Not exact matches
After visiting «Freeze» and
seeing Hirst's wall spot
paintings «Row» (1988) and «Edge» (1988), Nairne commissioned both Hirst and his fellow «Freeze»
participant Simon Patterson to produce works specifically for the gallery.
My work is about reclaiming, re-visioning and re-presenting
paintings that were created at a time when women were
seen as objects rather than equal
participants in the creative dialog.
Love, whose performances have been
seen at the Whitney Biennial and in Performa 15, will chant and dance around Gustavsson's
paintings — both artists evoke layers of history and refer to the sex club that used to be in
Participant's space.