Sentences with phrase «paris biennale»

Some awards: 1959 Sculpture Prize, First Paris Biennale;»91 Henry Moore Grand Prize; Knighted» 87; Order of Merit 2000.

Felim Egan represented Ireland at the Paris Biennale in 1980 and the Sao Paulo Biennale in 1985, and has enjoyed more than 55 solo shows throughout Europe and the USA since 1979.

He was awarded the Prix des Jeunes Artistes at the 1963 Paris Biennale.

In 1965 she represented Ireland at the Paris Biennale and exhibited at ROSC» 84.

In 1963, he was represented at the Paris Biennale, and in 1964 his work was included in the Pop Art exhibition shown at the Hague, Vienna and Berlin.

In 1969, Nakahira participated in the Sixth Paris Biennale, and in the same year he received the Newcomer Award from the Japanese Photography Critics» Association.

Yossi Milo Gallery presents Circulation: Date, Place, Events using the Seventh Paris Biennale as inspiration.

He represented Ireland in the 1973 Paris Biennale.

Important solo exhibitions include the Paris Biennale (1975), the Museum of Contemporary Art Chicago (1977; 1978; 1985), the Stedelijk Museum (1986), the Museo Reina Sofía (1997; 2006), and the Whitney Museum of American Art (2007).

His work was included in many international exhibitions organized by The British Council, including the Paris Biennale and «British Painting and Sculpture 1940 to 1970» at The National Gallery of Art, Washington, DC, 1970.

He represented Ireland at the Paris Biennale in 1963.

In 1959 he showed at the Paris Biennale for young artists, and was awarded a prize for sculpture.

He exhibited works at the 1959 Paris Biennale and associated himself with the new art group ZERO.

Following his enormously successful first one - man exhibition at the Waddington Galleries in London in 1958, Trevor Bell was awarded the Paris Biennale International Painting Prize and an Italian Government Scholarship.

His work was included in the Venice Biennale in 1966 and 1982, and Documenta IV in 1968, and he was awarded the International Sculpture Prize at the 1963 Paris Biennale and the VII Bienal de São Paulo in 1965.

During this period, in addition to amassing international awards including the 1967 Prize for Painting at the Paris Biennale, Foulkes played drums in the bands City Lights and The Rubber Band, culminating in 1979 with his Machine, a one - man band constructed of car horns and percussion instruments.

He has exhibited extensively throughout Europe and the USA and his work has been screened in many exhibitions and film festivals including: Paris Biennale No. 8 (Paris, 1973), Arte Inglese Oggi (Milan, 1976), Une Histoire du Cinema (Paris, 1976); Documenta 6 (Kassel, 1977); X-Screen at the MUMOK, (Vienna, 2004); Behind the Facts.

Exhibitions include the Paris Biennale (1975), the Venice Biennale (1984), Documenta (1987), the Canadian Biennial at the National Gallery (1989), the Sydney Biennale (1990), the Montreal Biennale (1998) and Threshold at The Power Plant, Toronto (1998).

Llyn Foulkes's career can be traced from his First Award for Painting at the Fifth Paris Biennale in 1967, through his participation in the legendary Helter Skelter (1992) exhibition at the Museum of Contemporary Art, Los Angeles.

The artist's first Bende elastiche were exhibited at the IX Paris Biennale in 1975.

A scholarship from the National Arts Foundation allowed her to travel to Paris as one of the young Argentine artists featured in Pablo Curatella Manes and Thirty Argentines of the New Generation, a 1960 exhibit organized by the prominent sculptor and Paris Biennale judge.

In 1967 he exhibited at the Paris Biennale and participated in the shows of Nuova Tendenza.

Beckley's works have also been exhibited at the Solomon R. Guggenheim Museum, the International Center for Photography, and the Paris Biennale.

He represented Britain, along with Stephen Farthing and Bill Woodrow, in the Paris Biennale in 1982, and again in 1990 at the Venice Biennale, for which he was awarded Premio Duemila.

So then I made a second collection for the Paris Biennale.

He fled the country for Paris, where he made the second work — this time with government sanction — for the Paris Biennale.

Beckley's works have been exhibited widely both in the US and internationally, including exhibitions at the Museum of Modern Art, the Solomon R. Guggenheim Museum, the International Center for Photography, the Whitney Biennial (1979), and in Europe at Documenta (1976), the Paris Biennale (1973) and the Venice Biennale (1975).

As a direct result of this action, the Whitney raised its quota of women by 20 % and this indirectly affected later events such as the Paris Biennale 1975, which included 25 women, and the Hayward Annual 1978, where all the organisers and a majority of the exhibitors were women.»

1978 Tokyo Gallery Exhibition, Tokyo Gallery, Tokyo, Japan Testimony of Age; Paris Biennale» 59 -» 73, Contemporary Art Where it is heading, Sezon Museum of Art, Tokyo, Japan Shapes of Chairs from Design to Art, The National Museum of Art, Osaka, Japan

catalogues of international solo and group exhibitions and international biennials, including the Paris Biennale, Mercosul Biennial (Brazil), and the Slovenian Triennial of Contemporary Art;

This exhibition alone reconnects us to the First Paris Biennale in 1959, New London Situation, at the New London Gallery in 1961, the British Pavilion of the XXXIII Venice Biennale in 1966, his retrospective at the Tate Gallery in 1973, and The Sixties Art Scene in London, at the Barbican Art Centre in 1993.

And, since 1950, he'd been winning all sorts of medals and purchase awards, capped by the Rodin Museum prize at the first Paris Biennale, held at the Musee d'art Moderne de la Ville de Paris in 1959.

Not exact matches

She writes about the most exclusive jet - set destinations such as Cannes, Venice Film Festivals, Monaco Grand Prix, Oscar Parties in LA, Fashion Weeks in Milan or Paris as well as yacht parties in St - Tropez, Miami Art Basel, Biennale in Venice, Frieze in London or the Royal Wedding in Monaco.

Selections from Biennale de Paris award winner Francisco Salazar, mathematical precision pieces from Italy - based Victor Lucena and experiments with monochromatic red paintings by Bernard Aubertin are also a part of this impressive collaboration.

Critical consensus formed quickly around «Viva Arte Viva,» the exhibition that Christine Macel, chief curator of the Centre Pompidou in Paris, has mounted at the 57th Venice Biennale.

He has also participated at group exhibitions at the following institutions: The Hammer Museum, Los Angeles, California (2014); The National Museum of Norway, Oslo, Norway (2014); The New Museum, New York, United States (2013); The Palais de Tokyo, Paris, France (2012), among many others.He has participated in various biennials, including: The Sharjah Biennial 12, Sharjah, United Arab Emirates (2015 & 2007); The 30th Biennial of Graphic Arts, Ljubljana, Slovenia (2013); The XIV International Biennial of Sculpture, Carrara, Italy (2012); The 9th Gwangju Biennale, Gwangju, South Korea (2012); Whitney Biennial, New York, United States (2006); Sao Paulo Biennial, Sao Baulo, Brazil (2006); 2nd Guangzhou Trienal, Guangzhou, China (2005); The 50th Venice Biennale, Venice, Italy (2003 & 1999); The 7th International Istanbul Biennial, Istanbul, Turkey (2001), among others.

Solo exhibitions include the Museum of Modern Art in Paris (1986), Kunsthalle in Bern (1989), Van Abbemuseum in Eindhoven (1990, 1997), the Belgian pavilion at the Venice Biennale (1993), the Haus Lange und Haus Esters in Krefeld (1995) and a major retrospective Museum M in Leuven (2009).

He has participated in major exhibitions including My East is Your West, a collateral event at the 56th Venice Biennale (2015); Mohatta Palace Museum, Karachi (2013); Cornerhouse, Manchester (2011); Asia Society Museum, New York (2009); and Musée Guimet, Paris (2010) among others.

Following its premiere in Mänttä, Potentiality for Love will embark on an extensive world tour, including a show at the Biennale of Sydney in March 2018 and at Galerie Marian Goodman Paris.

Coates has had work featured in exhibitions at the Venice Biennale; The Baltic Centre for Contemporary Art, Gateshead; Arnolfini, Bristol; Lisson Gallery, London and the Pompidou Centre, Paris.

Her work has been exhibited at the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; Jeu de Paume, Paris; and Haus der Kunst; Munich amongst others, as well as important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy.

2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands

Traveled to Kunsthalle Recklinghausen, Recklinghausen, Germany (October — December) and Stedelijk Museum, Amsterdam, the Netherlands (December 1959 — January 1960) Documenta II: Kunst nach 1945, Internationale Ausstellung, Museum Fridericianum, Kassel, West Germany (July 11 — October 11) Premio dell «Ariete: Selezione Biennale di Pittura Internazionale, Gallerie dell «Ariete, Milan (May 8 — 31) Arte nuova: Expositione Internazionale di pittura e scultura, Circolo degli Artisti, Palazzo Granieri, Turin (May 5 — June 15) 26th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington D.C. (January 17 — March 8) New York and Paris: Painting in the Fifties, Museum of Fine Arts, Houston (January 16 — February 8) Accrochage d'Ouverture, Galerie Smith, Brussels (January 7 — 26)

Selected Solo Shows: 2018 Solo show, New Museum, New York (upcoming); 2017 The Aalto Natives, with Erkka Nissinen, curated by Xander Karskens, Finnish Pavilion, 57th Venice Biennale, IT; Solo Show, The Box, Los Angeles, USA; 2014 The Sophisticated Neanderthal, Art: Concept, Paris, France; Hammer Projects: Nathaniel Mellors, Hammer Museum, Los Angeles, CA; 2013 Front Room: Nathaniel Mellors & Jimmy Joe Roche, Baltimore Museum of Art, Baltimore (US); 2012 Recent collaborations before THE SAPROPHAGE, MONITOR, Rome Ourhouse, Episode 3 — The Cure of Folly, Malmö Konsthall, C - salen, Malmö, Ourhouse, Episode 3 feat.

His work has been included in numerous exhibitions at venues including KOP, Breda, NL; Athens Festival, GR; Palais de Tokyo, Paris, FR; 54th Venice Biennale, Venice, IT; The De La Warr Pavilion, Bexhill, UK; The Grand Palais, Paris, FR; Guido Costa Projects, Turin, IT; The Embassy Gallery, Edinburgh Scotland; and The BALTIC Centre for Contemporary Art, Newcastle - Gateshead, UK.

Monir Farmanfarmaian first received significant attention in 1958, when she was awarded a gold medal for her work in the Iranian Pavilion at the Venice Biennale, leading to exhibitions in Tehran, Paris and New York.

His work has been presented worldwide, featured in Documenta V, Kassel, Germany, and at exhibitions in Sao Paolo, Berlin, Zurich, and in the 9th Biennale de Paris.

Recent group exhibitions include Jerwood Space, London, Royal Academy of Arts, London, Neuberger Museum of Art, New York, Australian Centre for Contemporary Art, Melbourne; Tintype, London, Centre Georges Pompidou, Paris; the Venice Biennale; National Portrait Gallery, London; and the 2012 Guangzhou Biennale in China.

Sandro Chia has exhibited widely including three different iterations of the Venice Biennale, as well as the Biennale of Paris and San Paolo.

After returning to Poland in 1951, Szapocznikow represented Poland in the 1962 Venice Biennale, thereafter moving back to Paris, fully formed, at a historically vital time, when artists from Marcel Duchamp to Yves Klein were simultaneously developing pivotal territories propelled out of Formalism.