Sentences with phrase «paints as a base color»

Tip: You can also work directly over an existing flat or satin acrylic finish or use our Modern Masters Metallic Paints as a base color.

Not exact matches

Or paint just the ceiling to create a sunny feel, a favorite technique of New York City — based interior designer Thomas Jayne — try Benjamin Moores Aura in banana yellow ($ 54.99) and add a lighter - color paint to tone down the hue as desired.

Getting this look from Creatures of Comfort is messy: after painting on a base coat of polish, pour a mix of fine glitter across each nail, changing the colors as you go.

I also painted 2 coats of a white polish as a base underneath so that these bright colors would show up.

Then I added 3 more parts untinted (I liked the neutral base color as it was) flat latex paint.

The only other significant upgrades for the 2015 Ford Explorer concern the addition of 18 - inch wheels as standard on the base car; a towing package becomes standard on the Explorer Sport; and there are three new paint colors, Bronze Fire Metallic Tinted Clearcoat, Caribou Metallic, and Magnetic Metallic.

As you'd expect of a pace car (or safety car, as it's called in Europe), the M5 stands out with an M color scheme over a white base paint joAs you'd expect of a pace car (or safety car, as it's called in Europe), the M5 stands out with an M color scheme over a white base paint joas it's called in Europe), the M5 stands out with an M color scheme over a white base paint job.

[56] Like the Japanese Toyota 86, Subaru offers an RA base model lacking most interior comforts and utilizing 16 inch steel wheels, with the only difference from the 86 RC being that the BRZ RA's bumpers are painted the same color as the body.

Recently, Chevrolet introduced updated variants of the Corvette for Middle Eastern consumption, changes include a Grand Sport model with the dual mode exhaust system as standard (it's optional on the base car in this region), along with two new paint colors.

The tailgate still has the same gloss black insert as the rest of the range, but where the other non-ST Ford Edge models now all offer black cladding all around the base of the vehicle, that's replaced with body - color - painted panels on the Titanium Elite.

The MH2 400 WB employs a similar paint job as the i8, a dark base color with yellow accents, giving the car an even more aggressive and flashy look.

In addition, Nissan has added an Appearance package for the base S trim, a new Magnetic black paint color, and some advanced technology such as Siri Eyes Free and a collision mitigation system with automatic braking.

For example, the rear fascia of the Talon featured a bumper cap with a dip in the middle to allow for a high - mounted rear license plate; rear light clusters incorporating amber turn signals (the Eclipse used red turn signals); reverse lights as part of the main rear tail light clusters (the Eclipse's reverse lights were mounted separately and lower around the mid-mounted license plate); and a sickle - shaped rear spoiler for the TSi and TSi AWD version mounted at the base of the rear window that was painted black regardless of body color (the Eclipse used a body colored, conventional «basket handle» spoiler mounted on the rear deck).

In 2002 he also began working as a colorist for Martha Stewart Omni Media, and in 2003 developed a 350 color interior house paint palette, based on Paul Klee's color systems developed at the Bauhaus.

Painters such as Kenneth Noland, Helen Frankenthaler, Dan Christensen, Sam Francis, Larry Zox, Ronnie Landfield, Larry Poons, Jules Olitski, Gene Davis, Ronald Davis, Sam Gilliam and others successfully used water - based acrylics for their new stain, color field paintings.

Welling took digital color samples of his grandfather's painting as a basis with which to colorize his grandfather's original black and white footage.

These works act as time - based pieces as do the chronological color paintings and poems.

Furthermore, the large windows on Broadway are painted in a bright yellow, based on the substance Gaya (E102), a food coloring used as an inexpensive substitute for saffron in Asian cooking.

Los Angeles based artist Laura Owens synthesizes influences as varied as Color Field painting, Baroque art, and textile art in her large and unabashedly painterly canvases.

«Current Locations» also speaks to these artists» affinity with creating a sense of place (or places): painter Barbara Marks creates voluminous pictorial & interior spaces with her deeply saturated color palette; Elise Church paints intimate environments based on her travels in space in time; Colombian artist, Esperanza Cortés incorporates natural resources and folklore motifs from her homeland as a means of exploring personal identity; Kyle Vu - Dunn sculpts warped «natural» environments to harbor the self; and Viviane Rombaldi Seppey blends world maps (with emphasis on places she's lived) with morbid imagery from traditional medical textbooks.

Crucial to Hofmann's art and his teachings first in Germany and then in the U.S., where he settled in 1932, was his belief in relying on the overall perimeter of the painting's surface as a key compositional guide while working improvisationally and intensifying differences between warm and cool colors — known as «push and pull,» based on the colors» appearance of advancing or receding.

Although Josef Albers» influence on color theory is pervasive, CMYK reveals that artists continue to experiment and explore the infinite possibilities of mixing pigments based on cyan, magenta, yellow and black (K), illustrating that the future for abstract painting is as vast as its past.

Shows have included Cerreality by Connecticut artist John O'Donnell, featuring sculptures created with brightly colored cereal; Pomp and Plastic Things by Georgia artist Justin Hodges that included a green chromogenic living room; Reasonably Nice Things, installations based on the notion of home by Dayton artist Charmaine Renee; group shows like Self As Subject and Trompe L'Oeil: Paintings in Other Media featuring national artists; and Future Thinking, a collaboration between UD and Wright State art students.

Through enlivening these dated portraits with an updated palette and active washes of color, Fischer attempts to re-imagine the representation of history as only painting can by depicting intangible mental characteristics excluded from an object - based historical archive.

Conaty, who worked at the Whitney at the time of the Biennial and has therefore been familiar with the modular works for some time, found these motivations revelatory, and they serve as the basis for her catalogue essay, which examines his palette and use of readymade color — vinyls or unmixed tube paints — as a through line for works made using vastly different techniques.

His practise as an artist is usually associated with monochrome, concrete, modernist, post, color - based, radical, minimalist and abstract painting.

Gorky's paintings of 1946, such as «Charred Beloved I» and «Nude,» tend to be based primarily on free - wheeling thin black lines, which are interspersed with areas of fluid color.

Stretching the Limits exhibits fiber - based work, expanding on the traditional aspect of painting by introducing thread and fabric as formal considerations of texture, color and composition.

Also to see is the old painting 4096 Colors from 1974 which was the basis for Richter's considerations about the cathedral window and which in reproduction served as the first test image laid behind the tracery outlines.

Lynne Harlow, who is based in Rhode Island, changes spaces using only color paint and music in some of her pieces and that makes for an easy way to expose art to broader audiences as the shipping cost is not prohibitive for the artist, gallery, collectors, and art.

Yet his work actually encompasses such diverse items as a black - and - white painting based on flickering light on the Seine, gridded paintings with squares of color arranged by chance, weathered steel panels, floor pieces, multi-panel paintings, contour drawings of leaves and collages on postcards.

Among the dominant trends in the Post-Painterly Abstraction are Hard - Edged Painters such as Ellsworth Kelly and Frank Stella who explored relationships between tightly ruled shapes and edges, in Stella's case, between the shapes depicted on the surface and the literal shape of the support and Color - Field Painters such as Helen Frankenthaler and Morris Louis, who stained first Magna then water - based acrylic paints into unprimed canvas, exploring tactile and optical aspects of large, vivid fields of pure, open cColor - Field Painters such as Helen Frankenthaler and Morris Louis, who stained first Magna then water - based acrylic paints into unprimed canvas, exploring tactile and optical aspects of large, vivid fields of pure, open colorcolor.

Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest contemporary example of this art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.

A leading figure in the development of Color Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) was committed to color - based and expressionist abstraction for over six decColor Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) was committed to color - based and expressionist abstraction for over six deccolor - based and expressionist abstraction for over six decades.

As you look at the paintings, you may attempt to make out some recognizable subjects, since they seem to be responses to the landscape or still - life traditions — and based on the brushwork and colors, they are.

The Brooklyn - based artist has for years been refining a distinct technique that produces mesmerizing works that dance between painting, sculpture, and textile — their surfaces ripple with busy and vividly colored painted patterns that seem to swath mysterious objects in various fabrics; thick gobs of paint cling to areas of the canvas as if squeezed out like thick frosting or Easy Cheese.

Biography: A leading figure in the development of Color Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) has been committed to color - based and expressionist abstraction for over five decColor Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) has been committed to color - based and expressionist abstraction for over five deccolor - based and expressionist abstraction for over five decades.

Instead, his paintings are based on direct observation, color sketches, and rigorous drawing, as well as dedication to the panoramic landscapes and interiors of seventeenth - century Dutch Masters.

Drips, gestures, and splatters of paint in his work have led many critics to identify him as a second - generation Abstract Expressionist, but Francis has also been compared to Color Field artists on the basis of large, fluid sections of paint that seem to extend beyond the confines of the pictorial surface.

The range of color that Cohen coaxes from these limited palettes is profound, and a testament to her mastery, in particular the paintings that are based primarily on a range of black, white and gray; they never read as monochrome.

The coloring book project inspired his Coloring series, in which he used the student's drawings as the basis for a several pacoloring book project inspired his Coloring series, in which he used the student's drawings as the basis for a several paColoring series, in which he used the student's drawings as the basis for a several paintings.

The next series of paintings will be a departure from the natural history museum as a subject; instead, I'd like to make a few large paintings based on my own color photographs, similar to the smaller version of the Paint Factory.

Brooklyn - based artist, Maya Hayuk, has been enlisted as the next artist to paint the famed wall at Houston and Bowery in New York, and she has been making swift moves dousing it in color.

This exhibition will focus on New York - based artist Ned Smyth's large - scale sculptural works that appear as large rock formations milled in dense foam, hard - coated in resin, and painted in a stone - colored palette.

The Abstraction series is far reaching, lasting until 2014 and included black and white as well as color - based abstractions, hard - edge forms, optical patterns and Color Field paincolor - based abstractions, hard - edge forms, optical patterns and Color Field painColor Field painting.

Rector's Abstraction series is far reaching, lasting until 2014 and included black and white as well as color - based abstractions, hard - edge forms, optical patterns and Color Field paincolor - based abstractions, hard - edge forms, optical patterns and Color Field painColor Field painting.

Color was the basis of her painting, undeniably reflecting her life - long study of color theory as well as the influence of luminous, elegant abstract works by Washington - based Color Field painters such as Morris Louis, Kenneth Noland, and Gene DColor was the basis of her painting, undeniably reflecting her life - long study of color theory as well as the influence of luminous, elegant abstract works by Washington - based Color Field painters such as Morris Louis, Kenneth Noland, and Gene Dcolor theory as well as the influence of luminous, elegant abstract works by Washington - based Color Field painters such as Morris Louis, Kenneth Noland, and Gene DColor Field painters such as Morris Louis, Kenneth Noland, and Gene Davis.

Many pieces in the exhibition were created by artists working with abstraction, such as Sam Gilliam's works that expand upon color field painting, or Jack Whitten's signature, process - based canvas.

David Benforado will exhibit new abstract paintings which are based on the elusive complexity of multilayered colors such as Green, White, Pink and Brown.

So if people read your paintings as talking about consumerism or environmentalism based on the figurative forms in your work, are they simply reading too much into shapes and colors?