Sentences with phrase «palazzo gallery»

Portrait of an artist 10 March The latest exhibition from photographer Jason Schmidt opens today at A Palazzo Gallery in Brescia, Italy.

Group exhibitions include: Ocean of Images: New Photography 2015 at MOMA The Museum of Modern Art, New York, USA (2015), The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists at Smithsonian National Museum of African Art, Washington DC, USA (2015); Landscapes at A Palazzo Gallery in Brescia, Italy (2013); SP - Arte, São Paulo, Brazil (2011); the MABAXA project in Luanda, Angola and RAVY — Rencontre d'Arts Visuels, in Yaoundé, Cameroon (2012); 2nd Luanda Triennial, Angola (2010).

A Palazzo Gallery, Brescia Afronova, Johannesburg Art Twenty One, Lagos ARTCO Gallery, Aachen Axis Gallery, New York Bennett Contemporary, Cape Town CIRCA Gallery, Johannesburg David Krut Projects, Johannesburg Galerie Cécile Fakhoury, Abidjan Jack Bell Gallery, London Magnin - A, Paris Mariane Ibrahim Gallery, Seattle NOMAD Gallery, Brussels Primo Marella Gallery, Milan SMAC Gallery, Cape Town VOICE Gallery, Marrakech

Exhibitors Galerie Mikael Andersen, aria (artist residency in algiers), Artco, Art Lab Africa, Jack Bell Gallery, Carpe Diem, Galleria Continua, Museum of Modern Art (Equatorial Guinea), Galerie Cecile Fakhoury, Galerie Imane Fares, First Floor Gallery Harare, In Situ / Fabienne Leclerc, M.I.A. Gallery, Magnin - A, October Gallery, Omenka Gallery, A Palazzo Gallery

Staged at A Palazzo Gallery, Brescia, the exhibition explores the relationship the practices of Edson Chagas (Angola) and Ibrahim Mahama (Ghana) in the form of a traditional two artist presentation.

Installation view of works by Edson Chagas and Ibrahim Mahama at A Palazzo Gallery at 1:54 New York, 2016.

Recent showings include Bischoff Projects in Frankfurt, Germany (2016); A Palazzo Gallery in Brescia, Italy (2016); and Nathalie Karg Gallery in New York (2016), among others.

2011 Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland The Language of Less, Museum of Contemporary Art, Chicago / IL, USA The Art of Narration Changes with Time, Sprüth Magers, Berlin, Germany ILLUMInations (curated by Bice Curiger), 54th International Art Exhibition — La Biennale di Venezia, Venice, Italy The Shape of Things to Come: New Sculpture Part 1, Saatchi Gallery, London, Great Britain Tableaux, Le Magasin, Grenoble, France THE WAY IT WAS N'T, Culturgest, Porto, Portugal After Images (curated by Fionn Meade), Musée Juif de Belgique, Bruxelles, Belgium Isabelle Cornaro, Nikolas Gambaroff, Oscar Tuazon, Eli Hansen, A Palazzo Gallery, Brescia, Italy Fragments Americana (curated by Hedi Slimane), Almine Rech Gallery, Brussels, Belgium Dystopia, CAPC Bordeaux, Bordeaux, France Art In The City, Art Brussels, Brussels, Belgium Under Construction, SAKS, Geneva, Switzerland Light In Darkness, Western Bridge, Seattle, Washington, USA Poste Restante (curated by Eric Fredericksen), Artspeak, Vancouver, Canada You and Now, Balice Hertling, Paris, France

Twilight, Palazzo Gallery, Brescia Slow Paintings, Museum Schloss Morsbroich, Leverkusen Collection: The First Thirty Years (curated by Paul Schimmel), Los Angeles Museum of Contemporary Art, Los Angeles The Dark Monarch, Tate St Ives, St Ives The Avantgarde: Depression, Marres, Maastricht

Group Exhibition, Honor Fraser, Los Angeles Strike a Pose, Stephen Friedman Gallery, London Directions, A Palazzo Gallery, Brescia, Italy Double Dutch, Hudson Valley Center for Contemporary Art, Peekskill Investigations of a Dog, Fondazione Sandretto Re Rebaudengo, Turin (re) Visions: (di) Visions, Foster Gallery, University of Wisconsin, Eau Claire

Not exact matches

If you made it that far to the top, signs point out the way to the recently remodeled Duke's Palace (Palazzo Ducale), now a truly prestigious home for an art gallery and for the Peperoncino Museum.

You can see in our gallery all the latest and different styles of Pakistani casual tops which you can use with palazzo, harem pants, flappers, jeans etc..

Afternoon visit to Palazzo Vecchio and the Uffizi, built as a palace for Duke Cosimo and now Italy's greatest art gallery with works by Botticelli, Michelangelo, Leonardo, Titian, Giotto, Raphael, Rubens, Van Dyck, Caravaggio and Rembrandt.

We are perfectly located in San Marco district - in the antiques and Art Gallery neibourghood just besides Palazzo Grassi.

(And it appeared that at least the gallery had sold Bernardo Bellotto's Venice, a view of the Grand Canal looking east from the Palazzo Loredan Cini on the Campo San Via, 1741 — 1742, as the wall text had been affixed with a small orange sticker.)

Exhibitions include A Study in Midwestern Appropriation, The Hyde Park Center, Chicago, IL, curated by Michelle Grabner; Decade: Contemporary Collection 2002 - 2012, Albright - Knox Art Gallery, Buffalo, NY; 2010, Whitney Biennial, curated by Francesco Bonami and Gary Carrion - Murayari, Whitney Museum of American Art, NY (2010); and Gerhard Richter and the Disappearance of the Image in Contemporary Art, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy (2010), among others.

Traveled to Kunsthalle Recklinghausen, Recklinghausen, Germany (October — December) and Stedelijk Museum, Amsterdam, the Netherlands (December 1959 — January 1960) Documenta II: Kunst nach 1945, Internationale Ausstellung, Museum Fridericianum, Kassel, West Germany (July 11 — October 11) Premio dell «Ariete: Selezione Biennale di Pittura Internazionale, Gallerie dell «Ariete, Milan (May 8 — 31) Arte nuova: Expositione Internazionale di pittura e scultura, Circolo degli Artisti, Palazzo Granieri, Turin (May 5 — June 15) 26th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington D.C. (January 17 — March 8) New York and Paris: Painting in the Fifties, Museum of Fine Arts, Houston (January 16 — February 8) Accrochage d'Ouverture, Galerie Smith, Brussels (January 7 — 26)

2018 BETTY TOMPKINS & JB BERNADET, Ribordy Contemporary, Geneva (CH) 2017 BETTY TOMPKINS & JB BERNADET, Halsey Mckay, East Hampton NY (USA) 2016 SEA LEVEL, with Benoit Platéus, Almine Rech Gallery, London (GB) 2015 THE THIRD ACT, Palazzo Saluzzo Paesana, Neochrome Gallery, Turin (IT) 2015 JOANNE GREENBAUM - JB BERNADET, Michael Jon Gallery, Miami, Florida (USA) 2014 THREESOME, with Samuel François, Berthold Pott, Cologne (DE) 2013 WICHITI, with Koen Delaere, Gerhard Hofland, Amsterdam (NL) 2012 DIRTY WINDOWS, with Patrick Brennan, Toomer Labzda, New York, NY (USA) 2012 BERNADET - PLATÉUS, 8 rue Saint - Bon, Paris (F) 2011 BERNADET - PLATÉUS, Middlemarch, Brussels (B) 2011 BERNADET - PLATÉUS, Karma, New York, NY (USA) 2011 ANONYMOUS, with Xavier Noiret - Thomé, cur.

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

Lucchini works with galleries in Germany and Switzerland and has had many exhibitions in museums, including solo shows at the Mendrisio Palazzo Pollini, Ferrara; Pallazzo dei Diamanti; Locarno Pinacoteca Casa Rusca; and Neuchatel Museum of Art and History, Switzerland.

In February 1949, «La collezione Guggenheim» opened at the Strozzina, the gallery in the cellars of the Palazzo Strozzi.

Lee Ufan's recent personal exhibitions include those held at the Lisson Gallery, London (2015), Palazzo Contarini Polignac, Venice (2015) and Château de Versailles, France (2014).

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

If the juxtaposition seems incongruous, it's also a good indicator of how such objects end up when they leave galleries (arranged, for instance, in a collector's palazzo).

Solo exhibitions include Centre Pompidou, Paris (1994), Museum of Contemporary Art, Chicago, The New Museum of Contemporary Art, New York (1997), MoMA, Oxford, the Scottish National Gallery of Modern Art, Edinburgh (1998), Tate Britain, London (2000) Hamburger Kunsthalle, Kunstmuseum Bonn, Magasin 3, Stockholm (2004), Museum of Contemporary Art, Sydney (2005) and Palazzo Querini Stampalia in the context of the Venice Biennale (2009).

2003 Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL 10 Floridians, Miami Art Central, Miami, FL Inside / Outside: Contemporary Cuban Art, Charlotte and Philip Hanes Art Gallery in Scales Fine Arts Center, Wake Forest University, Winston - Salem, NC A Matter of Facts, Nicole Klagsbrun Gallery, New York, NY Latin American Art, Palazzo Mediceo, San Leo, Italy Social Strategies: Redefining Social Realism, The University Art Museum, University of California, Santa Barbara, CA Social Strategies: Redefining Social Realism, University Galeries, Ilinois State University, Normal, IL Social Strategies: Redefining Social Realism DePauw University Art Gallery, Greencastle, IN Paradise Lost?

American Art of the 80's, curated by Gabriella Belli and Jerry Saltz, Palazzo delle Albere, Trento, Italy A Passion for Art: Watercolours and Works on Paper, Tony Shafrazi Gallery, New York, NY Closet No. 9, Queens Museum of Art, Flushing, NY Just What Is It That Makes Today's Home So Different, So Appealing, The Hyde Collection, Glen Falls, NY The 1980's; A Selected View From the Permanent Collection, Whitney Museum of Fine Art, New York, NY Metropolitan Home Showhouse 2, New York, NY To Benefit Fashion Moda, Brooke Museum of Art, New York, NY Children in Crisis, A Benefit Exhibition, Lorence Monk Gallery, New York, NY

Notable exhibitions of Chung's work in recent years include the solo exhibition Painting Archeology at the Musée d'Art Moderne et Contemporain, Saint - Etienne Métropole, France in 2011; From All Sides: Tansaekhwa on Abstraction at Blum & Poe Gallery, Los Angeles in 2014; and Dansaekhwa at the Palazzo Contarini - Polignac, Venice, Italy in 2015.

Her work has been shown at the New Art Exchange (Nottingham), Victoria & Albert (London), Arnolfini (Bristol), National Portrait Gallery (London), IKON gallery (Birmingham), Centre de Cultura Contemporània de Barcelona (Barcelona), Art Dubai (Dubai), Centre d'Art Contemporain (Geneva), Palazzo Papesse (Siena), and this year she will be presenting a new commission at the 56th Venice BiGallery (London), IKON gallery (Birmingham), Centre de Cultura Contemporània de Barcelona (Barcelona), Art Dubai (Dubai), Centre d'Art Contemporain (Geneva), Palazzo Papesse (Siena), and this year she will be presenting a new commission at the 56th Venice Bigallery (Birmingham), Centre de Cultura Contemporània de Barcelona (Barcelona), Art Dubai (Dubai), Centre d'Art Contemporain (Geneva), Palazzo Papesse (Siena), and this year she will be presenting a new commission at the 56th Venice Biennale.

Ai has received numerous arts and humanitarian awards, and his work in sculpture, video, photography, and installation has been the subject of solo exhibitions at museums worldwide, including the Mori Art Museum, Tokyo; Haus der Kunst, Munich; Tate Modern, London; Kunsthaus Bregenz, Bregenz; Hirshhorn Museum, Washington, DC; Art Gallery of Ontario, Toronto; Perez Art Museum, Miami; Martin - Gropius - Bau, Berlin; Brooklyn Museum, Brooklyn; Helsinki Art Museum, Helsinki; Royal Academy of Arts, London; Musée du Louvre, Paris; National Gallery of Victoria, Melbourne; Andy Warhol Museum, Pittsburgh; and Palazzo Strozzi, Florence.

Legends Altered: Maps as Method and Medium, Carrie Secrist Gallery, Chicago, Illinois Sequence 1: Painting and Sculpture from the Francois Pinault Collection, Palazzo Grassi, Venice, Italy (cat.)

Keith Haring — Eki Museum, Kyoto, Japan, Kurashiki City Museum, Kurashiki, Japan, Iwaki City Museum, Iwaki, Japan, Isetan Museum, Tokyo, JapanKeith Haring Sculptures — Pacific Design Center, Los Angeles, California, United States, Museum of Science and Industry, Chicago, Illinois, United StatesKeith Haring: A Retrospective — City Gallery, Wellington, New ZealandOne Person Show — Galerie Jerome de Noirmont, Paris, FranceKeith Haring — Musee Maillol, Paris, FranceOne Person Show — Katonah Art Museum, Katonah, New York, United StatesOne Person Show — Peter Gwyther Gallery, London, EnglandOne Person Show — Casino Knokke, Knokke, BelgiumOne Person Show — Museum of Contemporary Art, Scottsdale, Arizona, United StatesOne Person Show — Deitch Projects, New York, New York, United StatesKeith Haring in Pisa — Palazzo Lanfranchi, Pisa, Italy

2005 African Queen, The Studio Museum in Harlem, New York, NY Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum, Houston, TX Earth and Memory: African and African American Photography, Elizabeth Stone Harper Gallery, Presbyterian College, Clinton, SC Identità & Nomadismo, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy (catalogue) Male Desire Two, Mary Ryan Gallery, New York, NY

The McCoys» work has been widely exhibited in the US and internationally - their exhibitions include the Pompidou Center, the Museum of Modern Art in New York, BFI (British Film Institute) Southbank in London, Hanover Kunstverein, The Beall Center in Irvine, CA, pkm Gallery in Beijing, The San Jose Museum of Art, Palazzo della Papesse, The Addison Museum of American Art, The Sundance Film Festival, and Artists Space in New York.

Schutter has had solo exhibitions at The Museum of Contemporary Art, Chicago; the Gemäldegalerie Berlin, Germany; the National Gallery of Modern Art, Scotland; Istituto Centrale per la Grafica, Palazzo Poli, Rome; and with Sikkema Jenkins & Co., New York; Rhona Hoffman Gallery, Chicago; and Aurel Scheibler, Berlin, Germany.

, Whitechapel Gallery, London, (2013); The Encyclopedic Palace, the 55th Venice Biennale, (2013); The Residue of Memory, Aspen Art Museum, Aspen, CO (2012); 10000 Lives, Gwangju Biennale, Korea (2010); Skin Fruit, New Museum, New York (2010); Fare Mondi / Making Worlds, 53rd Venice Biennale, (2009); Fractured Figure, Deste Foundation Centre for Contemporary Art, Athens (2007); Sequence 1, Palazzo Grassi, Venice, Italy (2007); and Of Mice and Men, 4th Berlin Biennial for Contemporary Art (2006).

Represented by Galerie Stadler in Paris and the Martha Jackson Gallery in New York, she completed numerous public commissions around the world including the gates of the Palazzo Venier dei Leoni in Venice (now the Peggy Guggenheim Collection, Venice, Italy).

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

Cravo Neto exhibited internationally in leading museums and galleries, and festivals, among them the Palazzo Fortuny, Venice in 1988, Daros - Latin America Collection in 2003 and Rencontres d'Arles in 2005.

1999 National Drawing Invitational (7th Biennial), Arkansas Arts Center, Little Rock, AR Abstraction A Tradition of Collecting in Miami, Center for Fine Arts, Miami, FL O'Hara, Bluhm and Goldberg: un poeta e due pittori a new york degli anni» 50, Centro per l'Arte Contemporanea di Palazzo Rocca, Livorno, Italy The Forty - fifth Biennial: The Corcoran Collects, 1907 — 1998, Corcoran Gallery of Art, Washington, DC In Memory of My Feelings: Frank O'Hara and American Art, The Museum of Contemporary Art, Los Angeles, CA Historically Speaking, UAM: 25 Years of Excellence University Art Museum, California State University, Long Beach, CA

The project took place at A plus A Gallery, an exhibition venue in the heart of Venice (close to the Palazzo Grassi).

He has participated in group exhibitions in major museums and galleries worldwide, including the Kunsthaus Zürich; Orangerie Herrenhausen, Hannover; Whitebox, New York; Palazzo Reale, Milan; Martin - Gropius - Bau, Berlin; El Espacio Aglutinador, Havana, Cuba; The Israel Museum, Jerusalem; Tel Aviv Museum of Art; Museum on the Seam, Jerusalem; and CCA Andratx, Mallorca.

This exhibition later travelled to Venice, Centro di Documentazione di Palazzo Fortuny; Turin, Castello di Rivoli Museo d'Arte Contemporanea; Stockholm, Moderna Museet; Prato, Museo d'Arte Contemporanea; Manila, Residence of Embassador Negroponte; Prato, Museo Pecci Prato; Turku, Finland, Turun Taidemuseo; Brussels, Palais des Beaux Arts; Tel Aviv, Tel Aviv Museum of Art; Barcelona, Fundació Joan Miró; Vienna, KunstHausWien; Sydney, Museum of Contemporary Art; Perth, Art Gallery of Western Australia; Wellington, New Zealand, City Gallery Wellington; London, Hayward Gallery; Dublin, Gallery of Photography; São Paulo, Museo de Art Moderna and Stuttgart, Staatsgalerie.

Kunsthalle Winterthur, Winterthur, Switzerland (2016); Fashioned to a Device Behind a Tree, Camden Arts Centre, London, UK (2015); Drawing Biennial, Drawing Room, London (2015); Cathedral, AV Festival, NGCA, Sunderland, UK (2013); PROJECT, Maureen Paley Gallery, London, UK, (2013); Curiosity: Art & the Pleasure of Knowing, Hayward Touring UK (2013); Alternating Layers of Contrasting Resistance, Rowing, London, UK (2013), Solo Presentation, Art Rotterdam, Rotterdam, The Netherlands (2013), The Little Man of the Forest With the Big Hat, Federica Schiavo Gallery, Rome, Italy (2013); Cyclorama, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico (2013); Relatively Absolute, Wysing Arts Centre, Cambridge; The Little Man of the Forest With the Big Hat, MCZ - Museo Carlo Zauli, Faenza, Italy (2012); An Arrangement of the Materials Ejected, Spacex, Exeter (2011); To See an Object to See a Light, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy, (2011); Vedere un oggetto, vedere la luce, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy (2011); Sentinel - PPS / / Meetings # 4, Palazzo Riso — Museo d'Arte Contemporanea della Sicilia, Palermo, Italy (2011); SI - Sindrome Italiana, Le MagasinCentre National d'Art contemporain de Grenoble, France (2010); Catastrophe?

2016 Bob Dylan: The New Orleans Series, New Orleans Museum of Art, Louisiana, USA 2016 Face Value, Kent State University Museum, Kent, Ohio, USA 2016 Face Value, Kunstsammlungen Chemnitz, Chemnitz, Germany 2015 Face Value, Butler Museum, Youngstown, Ohio, USA 2014 Bob Dylan, CAMERIMAGE, Tumult Gallery, Toruń, Poland 2014 Face Value, Museum of National History, Copenhagen, Denmark 2013 Revisionist Art, Gagosian Gallery, New York, NY, USA 2013 Mood Swings, Halcyon Gallery, London 2013 Bob Dylan: Face Value, The National Portrait Gallery, London 2013 The New Orleans Series, Palazzo Reale, Milan 2011 The Asia Series, Gagosian Gallery, New York 2010 The Brazil Series, Statens Museum for Kunst, Copenhagen 2010 The Drawn Blank Series, Accademia Albertina delle Belle Arti, Turin, Italy 2010 The Drawn Blank Series, Asahi Exhibition Centre, Roppongi, Tokyo 2010 Bob Dylan on Canvas, Halcyon Gallery, London 2009 The Drawn Blank Series, Halcyon Gallery, London 2009 The Drawn Blank Series, Edinburgh City Centre 2008 The Drawn Blank Series, Halcyon Gallery, London 2007 The Drawn Blank Series, Kunstsammlungen Chemnitz, Germany

As experienced commissioners of large - scale contemporary art the Lisson Gallery brought together a range of major pieces by 19 artists, both inside and outside the historic Venetian Palazzo Franchetti.

Electronic Renaissance, Palazzo Strozzi, Florence 2016 Bill Viola and the Moving Portrait, National Portrait Gallery, Washington DC Mary, St. Paul's Cathedral, London (permanent installation) 2015 Inverted Birth, James Cohan Gallery, New York Moving Stillness (Mt. Rainer), 1979, Blain Southern, London The Talking Drum, Blain Southern at The Vinyl Factory Space at Brewer Street Car Park, London Artist Rooms, The Wilson, Cheltenham Art Gallery and Museum, Gloucestershire Bill Viola, Yorkshire Sculpture Park, West Yorkshire Bill Viola: Selected Works, Art Gallery of South Australia, Adelaide Bill Viola: Kukje Gallery, Seoul 2014 Martyrs (Earth, Air, Fire, Water), St. Paul's Cathedral, London (permanent installation) Bill Viola: Passions, Kunstmuseum Bern and at the Cathedral of Bern Bill Viola, Grand Palais, Paris Bill Viola — en dialogo, Real Academia de Bellas Artes de San Fernando, Madrid Bill Viola: Transformation, Faurschou Foundation, Beijing

Exhibitions include «Illuminations d'eau» (directed and choreographed by Robert Castle, with a creative reconstruction of fragments of the (now lost) original score by Willy Merz) at the Fondazione Mario Merz, Turin (2008); «The solitary body», Riccardo Costantini Gallery, Turin (2013); «Glasstress 2011», 54th Esposizione Internazionale d'Arte, Venice Bienale, on display at the Palazzo Cavalli Franchetti and the Berengo Centre for Contemporary Art and Glass on Murano.

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

© Palazzo Grassi, ph: Fulvio Orsenigo © Florian Pumhösl, Courtesy the artist and Miguel Abreu Gallery, New York