CHARLES MARY KUBRICHT Disruptive Pattern # 7, 2011
Paper on velvet 9 1/2 x 44 1/2» Courtesy of the artist Value: $ 5,500 / Minimum bid: $ 2,750
Not exact matches
The background
on paper is usually white, rather than the deep purpley
velvet of the celestial sphere.
I took the blue
velvet lining out and replaced it with this wrapping
paper I had
on hand using a little homemade mod podge.
It featured highly creative spelling
on a dozen pages stitched together and bound in
velvet paper.
18x22, Artist printed
on Velvet Fine Art
Paper, framed with art glass.
Lithographs
on Somerset 300gsm
velvet white
paper.
ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut
paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and
velvet on paper; number 16 from an edition of 20 unique variations).
Joseph Cornell (1903 - 1972) Untitled (Fanny Ward) signed and dated «Joseph Cornell 1945» (
on a
paper label affixed to the reverse) wood box construction — wood, printed
paper collage, paint, glass, clay pipe, black and white photo and
velvet 10 1/2 x 13 1/8 x 2 in.
PARKINSON, Norman Young
Velvets, Young Prices, Hat Fashions, 1949 16 x 20 inche Chromogenic print
on Fuji Crystal Archive
paper; printed later
PARKINSON, Norman Young
Velvets, Young Prices, Hat Fashions, 1949 16 x 20 inches Chromogenic print
on Fuji Crystal Archive
paper; printed later
Digital printing in brown
on Somerset Enhanced
Velvet «
paper.
She does this through a mix of her stunning photography and authoritative command of a personal vocabulary of pastels and paint
on black
velvet and black
paper.
gouache
on paper, approx. 11x15» each, with wooden stand and
velvet sandbags.
Prints
on archival
Velvet Fine Art
Paper and with Ultrachrome K3 state - of - the - art archival pigment inks inks available for purchase.
The project is a series of hand painted mixed media prints of found scanned cigarette packs
on Somerset
Velvet Paper with deckle edges.»
Graphite
on paper,
velvet.
Oil, acrylic, 24 k. gold leaf,
velvet, stickers,
paper, ink and plastic thumb tacks
on cotton and microfiber suede.
The photograph is printed
on beautiful archival Epson
Velvet Fine Art
Paper, framed with glass and white wood.
Digital pigment & silkscreen
on Somerset
Velvet paper 18» x 14», fr.
Printed and colored
papers, decorative foil, screenprinted mirror fragments,
velvet - wrapped buttons, metal trinkets, and cellophane
on masonite
ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut
paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and
velvet on paper; Number 12 from an edition of 20 unique variations, plus five artist's proofs and four printer's proofs.).
Images (left to right): Khusraw at Shirin's palace, miniature from a manuscript of the Khamsa of Nizami, Tabriz (Persia), late 15th century, ink and pigments
on paper, The Keir Collection of Islamic Art
on loan to the Dallas Museum of Art; Rock crystal ewer, Egypt, late 10th — 11th century, Fatimid, mounts by Jean - Valentin Morel, Sèvres (France), 1854, rock crystal with enameled gold mounts, The Keir Collection of Islamic Art
on loan to the Dallas Museum of Art; Textile fragment, Persia, c. 1600, Safavid,
velvet, brocaded silk, and metal thread, The Keir Collection of Islamic Art
on loan to the Dallas Museum of Art
Daisy Craddock Black
Velvet Apricot (Guido's), 2016 Oil pastel and oil stick
on Arches
paper Each 12 x 12 in; framed, 15 x 28 x 1 1/2 in DC050
Mel Bochner's oil
on velvet painting Ha, Ha, Ha (2010), estimated at $ 20,000 to $ 30,000, is sure to be a crowd favorite, as is a pencil -
on -
paper drawing by British artist Ewan Gibbs titled San Francisco (2010), estimated at $ 10,000.
WILLIAM VILLALONGO, Detail of «Olympia's Window,» 2015 (acrylic,
paper and
velvet flocking
on wood panel).
Ellen Gallagher (b. 1965) Deluxe A portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut
paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and
velvet on paper each: 13 x 10 1/2 in.
Suite of 9 archival digital prints
on Epson Somerset
Velvet 255gsm
paper, 1/4, each print 23 x 23 inches.
William Villalongo, Zebra, 2012, acrylic,
velvet flocking, and
paper on wood panel, 69 x 141 inches.
In the background, a series of seven nymph images executed in 2012 with acrylic and
velvet flocking
on paper by William Villalongo.
Wrap up small boxes in glitzy foiled
paper tied with satin or
velvet ribbons and set out
on side tables.