Sentences with phrase «painting biennial exhibition»

The UMW Galleries is proud to host the tenth Mid-Atlantic New Painting biennial exhibition!

The UMW Galleries are proud to host the eleventh Mid-Atlantic New Painting biennial exhibition!

Not exact matches

They are showing at fairs from Art Cologne to LISTE; in exhibitions from MFA shows to biennials; and their diverse practices span choreography, virtual reality, painting, and more.

The Marmite Prize for Painting is the only erratic, challenging and nomadic biennial open submission painting exhibition in the UK and Painting is the only erratic, challenging and nomadic biennial open submission painting exhibition in the UK and painting exhibition in the UK and Ireland.

Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.

«Body of Work: New Perspectives on Figure Painting» is part of the National Museum of Women in the Art's biennial exhibition series Women to Watch, featuring emerging artists from the states and countries in which the museum has outreach committees.

1987 THE FORTIETH BIENNIAL EXHIBITION OF CONTEMPORARY AMERICAN PAINTING, Corcoran Gallery of Art, Washington D.C. [catalogue].

This juried biennial exhibition presents the work of artists from throughout the Mid-Atlantic region exploring the medium of painting.

His paintings span the past two years of his work and are currently being shown in the «Made in L.A. 2014 ″ biennial exhibition at the UCLA Hammer Museum.

Her paintings have been featured in two international encaustic biennial exhibitions and she has exhibited widely.

Select group exhibitions and biennials featuring his work have included «The Collectors,» curated by Elmgreen & Dragset for the Nordic and Danish Pavilions at the 53rd Venice Biennale; «Triumph of Painting: Part III,» Saatchi Gallery, London; Ideal Worlds — New Romanticism in Contemporary Art,» Schirn Kunsthalle, Frankfurt; and the 2004 Whitney Biennial.

Her work has been included in group exhibitions such as new Whitney Museum's inaugural exhibition «America Is Hard To See,» MoMa's 2014 contemporary painting survey «The Forever Now,» the European contemporary art biennial Manifesta 10 and the 2012 Whitney Biennial.

Showcasing the best of contemporary landscape painting, the $ 20,000 non-acquisitive award and biennial exhibition will feature works by Tanya Baily, Claire Bridge, Tim Bučković, Kevin Chin, Jason Cordero, Gabrielle Courtenay, Peter Daverington, Jeremy Elkington, Josh Foley, Betra Fraval, Gavin Fry, Oscar Garcia, Linda Gibbs, Stephen Haley, Nicholas Harding, Adrian Headland, Sarah Hendy, Nigel Hewitt, Sophia Hewson, Justin Holt, Alan Jones, Linda Joy, Gina Kalabishis, Richard Knafelc, Richard Maude, Andrew Mezei, Viv Miller, Saffron Newey, Grant Nimmo, Adam Nudelman, Allyson Parsons, Amelda Read - Forsythe, Victoria Reichelt, Mark Rodda, Phil Ryan, Ken Smith, Adriane Strampp, A.J. Taylor, Ross Taylor, Leah Thiessen, Sarah Tomasetti, Brett Weir, Anita West, Naomi White, Kim Wilson, Alice Wormald, and Chee Yong.

Her painting, which has been rediscovered beyond Turkey and Jordan in recent years at biennials and international exhibitions, synthesizes a wide range of influences, which relate to her multicultural and very eventful life.

Acquired sixteen years after the artist served as a juror for the museum's first biennial exhibition, the painting was recommended by no less an authority on contemporary painting than Alfred Barr, then the director of New York's Museum of Modern Art.

Museumgoers who expect the 1995 biennial to be all of a piece will likely be as disappointed as those who came to the 1993 exhibition in search of abstract painting.

It says no to feeding the stream of paintings, installation works, big - screen videos and Dolby - sound films that turn today's biennials and international exhibitions into such entertaining spectacles.

Her large works now greet visitors stepping off the elevator on the sixth floor of the biennial — a semi-recent foray into figuration that might stun those who only know her by her Minimalist paintings, which received a solo exhibition at the Whitney in 1975.

This biennial exhibition highlights the extraordinary talent in Wisconsin art featuring paintings, drawings, sculpture, prints and photography by the state's best known contemporary artists.

He participated in the XXVI Venice Biennial, the exhibition American Painting 1945 ‑ 1957 at the Minneapolis Institute of Art, the LXII American Exhibition at the Art Institute of Chicago, the XX Biennial International Watercolor Exhibition at the Brooklyn Museum, and in the I and II Havana exhibition American Painting 1945 ‑ 1957 at the Minneapolis Institute of Art, the LXII American Exhibition at the Art Institute of Chicago, the XX Biennial International Watercolor Exhibition at the Brooklyn Museum, and in the I and II Havana Exhibition at the Art Institute of Chicago, the XX Biennial International Watercolor Exhibition at the Brooklyn Museum, and in the I and II Havana Exhibition at the Brooklyn Museum, and in the I and II Havana Biennials.

Her paintings were featured in the 2014 edition of the Hammer Museum's «Made in L.A.» biennial, and she had a major solo exhibition at the Laguna Art Museum in 2015.

Along with the Annuals and Biennials, the Whitney Museum has organized significant exhibitions including American Genre: The Social Scene in Paintings and Prints (1935), European Artists in America (1945), Nature in Abstraction: The Relation of Abstract Painting and Sculpture to Nature in Twentieth - Century American Art (1958), Anti-Illusion (1969), Calder's Circus (1972), 200 Years of American Sculpture (1976), Jasper Johns (1977), Nam June Paik (1982), and Nan Goldin: I'll Be Your Mirror (1996).

Ligon is one of the most important American artists working today, with work spanning painting, sculpture, photography, and film, and exhibitions throughout the United States and Europe, including the 1991 and 1993 Whitney Biennials; Black Male: Representations of Masculinity in Contemporary Art and The American Century: Art and Culture 1900 — 2000, both at the Whitney; solo exhibitions at the Studio Museum in Harlem; the Kunstverein München, Germany; the Walker Art Center, Minneapolis; St. Louis Art Museum, Missouri; ICA in Philadelphia; and SFMOMA; as well as the 1997 Venice Biennale and Documenta II.

One of his paintings is an image of Philando Castille that should have generated a public conversation about police killing black men, but its impact has been muted by the controversy over a Dana Schutz painting of Emmett Till in his coffin, that also appears in the biennial exhibition.

The Marmite Prize for Painting is the only erratic, challenging and nomadic biennial open submission painting exhibition in the UK and Ireland and is openPainting is the only erratic, challenging and nomadic biennial open submission painting exhibition in the UK and Ireland and is openpainting exhibition in the UK and Ireland and is open to all.

Featuring approximately 135 works, it presents a major selection of paintings that the institution had acquired from its past biennial exhibitions and provides a rare opportunity to trace significant trends in American painting through the Corcoran's permanent collection.

The introduction and essays explore the larger history of biennial exhibitions in America and the history of the Corcoran's biennial exhibitions — including responses from the public and artists — and examine the changing tastes and movements seen in American painting during the 20th century.

This catalog accompanied a major exhibition that celebrated nearly 100 years of the Corcoran Gallery of Art biennial of contemporary American painting, examining those works the institution acquired from these shows.