Sentences with phrase «party scene filming»

Passengers starring Jennifer Lawrence and Chris Pratt is looking for new talent to work on a party scene filming in Atlanta.

«Passengers» starring Jennifer Lawrence casting call for a VIP Party scene filming in Atlanta, Georgia.

Not exact matches

It has been revealed that the Labour party blocked proposals by ITV Wales and BBC Wales to film behind the scenes documentaries at the Assembly.

The Assembly's Presiding Officer has today written to leaders of political parties to inform them that plans to film behind the scenes could not «get unanimous approval» from all of the political parties.

There's a row in the Assembly after a bid to film behind the scenes in the run up to next May's election was blocked by one of the parties

The gentleman who performed said seance was cleaning up but upon seeing this aftermath I could not help but picture the party scene in the film.

Good things tend to come when Michael Winterbottom works with star Steve Coogan (24 Hour Party People, Tristram Shandy, The Trip), so we're happy to see Coogan starring as infamous British pornographer, club - owner, real estate developer, multi-millionaire, and so - called «King of Soho» Paul Raymond in a dramedy that spans decades and includes scenes shot in black - and - white and color, constantly changing to match the film styles of each period.

In his feature film Art Party, Smith builds on his 2011 protest with a mix of performance, interviews and imagined scenes, en route to the 2013 Art Party Conference, where he and other speakers championed the importance of art and its place in the education system.

The film is so explicit (endless swinging parties and porno scenes, more bouncing breasts than a Russ Meyer movie) that it finally becomes the thing it fears.

Sciamma's film doesn't romanticize Marieme's new lifestyle (though there is at least one instant classic party scene set to a Rihanna jam that is super-cool), though it does shine a light on the intensity of female friendships in a way that is deeply heartening.

The metaphorical sentiment of the film is clear: Director Reginald Hudlin, who splashed on the scene with «House Party» in 1990, wants viewers to see Thurgood Marshall as «The Black Superman,» ready to rip out a giant letter «M» on his chest whenever injustice is near.

«That party sequence is why I really wanted to do this film, because I've been to that party,» Kaluuya said of a scene in which Chris politely navigates a series of white strangers whose pleasantries are edged with passive - aggressive racist undertones.

«Life of the Party» is another classic case of a comedy that puts its best stuff in the promos, while the actual film provides very few funny or memorable scenes.

There is a vivid party scene at the middle of Abdellatif Kechiche's sprawling Palme d'Or winner Blue Is the Warmest Color (aka, in France, La Vie d'Adèle: Chapitres 1 et 2) that encapsulates some of the film's strengths and weaknesses.

This scene was par for the course for the majority of Hollywood's existence when it came to trans men and women (see also, Bachelor Party), and is one the film community is only just beginning to buck.

While the subject matter is the stuff that good films are made of, and the quality of the direction and acting are worthy of admiration, where The East fails is in the contrivances involved in the farfetched plotline and the unevenness in the thriller elements (such as a scene in which the cell dresses up to the nines to infiltrate a party for pharmaceutical bigwigs that would feel more at home in a Mission Impossible movie) that undermine what could have been a chilling and realistic story of corporations run amok.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

The first reel of the film is taken up by a big wedding scene, bringing together two token gay characters who hated each other throughout the series and are now inexplicably exchanging vows before the holy vessel of Liza Minnelli — who also performs at the party with a hideous cover of «All the Single Ladies».

Pictures left off in the eleventh hour run the gamut from the revolutionary Inuit banning fable Atanarjuat: The Fast Runner to the birth of the»80s Manchester scene 24 Hour Party People — films tied by a use of digital video that marks the beginning of a new viability for the format.

During the party scenes themselves — the party takes up much of the film's run time — supporting characters are introduced for some comedic value but the laughs never arise.

[Spoiler alert]: The film's climactic scene comes as the defeated daughter (played in the original by Sandra Huller) gives up the pretense of her mechanical corporate life and, by default, winds up hosting her own birthday party fully nude.

Plus, a popular YouTube series is casting background actors for funeral and party scenes, a student film about a fraternity hazing seeks male talent, and a spy movie needs black tie guests.

Rita Ora says she will «never» quit singing for acting.The «How We Do (Party)» hitmaker recently filmed scenes for her role in the upcoming...

Among the guests in the opening party scene are Claude Chabrol and Rivette himself, Jean - Luc Godard is a man at a sidewalk café interviewed by Anne, and Jacques Demy is also supposed be in the film (though I did not spot him myself).

The film reaches its high point in a thirty - minute - long party scene at an abandoned country mansion, set to a string of tunes that evoke the era.

The abrupt party scene is quickly interrupted by a cataclysmic rain of fire, culminating with a giant hellmouth opening up in front of Franco's house, swallowing most of the revelers inside and drastically slowing the film's pace.

This is most egregious in the scenes Churchill shares with his wife Clementine (Kristin Scott Thomas, The Party), which embody many of the film's problems with its own cuteness.

In terms of pure hilarity, the film peaks early, with a sprawling party scene that's really just a parade of inspired cameos.

The few instances where I did laugh in the film, such as the aforementioned «period party» scene, I owe to Gerwig or Kaling.

There are hints of a darker, more interesting film in there (Ultorn's stunning entrance during the party scene which filled with atmosphere, dread and foreboding), but is quickly abandoned in favour for the usual superhero fanfare were any sense of drama or peril quickly evaporates.

«If the camera is in love with all the characters, it seems especially aroused by the women, all of them beautiful, who in the film's frequent party scenes bump, grind, pole dance, and indulge in hot, flirtatious girl - on - girl moves.»

Running time: 129 minutes Studio: Fox Home Entertainment 3 - Disc DVD Extras: Widescreen theatrical feature film, unrated director's cut, Wolverine theatrical trailer, Valkyrie, S. Darko, The Wrestler, Seth MacFarlane's Cavalcade of Cartoon Comedy, commentary by director George Tillman, Jr., screenwriters Reggie Rock Bythewood and Cheo Hodari Coker, and editor Dirk Westervelt, commentary by with Biggie's mom Voletta Wallace, and his manager Wayne Barrow, Behind the Scenes: The Making of Notorious, I Got a Story to Tell: The Lyrics of Biggie Smalls, Notorious Thugs: Casting the Film, Biggie Boot Camp, Anatomy of a B.I.G. Performance, Party & [Expletive](never before seen footage), The B.I.G. Three - Sixty, Directing the Last Moments, It Happened Right Here, The Petersen Exit, The Shooting, The Impala, The Unfortunate Violent Act, The Window, 9 Deleted Scenes, 4 extended / alternate concerts, trailers from: Secret Life of Bees, Gospel Hill and Slumdog Millionaire, digital copy.

Shot with all the expressive minimalism of a Dardennes film, the last quarter of Custody, from the dialogue - free party scene to the violent conclusion, is gripping beyond compare, the only film this year during which I forgot to breathe for a good portion of its running time.

Viewers might find interest in the peculiar casting of secondary roles throughout the film's party scenes.

I'm a little hesitant to go into much detail on the anniversary party scene of Andrew Haigh's 45 Years, as it is the culminating scene of this fine film, but it without a doubt deserves recognition.

(Watch for «L.A. Confidential» author James Ellroy in a party scene early on in Wonder Boys; I presume that Michael Chabon, who wrote Wonder Boys» source novel, will cameo in Hanson's next film?)

The film's climactic birthday party, which reliably brings down the house, takes deliberate self - mortification to a truly hilarious extreme, but Ines» desperate behavior in that scene is a fun - house - mirror reflection of the starkly suicidal impulse she casually mentions to her father earlier on.

The idea is for the filmmaker to make a fictionalized version of his or her own teenage years set in the appropriate period (different in each film) and to include at least one party scene in which pop songs of that era are used.

It's blessed with two excellent lead performances from the actors playing father and daughter (Hüller has a film - stealing scene in which she sings Whitney Houston's «Greatest Love of All» at a party).

«Suck»n Blow: A Tutorial» (2:47) takes us behind the scenes of the Christmas party game that proved to be a challenge to film.

This movie would have been better with a heavier focus on just these two rather than bringing in their SNL entourage, as evidenced by the film's funniest scenes — when Kate helps Maura hit on the neighbor or when they dig through their old bedroom or when they go to the mall to shop for party clothes, in a makeover montage gone wrong, before concluding that they need a little less Forever 21 and a little more Suddenly 42.

Another involves the marital happiness of one of its characters, Simple Simon (O'Dowd, «the IT Crowd») whose relationship and nuptials are barely set up before we have feel - good scenes of partying and marriage, only to follow it up with seeing the young man's heart crushed in a wholly manufactured and not terribly funny gag that his bride (January Jones, We Are Marshall) only is using him to get closer to the object of her obsession, the flamboyantly popular DJ Gavin Cavanagh (Ifans, Garfield 2), is, like many scenes in what is a lengthy film for its type, not only a needless and long side distraction, but there's no payoff in either laughs or carrying forth the themes.

«Tweaking in the USA» (6:12) offers a behind - the - scenes look at the meth house party of the film's latter moments with Shawkat and Rob Corddry giving insight into their characters.

She also let us in on what it was like to film the bachelor party scene in «American Wedding,» what thrill - seeking she likes to do in her downtime and one thing that not many people know about her (the answer may surprise you).

In the meantime, there are numerous enjoyable and touching set pieces, including an off - the - wall nude party scene that perfectly demonstrates why the film is about more than an extended — very extended — prank.

It's blessed with two excellent lead performances from the actors playing father and daughter (Hüller has a film - stealing scene in which she sings Whitney Houston's «The Greatest Love of All» at a party).

«Boogie Nights» also haunts this film's party scenes and instances of porno satire, further clarifying why, for all of its modestly attractive moving parts, «Lovelace» is more of a basic cable presentation than a movie.

Noah wants to meet up with Marisa (Ari Graynor), who he considers his girlfriend, at a party for sex (and not just the one - way kind he provides in the film's Color Me Badd - backed opening scene).

Gatsby's parties are depicted with the kind of circus - like insanity of modern club culture (combined with the bacchanalia of the Moulin Rouge in his prior film), yet the later parts of the film slow down tremendously to allow the characters and scenes time to breathe.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.