Sentences with phrase «painting after performance»

Recent group exhibitions include Not New Now, Marrakech Biennale 6, Morocco (2016); Black: Color, Material, Concept, The Studio Museum in Harlem, New York (2015); Surface Matters, Edward H. Linde Gallery, Museum of Fine Arts, Boston (2015); Surface Tension, The FLAG Art Foundation, New York (2015); Affecting Presence and the Pursuit of Delicious Experiences, The Menil Collection, Houston (2015); Represent: 200 Years of African American Art, Philadelphia Museum of Art (2015); Witness: Art and Civil Rights in the Sixties, Brooklyn Museum, New York (2014); and A Bigger Splash: Painting after Performance, Tate Modern, London (2012).

Here the gesture refers to another, and I wonder if that might also be the case with gesture in abstract (non referential) painting, the minimum reference being to the act of painting itself, surely one of the points of the current Painting After Performance show at Tate modern.

Tagged with abstraction, Alaena Turner, Andrea Medjesi - Jones, art, art exhibitions, art galleries, At the Point of Gesture, Clem Crosby, David Ryan, Gabriel Hartley, gesture, Grunwald, Isenheim alterpiece, Kenneth Martin, Lion and Lamb Gallery, London, mel - prest, painting, Painting After Performance, point, pointillism, Tate Modern

Assistant Curator of A Bigger Splash: Painting after Performance Fiontan Moran recently talked about how artist documentaries can affect the way we think about an artist and their work.

David Hockney: A Bigger Splash 1967 A Bigger Splash: Painting after Performance, exhibition, Tate Modern, London, Britain - 12 Nov 2012

The Performance of Style, Tate Liverpool, Kunsthalle Frankfurt and Kunstmuseum Linz (2013) and in A Bigger Splash: Painting After Performance, Tate Modern (2013).

Mark Camille: Jean Cocteau 2003 - 12 A Bigger Splash: Painting after Performance, exhibition, Tate Modern, London, Britain - 12 Nov 2012

She has also been included in significant group exhibitions, such as «Geta Brătescu», Documenta 14, Anthens, Greece, and Kassel, Germany; «Construction to Transmission: Art in Eastern Europe and Latin America, 1960 — 1980» at the Museum of Modern Art, New York (2015); «Straight to Camera: Performance for Film» at Modern Art Oxford (2014); and «A Bigger Splash: Painting After Performance Art» at Tate, London (2012).

This phenomenon was recently examined in five major museum shows: «A Bigger Splash: Painting after Performance» at Tate Modern, London; «Destroy the Picture: Painting the Void» at moca, Los Angeles; «Explosion» at Moderna Museet, Stockholm; and two New York shows about the Japanese part of the story: «Tokyo 1955 — 1970, A New Avant - Garde» at MOMA and «Gutai: Splendid Playground» at the Guggenheim Museum.

Included in many seminal group exhibitions over the last fifty years, his work is currently on view in A Bigger Splash: Painting after Performance, Tate Modern, London.

Her work was featured in «A Bigger Splash: Painting After Performance» at the Tate Modern London in 2012 and a retrospective and catalogue are being planned for 2015 at the Zentrum fur Kunst Und Medientechnologie, Germany.

Recent exhibitions include Yvonne Rainer: Dance Works at Raven Row, London (2014), A Bigger Splash: Painting after Performance at Tate Modern (2012) and Pop Life: Art in a Material World (2010).

She co-curated the Tate Modern exhibitions The World As a Stage (2007) and Pop Life (2010), and curated A Bigger Splash: Painting after Performance (2012).

Her work has been included in major group shows and biennials such as A Bigger Splash: Painting After Performance, Tate Modern, London (2012); Regarding Warhol: Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York (2012); ILLUMInations, 54th Venice Biennale (2011); 10,000 Lives, Gwangju Biennale, South Korea (2010); and The Pictures Generation: 1974 - 1984, The Metropolitan Museum of Art, New York (2009).

Dan Coombs reviews the exhibition A Bigger Splash: Painting After Performance at Tate Modern, on view through April 1, 2013.

2012Moments, A History of Performance in 10 Acts, ZKM Museum of Contemporary Art, Karlsruhe, Germany, with Adrien Piper, Marina Abromovic and Yvonne Rainer, Catalogue Newtopia — Curated by Katerina Gregos, Mecheline, Belgium State of Mind, UC Berkeley Art Museum & Pacific Film Archive, Berkeley, CA A Bigger Splash, Painting After Performance, curated by Cahterine Wood, Tate Modern, London Under the Big Black Sun, MOCA, Los Angeles The Deconstructive Impulse, Contemporary Arts Museum of Huston, Texas

If only Tate Modern's Bigger Splash show about painting after performance had had the wit to include this film.

Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles; Haunted: Contemporary Photography / Video / Performance, Guggenheim, New York; Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles; and A Bigger Splash: Painting After Performance, Tate Modern, London.

Not exact matches

After all, the Bush administration's over-reliance on expensive independent contractors (for anything from painting walls and repairing trucks to interrogating prisoners and monitoring the performance of other contractors) is widely thought to have wasted billions of dollars.

ESSA indicates that states must use evidence - based strategies to support low - performing schools, but Education Secretary DeVos will evaluate whether the strategies described in each state plan conform to that requirement.19 During an exchange with Sen. Chris Murphy (D - CT) at a hearing to defend the fiscal year 2018 proposed presidential budget, DeVos refused to dismiss painting walls as a evidence - based strategy to improve school performance.20 And after a celebrated bipartisan effort to reauthorize ESSA — in addition to other federal education policies — the possibility of progress rests largely in the hands of the Education Department.

The high - end performance coupe, seen here with large wheels and red - painted brake calipers, will arrive after the departure of the pricier 2014 Mercedes - Benz SLS AMG GT.

VOICE - ACTIVATED TOUCH - SCREEN NAVIGATION SYSTEM - inc: pinch - to - zoom capability, SiriusXM Traffic and Travel Link w / a 5 - year prepaid subscription, SiriusXM audio and data services each require a subscription sold separately, or as a package, by SiriusXM Radio Inc, If you decide to continue service after your trial, the subscription plan you choose will automatically renew thereafter and you will be charged according to your chosen payment method at then - current rates, Fees and taxes apply, To cancel you must call SiriusXM at 1-866-635-2349, See SiriusXM Customer Agreement for complete terms at www.siriusxm.com, All fees and programming subject to change, Sirius, XM and all related marks and logos are trademarks of Sirius XM Radio Inc, SAFE & SMART PACKAGE - inc: Adaptive Cruise Control, Blind Spot Info System w / Cross-Traffic Alert, Pre-Collision Assist w / Pedestrian Detection, automatic emergency braking and forward collision warning w / brake support, Memory Driver Seat, Mirrors & Ambient Lighting, 3 settings, Lane Keeping Alert, Automatic High Beam, Rain - Sensing Windshield Wipers, RADIO: SHAKER PRO AUDIO SYSTEM - inc: 12 - speakers and subwoofer in trunk, HD Radio, MAGNERIDE DAMPING SYSTEM, FRONT LICENSE PLATE BRACKET - inc: Standard in states where required by law, EQUIPMENT GROUP 200A, ENHANCED SECURITY PACKAGE - inc: electronic - locking center console and electronic steering column lock, Active Anti-Theft System, Wheel Locking Kit, ECOBOOST PERFORMANCE PACKAGE - inc: black painted strut tower brace, performance rear wing, unique chassis tuning, unique electronic power assisted steering, unique anti-lock brakes, stability control tuning and upsized rear sway bar, Larger Brake Rotors, 4 - piston fixed calipers, Engine Spun Aluminum Instrument Panel, Gauge Pack (Oil Pressure and Boost), Wheels: 19» x 9» Ebony Black - Painted Aluminum Low gloss, 3.55 TORSEN Limited Slip Rear Axle, HD Front Springs, Larger Radiator, Tires: P255 / 40R19 Summer - Only Designed to optimize driving dynamics and provide superior performance on wet and dry roads, High performance summer tires wear faster than non-performance tires, Ford does not recommend using summer tires when temperatures drop to approximately 45 deg F (7 deg C) or below or in snow / ice conditions, CARBON SPORT INTERIOR PACKAGE - inc: Alcantara door inserts, Alcantara seat inserts, carbon fiber instrument panel and carbon fiber shift knob, WirelessPERFORMANCE PACKAGE - inc: black painted strut tower brace, performance rear wing, unique chassis tuning, unique electronic power assisted steering, unique anti-lock brakes, stability control tuning and upsized rear sway bar, Larger Brake Rotors, 4 - piston fixed calipers, Engine Spun Aluminum Instrument Panel, Gauge Pack (Oil Pressure and Boost), Wheels: 19» x 9» Ebony Black - Painted Aluminum Low gloss, 3.55 TORSEN Limited Slip Rear Axle, HD Front Springs, Larger Radiator, Tires: P255 / 40R19 Summer - Only Designed to optimize driving dynamics and provide superior performance on wet and dry roads, High performance summer tires wear faster than non-performance tires, Ford does not recommend using summer tires when temperatures drop to approximately 45 deg F (7 deg C) or below or in snow / ice conditions, CARBON SPORT INTERIOR PACKAGE - inc: Alcantara door inserts, Alcantara seat inserts, carbon fiber instrument panel and carbon fiber shift knob, Wireless Strpainted strut tower brace, performance rear wing, unique chassis tuning, unique electronic power assisted steering, unique anti-lock brakes, stability control tuning and upsized rear sway bar, Larger Brake Rotors, 4 - piston fixed calipers, Engine Spun Aluminum Instrument Panel, Gauge Pack (Oil Pressure and Boost), Wheels: 19» x 9» Ebony Black - Painted Aluminum Low gloss, 3.55 TORSEN Limited Slip Rear Axle, HD Front Springs, Larger Radiator, Tires: P255 / 40R19 Summer - Only Designed to optimize driving dynamics and provide superior performance on wet and dry roads, High performance summer tires wear faster than non-performance tires, Ford does not recommend using summer tires when temperatures drop to approximately 45 deg F (7 deg C) or below or in snow / ice conditions, CARBON SPORT INTERIOR PACKAGE - inc: Alcantara door inserts, Alcantara seat inserts, carbon fiber instrument panel and carbon fiber shift knob, Wirelessperformance rear wing, unique chassis tuning, unique electronic power assisted steering, unique anti-lock brakes, stability control tuning and upsized rear sway bar, Larger Brake Rotors, 4 - piston fixed calipers, Engine Spun Aluminum Instrument Panel, Gauge Pack (Oil Pressure and Boost), Wheels: 19» x 9» Ebony Black - Painted Aluminum Low gloss, 3.55 TORSEN Limited Slip Rear Axle, HD Front Springs, Larger Radiator, Tires: P255 / 40R19 Summer - Only Designed to optimize driving dynamics and provide superior performance on wet and dry roads, High performance summer tires wear faster than non-performance tires, Ford does not recommend using summer tires when temperatures drop to approximately 45 deg F (7 deg C) or below or in snow / ice conditions, CARBON SPORT INTERIOR PACKAGE - inc: Alcantara door inserts, Alcantara seat inserts, carbon fiber instrument panel and carbon fiber shift knob, Wireless StrPainted Aluminum Low gloss, 3.55 TORSEN Limited Slip Rear Axle, HD Front Springs, Larger Radiator, Tires: P255 / 40R19 Summer - Only Designed to optimize driving dynamics and provide superior performance on wet and dry roads, High performance summer tires wear faster than non-performance tires, Ford does not recommend using summer tires when temperatures drop to approximately 45 deg F (7 deg C) or below or in snow / ice conditions, CARBON SPORT INTERIOR PACKAGE - inc: Alcantara door inserts, Alcantara seat inserts, carbon fiber instrument panel and carbon fiber shift knob, Wirelessperformance on wet and dry roads, High performance summer tires wear faster than non-performance tires, Ford does not recommend using summer tires when temperatures drop to approximately 45 deg F (7 deg C) or below or in snow / ice conditions, CARBON SPORT INTERIOR PACKAGE - inc: Alcantara door inserts, Alcantara seat inserts, carbon fiber instrument panel and carbon fiber shift knob, Wirelessperformance summer tires wear faster than non-performance tires, Ford does not recommend using summer tires when temperatures drop to approximately 45 deg F (7 deg C) or below or in snow / ice conditions, CARBON SPORT INTERIOR PACKAGE - inc: Alcantara door inserts, Alcantara seat inserts, carbon fiber instrument panel and carbon fiber shift knob, Wirelessperformance tires, Ford does not recommend using summer tires when temperatures drop to approximately 45 deg F (7 deg C) or below or in snow / ice conditions, CARBON SPORT INTERIOR PACKAGE - inc: Alcantara door inserts, Alcantara seat inserts, carbon fiber instrument panel and carbon fiber shift knob, Wireless Streaming.

Badged as the Mopar»12 300, the car is described as a «performance tribute to celebrate Mopar's 75th anniversary», and will be distinguished by its blacked - out appearance gained after receiving a Black Chrome seven - bar grille and grille surround, black accented headlamp bezels and fascia accents and 20 - inch forged - aluminium wheels painted in Gloss Black.

After all, when you add a supercharger to a performance - built 302 V8, update every square inch (including the suspension,) and then paint the whole project in a slick metallic blue, you are going to create one of the most unique and powerful first - generation Mustangs around.

Black's performance, called OR LIFE OR, was her first public event after writing a provocative open letter last month to the curators of the Whitney Biennial, urging them to remove and destroy a painting of Emmett Till by Dana Schutz.

After the discoveries of minimalism and Pop art, performance and installation, it sometimes seemed impossible to find a way to continue doing innovative work within painting.

Named after a popular Thai song, Muen Kuey, which translates to «It's always the same,» the paintings are each accompanied by 100 DVDs containing documentation of Arunanondchai's performance, Jansaunoi's performance and the televised critique of her performance by famed Thai artist Chalermchai Kositpipat.

After the room for abstract painting and sculpture, it turns increasingly to politics and performance.

While the former charts the growth of LIDL through paintings, models and footage of performances, the latter, Paintings after Hogarth, examines his later work, forming a revelatory and 360 - degree view of hipaintings, models and footage of performances, the latter, Paintings after Hogarth, examines his later work, forming a revelatory and 360 - degree view of hiPaintings after Hogarth, examines his later work, forming a revelatory and 360 - degree view of his career.

After these discoveries, I made an early attempt to combine performance, process, and artifact: it was a painting for Eric Dolphy called Mouthpiece (1992) done by holding the brush in my mouth instead of my hands.

Last year's Tuner Prize shortlist heralded what looked suspiciously like the return of sculpture — stuff that was physically present in the gallery after years of empty rooms, off - site projects, films and performance — this year we have what looks almost unnervingly like the return of painting.

After producing performances and installations in the late 1970s, Salle began to make paintings in which he overlaid found images from different sources in varying styles.

«I had the pleasure to work with him, and I discovered that his practice is manifold,» notes the exhibition's curator, Gianni Jetzer, who, after meeting Kantarovsky at a performance festival and discovering his paintings on Google, was delighted to discover the multifaceted depths of his practice.

When the London - based artist's giant abstract paintings got held up in transport, leaving the gallery with little to display for the first two days of the fair, Syed staged a performance modeled after John Lennon's and Yoko Ono's 1969 bed - in in Montreal.

The exhibition features a rich selection of paintings, drawings and sculptures, including spatial installations and performance - related material, paying particular attention to works from the late 1980s, after Kusama's return to Japan.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Opening: «Mike Kelley: Shaped Paintings» at Skarstedt Never previously exhibited as a group, Mike Kelley's shaped canvases of the 1990s marked the bad - boy artist's return to painting after a productive 15 - year period creating performance, multimedia and installation art.

The three musicians» performances will mark the «before - now - after» of Clara's live - painting intervention in the installation.

After attending the California Institute of the Arts, Kelly quickly became enamored with using a variety of media including drawing, painting, sculpture, performance, video and poetry.

Be Strong Boquan (after a line taken from a performance video that's featured in the show), is composed of large abstract paintings, the first thing you encounter is «Deimos» (2015), a Cinemascope - scaled video projection depicting enormous orange wheels careening across an unspecified expanse to the beat of Sylvester's 1978 disco anthem «Grateful.»

Fresh from his solo exhibition at the Parasol Unit Foundation in London (on view until February 17th, 2012), Jannis Kounellis met with ARTPULSE to discuss his most recent projects and the most significant moments of his outstanding career, from the early days of Arte Povera to his relationship with painting and performance art, and why, after almost 50 years, communication is still the main driving force behind his work.

Preceding Hancock's first solo exhibition in London, I Want to Be at the Meeting After the Separation, opening at Hales Gallery on Friday 22 May, the talk will explore ongoing themes surrounding narrative painting, sculpture and performance in Hancock's broad and dynamic practice spanning over 2 decades.

8pm - 4 am 100 Artists, 1 Venue, 1 Night, 9 Areas, 10 Live Spaces + Seated Cinema Live Art / Performance / Music PA's / Film / Video / Installation / Photography / Painting / DJ's Advance # 10 Q - Jump Tickets available from http://www.wegottickets.com/event/82219 On the door: # 10 b4 10 pm / # 12 after ARTISTS confirmed so far include: Aine Phillips & Manuel Vason, Alessandro Vitali, Alex Fear, Allan -LSB-...]

Paintings by the lyrical abstractionist Larry Poons, who for his «throw paintings» series did just that with goops of paint; sculptures by Ai Weiwei ranging in price from $ 30k to $ 300k; buckets of Gerhard Richter (after his stellar auction performance of late); more Andy Warhols than you could shake a stick at; and, one of my favorites (a great buy ahead of his Museum of Modern Art retrospective in 2014), SigmPaintings by the lyrical abstractionist Larry Poons, who for his «throw paintings» series did just that with goops of paint; sculptures by Ai Weiwei ranging in price from $ 30k to $ 300k; buckets of Gerhard Richter (after his stellar auction performance of late); more Andy Warhols than you could shake a stick at; and, one of my favorites (a great buy ahead of his Museum of Modern Art retrospective in 2014), Sigmpaintings» series did just that with goops of paint; sculptures by Ai Weiwei ranging in price from $ 30k to $ 300k; buckets of Gerhard Richter (after his stellar auction performance of late); more Andy Warhols than you could shake a stick at; and, one of my favorites (a great buy ahead of his Museum of Modern Art retrospective in 2014), Sigmar Polke.

After a number of successful shows, including his sell - out solo exhibition at Madder139 in London, he now lives and works in Glasgow where his painting practice oscillates between sculptural form / object / image and performance.

In After Whistler (2010), one of the most haunting works in the show, Hodgkin offers a bravura painting performance.

Sundblad is known for her collaborative work across mediums — including painting, singing, and performance art — as well as for her vision as co-founder and director of Reena Spaulings Fine Art (named after the fictional New York City it - girl at the center of Bernadette Corporation's collectively penned novel of the same name).

+ Calligrapher Sun Ping was banned from the China Artists Association after a recent performance that featured women painting with brushes in their vaginas.

On Friday February 5th, 75 years after this premiere performance, Anno Domini Gallery presents a Messiaen - inspired exhibition of new paintings by renown artist Barron Storey entitled «Quartet» and three performances entitled «End of Time» by Cellista (Freya Seeburger) and her Juxtapositions Chamber Ensemble.

Her performance at the gallery positions the female as active performer rather than submissive instrument of the artist — what is left after the performance is the residue of paint bearing the imprint of the artist's movements.