Painting at different sizes, Mao Yan creates distinct effects.
Not exact matches
Conversely, I once saw a very small
painting by Jake Berthot, a pocket - book -
size picture that was a complex layering of
different greys with some wonderful reds breaking through the field and also
at the edges of the canvas — it seemed like I was looking
at something almost infinite in its dimensions.
The mid-career survey, Laura Owens
at the Whitney Museum of American Art (November 10, 2017 — February 4, 2018), presents around 70
paintings in
different sizes — from wall - mounted works, to installations, to carefully arranged freestanding canvases
painted on both sides.
Twenty painters drew numbers, turned up
at 8 West 8th Street and were given canvasses of
different sizes, depending on the number they drew, and were instructed to
paint pictures on the spot from memory without sitters or models over three days.
Twenty painters drew numbers, turned up
at 8 West 8th Street and were given canvasses of
different sizes, depending on the number they drew, and were instructed to
paint pictures on the spot from memory without sitters or models over three -LSB-...]
This is partly why I work on larger works
at the same time; it makes me look and
paint on a
different scale, which makes it harder to just become comfortable with one
size and therefore disrupts the likelihood of copying what you may have done in previous works.»
He was already playing with the medium's relation to
painting, with the line between abstraction and figuration, with an abolition of traditional perspective, with the theme of global commercialism, with picture
sizes so large that viewers» experience of the work changed noticeably
at different distances.
He moved on,
at the end of the 50's, to flat, near - life -
size cutouts of
painted aluminum that stood upright like sculptures (one of his son, Vincent, holding a fish toward the viewer is in the Farnsworth show), and then to easel
painting: single and group portraits of a scale and approach dramatically
different from those of the miniaturized collages.
Both turquois color
paintings are similar, same
size, color, distribution of brush strokes etc., but
at the same time they possess a completely
different character due to
different grounds: one the one hand a white primed cotton and on the other hand an uncolored acrylic ground on canvas.
There are many
paintings by Franz Kline presently on view
at C&M Arts that are about the same
size as Jensen's, but the scale and the thrust of the work is altogether
different.
And just last week
at MWC 2018, Google's VP of VR and AR Amit Singh showed off how Lens is incorporating their ARCore technology to unlock even more capabilities, such as add real -
size furniture to your living room to see how they'd fit, or see how a car would look with a
different coat of
paint.
Just
paint all
different sizes at all
different angles.