Sentences with phrase «painting subjects drawn»

Not exact matches

The teacher has the time to enter each subject in depth and approach it in a variety of ways, enlivening each topic with poetry, drawing, painting, modeling and drama.

To make the gross implication that anyone that practices Attachment Parenting breastfeeds their children until they are 4, 5 or 6 years old was a clever, sensational tactic to draw attention to the subject — but it's just not true and you are choosing willful ignorance to paint that as the norm for Attachment Moms.

As an artist, I simply love flowers and they are often the subject of many of my paintings and drawings.

According to Dr. Matthew Lynch, «Instead of treating the arts like a separate, distant relative to other classroom endeavors, (arts integration) programs integrate musical instruments, painting, dancing, drawing, singing and more into traditional subjects like science, math and language.»

Drenda Duff — Drenda Duff regards figurative art, composed and arranged in natural surroundings, as a favorite subject for her drawings and paintings.

Now that I have my under painting complete, I want to paint the shadows I see that are really drawing me to the subject.

Bonnard's paintings are almost always of a particular visual experience, of which he made a drawing at the time, but which he painted in the studio, away from the distractions of the subject.

Bonnard's subject matter was strikingly original in two main ways: his predilection for the uncomposed, and the wide, often very wide, angle views that he was struck by and therefore drew and painted.

I followed this one up with the post on «The benefits of a series» and at the end of it all I have cemented a loose concept into a formal plan that will give me a range of five different subjects to work on, as well as use drawings and paintings from each of these «portfolios» to contribute to a central series theme.

Bonnard's habit of drawing all the time, together with his practice of painting from memory rekindled by drawings made on the spot, allowed him to paint subjects of a more transitory nature than had anyone else.

Shown alongside sketches, drawings and studies, her paintings recast female subjects from art historical paintings, photographs and the media into new environments, imbuing them with a newfound sense of self - possession.

Drawing from the art - historical lineage of cubism, cartoons, figurative painting and gestural abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Comic Future is as much about the breakdown of the human condition as it is about the absurdities which define the perils of human evolution.

The presentation considers not only how each painting conveys aspects of the subjects» identities as individuals and artists, but also how the selection and placement of sitters draws attention to the relationships and psychological connections between them.

In recent years, Alice Neel's work has been the subject of a major survey of paintings at the Museum of Fine Arts, Houston (touring to the Whitechapel Gallery, London, and Moderna Museet, Malmö, 2010) and a retrospective exhibition of drawings at the Nordiska Akvarellmeuseet, Skärhamn (2013).

De Miguel's Boy Leading a Horse draws direct inspiration from Picasso's painting of the same name, while Adam Expelled from Paradise is borrowed from the common subject matter of Renaissance masters.

The term history painting was introduced in the seventeenth century to describe paintings with subject matter drawn from classical history...

The paintings and drawings are grouped by subject matter.

There were two important consequences of this shift: the first was that drawing, became crucial to his painting practice, the second is that geometry itself became, for the rest of his life, his art's predominant subject matter.

Arguably — and often labeled — the greatest painter of his generation, Luc Tuymans signals in every canvas the necessary limits of the medium, even the coda to its drawn - out death: his reliance on fleeting photographic and filmic imagery, his refusal to spend more than one day on a canvas, and perhaps most of all, his indifference to craft bring the Belgian artist into head - on confrontation with painting, and endow his subjects — from the untouchable (the Holocaust) to the pedestrian (flowers, pigeons)-- with an unmistakable air of violence inflicted.

Dine's extensive practice in painting, drawing, sculpting and printmaking has been the subject of more than 300 solo exhibitions around the world, including ten major surveys and retrospectives since 1970.

The subject matter of his sculptures and paintings is deceptively simple: most works depict one seemingly innocuous subject (often pastel - hued children and animals drawn with confident, cartoonish lines) with little or no background.

Like glimpses into various Xanadus, the subjects here include a blackamoor sculpture from the apartment of Coco Chanel; a violent bronze in the drawing room of Yves Saint Laurent and Pierre Bergé «s Paris apartment; two Chinese scholar stones auctioned from the collection of Liz Taylor and a text painting about the Polish Art Deco artist Tamara de Lempicka who died in 1980.

In his 1968 lecture at MoMA, critic and scholar Leo Steinberg stated, «When Roy Lichtenstein in the early sixties painted an Air Force officer kissing his girl goodbye, the actual subject matter was the mass - produced, comic - book image; benday dots and stereotyped drawing ensured that the image was understood as a representation of printed matter.»

The Subject and Me tells the story of the turbulent events that shaped Alice Neel's life, through a retrospective of drawings and selection of late paintings.

«Rob Zeller's debut book on drawing and painting the human figure promises to be the most definitive on the subject in decades.

Wiley's signature portraits of everyday men and women riff on specific paintings by Old Masters, replacing the European aristocrats depicted in those paintings with contemporary black subjects, drawing attention to the absence of African Americans from historical and cultural narratives.

Highlights from Michelle Grabner's crowd - pleasing selection include Dawoud Bey's presidential portrait photography (Barack Obama, 2008), Karl Haendel's Theme Time Drawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of autheDrawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authedrawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authenticity.

With Breslow's work, the viewer slows down and is drawn closer to experience the artist's transformation of the subject into a painting.

Over the past five decades, in her painting, drawings, prints and illustrations, Applebroog has been exploring subjects informed by feminism, power and violence, women's sexuality and the domestic space using images stylistically reminiscent of comics, at once beguiling and disturbing.

As with his paintings, these works accumulate various stylistic influences to address the historiography of Black art, while at the same time drawing attention to the fact that they are not inherently partisan because their subjects are Black.

None appear more contemporary in their approach than Kogelnik, whose paintings and drawings from 1964 to ’70 were the subject of this exhibition.

Mika Tajima employs sculpture, painting, video, music, and performance, often drawing on contradictions in modernist design and architecture to consider how the performing subject (e. g., speaker, dancer, designer, factory worker, musician, filmmaker) is constructed in spaces in which material objects outline action and engagement.

The paintings are figurative and large in scale and scope, with subjects often drawn from mythology and biblical images.

Martin's work has been the subject of nearly 100 solo shows and two retrospectives including the survey Agnes Martin organized by the Whitney Museum of American Art, New York, which later traveled to Milwaukee, Miami, Houston, and Madrid (1992 — 94), and Agnes Martin: Paintings and Drawings 1974 — 1990 organized by the Stedelijk Museum, Amsterdam, with subsequent venues in France and Germany (1991 — 92).

Drawing on the classical tradition of bourgeois European painting, Yiadom - Boayke inverts this staid style by placing dark - skinned subjects on her canvases, though her loose, blurred brushstrokes negate any traces of racial distinction.

For more than four decades, Vija Celmin (Vee - ya Sell - min) has worked late into the night obsessively drawing and painting her most beloved subjects, the dark sky, the surfaces of the ocean, the moon, and the desert, without horizon or perspective.

Wegman's photographs have been the subject of several publications, including Man's Best Friend (Harry N. Abrams, 1982) and William Wegman: Paintings, Drawings, Photographs, Videotapes (Harry N. Abrams, 1990) and Funney / Strange (Yale, 2006).

The Latvian - born, New York — based artist has been rendering nature imagery from black - and - white photographic sources since the 1960s, exploring the same subjects repeatedly in paintings, drawings and prints.

Featuring a formidable list of writers, and encapsulating the eclectic range of art that has delighted and inspired audiences throughout Hayward Gallery's history, Fifty Years of Great Art Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britain.

Drawing from the art - historical lineage of cubism, graffiti, cartoons, figurative painting and gestural abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Aaron Curry's eagerly awaited survey exhibition at CAPC musée d'art contemporain de Bordeaux next summer is as much about the breakdown of the human condition as it is the absurdities that define the perils of human evolution.

He has been the subject of numerous retrospectives, including William Wegman: Paintings, Drawings, Photographs, Videotapes (Abrams) in 1990, a 20 - year survey of his work presented at the Kunstmuseum Lucerne as well as shows at the ICA London, the Stedelijk Museum, the Frankfurt Kunstverein, the Centre Pompidou, the ICA Boston, the Whitney Museum, and the Contemporary Arts Museum in Houston.

Similarly, the graphite drawings of Angelo Filomeno depict subjects seen in his embroidery paintings and mixed - media sculptures, and the abstract watercolors of Emilio Perez are autonomous from yet evoke his paintings.

Doig often paints an image over and over, explaining that the subject contains something to which he is repeatedly drawn.

Hayes will be exhibiting approximately 35 paintings and drawings, which are focused on historical styles of sculptural representation in Indian mythological subjects.

His paintings, sculptures, drawings, and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modern Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musèe Beaubourg in Paris, and The Paine Weber Collection.

Haunting and perverse, Ramberg's immaculately produced paintings stand in stark contrast to the hundreds of drawings she made, compulsively exploring shape and form in every possible variation of whatever subject she chose.

Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, The Paine Weber Collection, and many others.

From oil painting techniques to pastels, from painting landscapes to drawing portraits, Artists Network TV offers art instruction from artists working in a variety of mediums and subjects.

His present work concentrates on the subject of fire in South African popular memory or history and his drawing, painting and installation deals with space, time and memory.

Employing his traditional painting and drawing talents, and pushing past their limitations, the artist fixes his subject matter so he can experiment within these restrictions to innovate.