated animations that acted as a backdrop to Wayne McGregor's 2008 ballet Infra at London's Royal Opera House.

Pace London inaugurates the gallery with Rothko / Sugimoto: Dark Paintings and Seascapes, the first private gallery exhibition of Rothko's work in London in nearly fifty years.Located directly north of the Royal Academy of Art's Burlington House, Pace London occupies the west wing of the building, which is owned by the Royal Academy, and has been renovated

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

Over the past two years Ofili has worked on a substantial suite of paintings and works on paper inspired by Ovid's Metamorphoses as part of Metamorphosis: Titian 2012, a unique collaboration between the National Gallery and The Royal Opera House.

The three exhibitions, Tacita Dean: Landscape, Portrait, Still Life, shaped by Dean's response to the individual character of each institution, will explore genres traditionally associated with painting — landscape at the Royal Academy of Arts, portraiture at the National Portrait Gallery and still life at the National Gallery — seen through the contemporary prism of Dean's wide - ranging artistic practice.

As reported by the New York Times and the Denver Post today, nine paintings from the Clyfford Still Museum will fill one of the two largest galleries at the Royal Academy of Arts in London (RA) during the first comprehensive survey of abstract expressionism to be mounted in Europe in more than 50 years.

Shows cancelled or postponed • Baltimore, Walters Art Museum, «Jean - Léon Gérôme», February - May 2010, cancelled • Boston, Museum of Fine Arts, «Subversion of the Images: Surrealism and Photography», spring 2010, cancelled • Chicago, Field Museum, «Lucy's Legacy: the Hidden Treasures of Ethiopia», planned for 2009 - 10, dropped • Denver, Denver Art Museum, «Imperial Mughal Albums from the Chester Beatty Library», July - September 2009, cancelled • Honolulu, Contemporary Art Museum, «Japan Fantastic» (11 contemporary artists), December 2009 - March 2010, cancelled • Houston, Museum of Fine Arts, «Cildo Meireles», June - September 2009, cancelled • Kansas City, Kemper Museum of Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum of Art, «Donald Saff and the Art of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010, cancelled ``

In June 2007, Hockney's largest painting, Bigger Trees Near Warter or / ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, which measures 15 feet by 40 feet, was hung in the Royal Academy's largest gallery in its annual Summer Exhibition.

, Royal College of Art London (1962); The New Generation, Whitechapel Gallery, London (1964); and Painting and Sculpture of a Decade 1954 — 1964, Tate Gallery, London (1964).

2nd Cannons Publications 98weeks Alternative Space LOOP Arrow Factory Arthub Asia Artis Artists Space Artspeak Auto Italia South East Ballroom Marfa Barbur Black Dogs Capacete Entertainment Casa Tres Patios Cinematheque de Tanger cneai = Collective Parasol Dispatch e-flux journal Elodie Royer and Yoann Gourmel - 220 jours Embassy gallery Filipa Oliveira + Miguel Amado FLUXspace FormContent Galerie im Regierungsviertel / Forgotten Bar Project Green Papaya Art Projects Hell Gallery Hermes und der Pfau i - cabin Intoart K48 Kling & Bang Latitudes L'appartement 22 Le commissariat Le Dictateur Light Industry Lucie Fontaine Lugar a dudas Mousse New Jerseyy Next Visit no.w.here Not An Alternative Or Gallery Oregon Painting Society Para / Site Art Space Peep - Hole PiST / / / Interdisciplinary Project Space Post-Museum PSL [Project Space Leeds] Rhizome Sala - Manca + Mamuta Sàn Art Scrawl Collective studio1.1 Swiss Institute The Mountain School of Arts The Museum of Everything The Royal Standard The Suburban The Western Front Society Thisisnotashop Torpedo tranzit.cz Viafarini DOCVA Vox Populi Western Bridge White Colugallery Filipa Oliveira + Miguel Amado FLUXspace FormContent Galerie im Regierungsviertel / Forgotten Bar Project Green Papaya Art Projects Hell Gallery Hermes und der Pfau i - cabin Intoart K48 Kling & Bang Latitudes L'appartement 22 Le commissariat Le Dictateur Light Industry Lucie Fontaine Lugar a dudas Mousse New Jerseyy Next Visit no.w.here Not An Alternative Or Gallery Oregon Painting Society Para / Site Art Space Peep - Hole PiST / / / Interdisciplinary Project Space Post-Museum PSL [Project Space Leeds] Rhizome Sala - Manca + Mamuta Sàn Art Scrawl Collective studio1.1 Swiss Institute The Mountain School of Arts The Museum of Everything The Royal Standard The Suburban The Western Front Society Thisisnotashop Torpedo tranzit.cz Viafarini DOCVA Vox Populi Western Bridge White ColuGallery Hermes und der Pfau i - cabin Intoart K48 Kling & Bang Latitudes L'appartement 22 Le commissariat Le Dictateur Light Industry Lucie Fontaine Lugar a dudas Mousse New Jerseyy Next Visit no.w.here Not An Alternative Or Gallery Oregon Painting Society Para / Site Art Space Peep - Hole PiST / / / Interdisciplinary Project Space Post-Museum PSL [Project Space Leeds] Rhizome Sala - Manca + Mamuta Sàn Art Scrawl Collective studio1.1 Swiss Institute The Mountain School of Arts The Museum of Everything The Royal Standard The Suburban The Western Front Society Thisisnotashop Torpedo tranzit.cz Viafarini DOCVA Vox Populi Western Bridge White ColuGallery Oregon Painting Society Para / Site Art Space Peep - Hole PiST / / / Interdisciplinary Project Space Post-Museum PSL [Project Space Leeds] Rhizome Sala - Manca + Mamuta Sàn Art Scrawl Collective studio1.1 Swiss Institute The Mountain School of Arts The Museum of Everything The Royal Standard The Suburban The Western Front Society Thisisnotashop Torpedo tranzit.cz Viafarini DOCVA Vox Populi Western Bridge White Columns Y3K

1977 American Abstract Artists, University Art Museum, University of New Mexico, Albuquerque, NM The Modern Spirit — American Painting 1908 - 1935, Royal Scottish Academy, Edinburgh, Scotland; Hayward Gallery, London, England

Could it be this painterly quality to Dean's films that led the NPG, in collaboration with its neighbour the National Gallery, and the Royal Academy (whose offering I haven't seen, as it doesn't open until the end of May), to the decision to divide the present survey of her work into the three traditional painting genres — portraiture, landscape, still life?

Royal Academy of Arts brings together paintings of abstract expressionism's leading light, including works lent by Australian and US galleries

In 2014, she won the John Moores Painting Prize, presented by the Walker Art Gallery, Liverpool; and in 2015, a painting by Wylie was included in London's Royal Academy of Arts Summer Exhibition, for which she won the Charles WollastoPainting Prize, presented by the Walker Art Gallery, Liverpool; and in 2015, a painting by Wylie was included in London's Royal Academy of Arts Summer Exhibition, for which she won the Charles Wollastopainting by Wylie was included in London's Royal Academy of Arts Summer Exhibition, for which she won the Charles Wollaston Award.

IJ: I'm also thinking of artists like Denzil Forrester [born in Ghana in 1956, who studied at Central School of Art and the Royal College of Art in the early 1980s] whose paintings you showed last year, Peter, at Tramps [the London gallery space in Peter Doig's former studio that is programmed by Parinaz Mogadassi, along with Doig and artist Alastair Mackinven].

He was a Royal Academician; a Fellow of the RCA; winner of the Jerwood Prize (in 1995, with Maggi Hambling); and nominated for the 1987 Turner Prize for his show The Artist's Eye, in which he curated an exhibition of his favourite paintings in the National Gallery.

The sale took place little more than a year after he completed MA in Painting in 2012 at the Royal College of Art, in the same month that a solo exhibition of his work opened at the South London Gallery.

Lisson Gallery, London, 25 March — 9 May 2015 Visitors to the Royal Academy's Anish Kapoor exhibition in 2009 will have seared in their memories the 30 - tonne train of thickened paint that moved through the neo-classical galleries, as well as the canon that shot the same red pigment onto their white walls.

«Metamorphosis: Titian 2012», staged collaboratively between the National Gallery and the Royal Ballet, centred on three British artists» reinterpretations of Titian's mythological paintings in the form of new works and stage designs for ballets.

After earning her Royal Society of Arts Diploma in Connoisseurship from Christie's Education followed by her law degree, Lauren worked in an American paintings gallery, the Citibank Private Bank Art Advisory Service, the art law group of a Manhattan law firm, and MoMA's office of the general counsel before founding her art advisory firm, LPDM Fine Art, in 2004.

2007 Summer Exhibition, Royal Academy of Arts, London; Paintings from the Noughties, Letterkenny Arts Centre, Northern Ireland; Circa 1967: Works from the Arts Council Collection, Milton Keynes Gallery

Work In Progress, Inaugural Show, Galerie Suzanne Tarasieve, Paris Dirty Pictures, The Approach, London The Galleries Show, Royal Academy of Art, London Urgent Painting, Musee d'Art Modern de la Ville de Paris, Paris Bizarre, (curated by Luca Beatrice), 3G Art Contemporanea, Udine, Italy Contemporary Russian Painting 1992 - 2002, XL Gallery, Maly Manege, Moscow Davaj!

Damien Hirst's Newport Street Gallery will open its inaugural exhibition with paintings by John Hoyland, who was — ironically — the British artist who objected to the Royal Academy's 1997 Sensation exhibition of works by Young British Artists.

Beyond the obvious current exhibitions — Jasper Johns at the Royal Academy, Jean - Michel Basquiat at the Barbican, and Thomas Ruff at Whitechapel Gallery — I'd recommend Jessi Reaves at Herald Street; both «Eleven Artists through Time» at Lisson and the gallery's big 50th - anniversary show at the Vinyl Factory; «Melancholia» at King's College; and Katharina Grosse's new, site - specific painting at the South London GGallery — I'd recommend Jessi Reaves at Herald Street; both «Eleven Artists through Time» at Lisson and the gallery's big 50th - anniversary show at the Vinyl Factory; «Melancholia» at King's College; and Katharina Grosse's new, site - specific painting at the South London Ggallery's big 50th - anniversary show at the Vinyl Factory; «Melancholia» at King's College; and Katharina Grosse's new, site - specific painting at the South London GalleryGallery.

Jane Bustin has been in numerous group exhibitions including Kettles Yard Cambridge, Ferens Museum (Hull), Southampton City Art Gallery, Djanogly Gallery (Nottingham), Royal Academy (London), B55 Gallery (Budapest), John Moores Painting Prize 2012 and the Jerwood Drawing Prize 2012/13.

I meet David Schroeter last summer at the Lychee One Gallery during the group exhibition «Summer Blue», where he was presenting few of his paintings right after graduating from the Royal College of Art.

features 36 paintings from across Swynnerton's career, including 13 from Manchester Art Gallery's collection with further loans from public galleries including the Royal Academy Collection, Tate and the Walker Art Gallery, Liverpool.

1931 Born in London, UK 1949 - 1952 Goldsmiths College of Art, London 1952 - 1955 Royal College of Art, London 1968 International Prize for Painting, XXXIV Bienniale, Venice 1972 awarded CBE 1981 - 88 Trustee of National Gallery, London 1993 Honorary Doctor of Letters, Oxford University 1995 Honorary Doctor of Letters, Cambridge University 1999 Appointed Companion of Honor 2009 The Goslar Kaiser Ring 2012 Rubens Prize of the City of Siegen Lives and works in London

Selected group exhibitions includeUSA Today: New American Art from the Saatchi Gallery Royal Academy of Arts, London (2006); Chain Letter High Energy Constructs, Los Angeles (2006); LAXed: Paintings from the Other Side Peres Projects, Berlin (2006); and Desired Constellations Daniel Reich Gallery, New York (2005).

The exhibition features 36 paintings from across Swynnerton's career, including 13 from Manchester Art Gallery's collection with further loans from public galleries including the Royal Academy Collection, Tate and the Walker Art Gallery, Liverpool.

He has long been represented in Belgian section in outstanding exhibitions of contemporary painting and his work is held by several museums all over the world such as the Royal Museums of Fine Arts of Belgium, the Uffizi Gallery of Florence, the Guggenheim and the Brooklyn museums in New York, the Carnegie Museum of Art in Pittsburgh, and the São Paulo Contemporary Art Museum in Brazil.

AWARDS 2013 Aesthetica Art Prize, selected, York St. Mary's, York 2010 Berwick Gymnasium Arts Fellowship, Berwick - upon - Tweed, Northumberland 2010 Painting Prize, shortlisted, Fringe MK, Milton Keynes 2008 CUBE Prize, shortlisted, CUBE Centre for the Urban Built Environment, Manchester 2006 Celeste Art Prize, shortlisted, Old Truman Brewery, London 2003 Annual Studio Residency, Florence Trust, St Saviour's, London 2003 Lexmark European Art Prize, finalist, Eyestorm Gallery, London 2003 Hunting Art Prizes, Young Artist of the Year, Royal College of Art, London 2003 Jerwood Artist Platform, shortlisted, Jerwood Foundation, London

, one.c, South Brent, Devon 2006 Lived in, Chapel Gallery, Ormskirk 2006 Viewing Club, Uxbridge Arms, London 2006 Eyestorm Gallery, Ipswich 2005 Opening Show, My Life in Art, London 2005 2D Open, Surface Gallery, Nottingham 2004 My Fest, The Foundry, London 2004 RCA Secret, Royal College of Art, London 2004 Summer Show, Florence Trust, St Saviour's, London 2004 Spring Show, Blackheath Gallery, London 2003 Under Construction, Florence Trust, London 2003 Eye Jam, Ogilvy & Mather, London 2003 The Show, Royal College of Art, London 2002 Painting Interim, Royal College of Art, London 2002 Diversion, Royal College of Art, London 2001 RCA Secret, Royal College of Art, London 2001 Degree Show, Middlesex University, London

1998 Larger Than Life, The Ballroom, Royal Festival Hall, London, UK Everyday Painting, Anthony Wilkinson Gallery, London, UK 4xSolo, De Markten, Brussels, Belgium Everyday Painting, John Weber Gallery, New York, USA