Sentences with phrase «parisian avant»

Hailed by poet and critic Guillaume Apollinaire as the paragon of a Renaissance man, Savinio was not only an exceptional visual artist and member of the Parisian avant - garde, -LSB-...]

Upon his return to New York in 1909, Weber conveyed his firsthand knowledge of the Parisian avant - garde to the burgeoning circle of American modernists gathering around Alfred Stieglitz (American, 1864 - 1946).

The San Francisco Museum of Modern Art received the first - place prize for outstanding thematic exhibition for its show «The Steins Collect: Matisse, Picasso, and the Parisian Avant - Garde.»

Richard Saltoun is delighted to present this key figure of the Parisian avant - garde.

More than the simplified conceptions of the artists — Calder, the ingenious extrovert who commanded the Parisian avant - garde and set the simplicity of abstraction in motion; and Smith, the man of iron isolated on a mountain top, a constructor of enigmatic, wildly diverse ciphers who gave three - dimensional form to the Abstract Expressionist generation — the exhibition, enriched by the dialogue between these two modern masters, sheds light on the deeper complexities of their achievements.

The exceptional path of a woman who defied the social norms of her time to join the Parisian avant - garde.

Paule Vézelay (1892 - 1984) was born in England, but by the 1930s had become an active member of the Parisian avant - garde after moving to France and adopting the name Paule Vézelay.

Both artists stand as iconoclasts in the history of painting and cut their teeth as countercultural figures; Dubuffet in his Parisian avant - garde and Poons in the rough and tumble downtown scene of New York in the 1960s.

The Steins Collect: Matisse, Picasso and the Parisian Avant - Garde: Paintings, sculpture, works on paper and ephemera.

Recent award - winning shows include The Steins Collect: Matisse, Picasso, and the Parisian Avant - Garde in 2011 - 12 (recipient of the Dedalus Foundation's inaugural Exhibition Catalogue Award) and Matisse: In Search of True Painting in 2012 - 13.

«The Steins Collect: Matisse, Picasso and the Parisian Avant - Garde.»

Even then, it had little impact on the general public, although it impressed numerous contemporaries, and by 1900 (partly due to the fact that his work was so rarely seen) he had acquired a legendary reputation among members of the Parisian avant - garde - notably Picasso, who used Cezanne's style of Post-Impressionist painting as a key building block in the development of Cubism.

The parallel Parisian avant - garde style of Fauvism (1905 - 08) merely underlined the effect of colour with works like Red Studio (1911, MoMA, NY) by Henri Matisse.

During her long and fruitful life Sonia Delaunay (1885 — 1979) became a key figure within Parisian avant - garde circles as well as an important abstract artist.

In «Café Dolly» the powerful paintings of the mature Willumsen can be experienced along with paintings by two of the 20th and 21 century's most significant artists: The Franco - Spanish Francis Picabia, who was Willumsens's contemporary and one of the leading figures in the Parisian avant - garde, and the living American Julian Schnabel (b. 1951), a headliner in the 1980s new painting and a successful film director.

This exhibition, which was widely acclaimed at the Solomon R. Guggenheim Museum in New York, examines the return to order in its key manifestations: the poetic dream of antiquity in the Parisian avant - garde; the politicized revival of the Roman Empire under Benito Mussolini; the functionalist utopianism of International Style architecture that originated at the Bauhaus; and, ultimately, the chilling aesthetic of nascent Nazi society.

He knew most of the Parisian avant - garde, including Jean Metzinger, Albert Gleizes, Juan Gris, Pablo Picasso, Lugné - Poe and his theatrical circle, the poets Guillaume Apollinaire, Paul Fort, and Max Jacob, and author Jules Romains.

For «The Steins Collect: Matisse, Picasso, and the Parisian Avant - Garde» — which went from the San Francisco Museum of Modern Art to the Metropolitan Museum of Art in New York to the Grand Palais in Paris — the three main curators met in each of their respective cities on a regular basis for years to pull it all together.

It traces Ray from his artistic beginnings in New York through to his central role in the Parisian avant - garde, where he featured in the first Surrealist exhibition with Jean Arp, Max Ernst, André Masson, Joan Miró, and Pablo Picasso and produced such now iconic works as Noire et blanche and Le Violon d'Ingres.

Saul is currently a co-curator of the exhibition Berthe Weill: Radical gallerist of the Parisian avant - garde to be held at the Grey Gallery, NYU in 2019.

Both of Klein's parents were painters and were active in the Parisian avant - garde, and he followed in their footsteps, attending the École Nationale de la Marine Marchande.

There he met Fernand Léger, among other members of the Parisian avant - garde exiled to New York by the German invasion of Paris.

Approximately 50 to 60 paintings from public institutions and private collections will trace the exceptional path of a female painter who, in opposition to the norms of her time and social background, became an important member of the Parisian avant - garde.

As a key figure in the Parisian avant - garde, Sonia Delaunay's (1885 — 1979) vivid and colourful work spanned painting, fashion and design.

If there was a moment that marked the beginning, it might have been the exhibition of the Parisian Avant - Garde which was presented at the Los Angeles County Museum of Art eight years before LACMA even became a singular entity, when it was still part of the Los Angeles Museum of History, Science and Art.

Janet Bishop, Cécile Debray, and Rebecca Rabinow for The Steins Collect: Matisse, Picasso, and the Parisian Avant - Garde.

Some of her favorite past projects include The Steins Collect: Matisse, Picasso, and the Parisian Avant - Garde (2011); 75 Years of Looking Forward: The Anniversary Show (2009); and Robert Bechtle: A Retrospective (2005).

His work hugely impressed his new acquaintances in the Parisian avant - garde to whom he was introduced to by his childhood friend, Georges Limbour — figures including the Surrealist poet Paul Éluard, and the expressionist painter Jean Fautrier.

That display featured works from her long career and wide - ranging practice, from her early period as an active member of the Parisian avant - garde in the 1920s and 1930s, through to her later years back in Britain, leading up to her Tate retrospective exhibition in 1983, the year before she died.

On view at the Phillips Collection through May 2012 and organized by Easton as guest curator with the Van Gogh Museum's Edwin Becker, the Indianapolis Museum's Ellen W. Lee and Eliza Rathbone of the Phillips, «Snapshot» presents 70 paintings, prints and drawings by seven Post-Impressionists who were part of the Parisian avant - garde Nabis group — including Pierre Bonnard, Maurice Denis, Felix Vallotton and Vuillard, as well as the lesser - known artists George Hendrik Breitner, Henri Evenepoel and Henri Riviere — alongside over 200 of their photos, all taken on Kodak's first handheld camera, which was invented in 1888.

Not exact matches

The Molitor has always been an iconic Parisian place, primarily thanks to its 60 - year reign as the most popular swimming pool in the city for its avant - garde ambiance, before becoming the temple of the Parisian underground scene from 1989 to 2012.

Banquet with an avant - garde elegance in the Ballroom's modern take on a Parisian opera house.

Cradled between the city and the V&A Waterfront, De Waterkant Village is avant - garde, a cultural urban refuge highlighted by the abundance of restaurants, art galleries, gay clubs, salsa clubs, tapas bars and Parisian inspired cafés.

The sisters Dr. Claribel Cone (1864 - 1929) and Miss Etta Cone (1870 - 1949) began buying art directly out of the Parisian studios of avant - garde artists in 1905.

There, he continued to be a part of the artistic avant garde and associated with the Parisian Dada and Surrealist circles of artists and writers.

Paris, Fin de Siècle: Signac, Redon, Toulouse - Lautrec, and Their Contemporaries is a new exhibition at The Guggenheim Museum Bilbao that analyses the Parisian art scene, underscoring the most important French avant - garde artists of the late 19th century, particularly the NeoImpressionists, Symbolists, and Nabis.

Derived from a Parisian shop called «La Maison de l'Art Nouveau», owned by the avant - garde art - collector Siegfried Bing (1838 - 1905), the Art Nouveau style originated in the Arts and Crafts Movement in Britain (notably the designs of William Morris)- being also influenced by Celtic and Japanese designs - and was popularized by the 1900 Exposition Universelle in Paris before spreading across Europe and the United States.

Peláez, born in 1896, was a member of the second generation of the Cuban avant - garde, a movement intent, Elliott explains, on marrying Parisian modernism with authentic national subjects.

At this time, of course, any self - respecting avant garde had to be associated with at least one Parisian cafe - in this case, the Cafe Notre - Dame, where, that November, Appel's movement was publicly re-branded as Cobra.

The gallery's interest and focus on the Zagreb Conceptual Art scene stems from a chance encounter between Frank Elbaz and Julije Knifer in Paris, wherein the artist was seminal in introducing the Parisian gallerist to both the Gorgona Group and other Croatian avant - garde artists.

The presence of the Parisian vanguard in New York finally gave young Americans an opportunity to see this firsthand, creating the fertile soil out of which the new American avant - garde grew.

The two Cone sisters began buying art directly out of the Parisian studios of avant - garde artists in 1905.

Guggenheim Bilbao Abandoibarra et.2 48001 Bilbao Spain Curator: Vivien Greene, Solomon R. Guggenheim Museum The Guggenheim Museum Bilbao is pleased to present Paris, Fin de Siècle: Signac, Redon, Toulouse - Lautrec, and Their Contemporaries, an exhibition that analyzes the Parisian art scene, underscoring the most important French avant - gardes of the late 19th century, -LSB-...]

Then Analytical Cubism (1908 - 12)- probably the most intellectual of all the avant - garde movements - which rejected the conventional idea of linear perspective in favour of greater emphasis on the two - dimensional picture plane, scandalizing the arts academies of Europe - along with visitors to the Parisian Salon des Independants and the New York Armory Show (1913)- in the process.