Sentences with phrase «past exhibitions curated»

Past exhibitions curated by Mr. Labaco at the High include Recent Acquisitions in Contemporary American Craft (2009 - 2010), Anthony Ames, Architect: Residential Landscapes (2009), A Graceful Industry: Bentwood Furniture (2008), and Toshiko Takaezu: Master Ceramist (2007).

Past exhibitions curated by Schoonmaker at the Nasher include: Street Level: Mark Bradford, William Cordova & Robin Rhode (2007); the 2008 retrospective Barkley L. Hendricks: Birth of the Cool; Big Shots: Andy Warhol Polaroids (2009); The Record: Contemporary Art and Vinyl (2010); Building the Contemporary Collection: Five Years of Acquisitions (2011); Sound Vision: Contemporary Art from the Collection (2014); and the 2013 exhibition Wangechi Mutu: A Fantastic Journey.

Not exact matches

Its impeccably curated exhibitions are frequently hands - on and work to inspire future creativity through an exploration of the past and the best of the present.

The Brooklyn Museum will present «David Bowie Is,» an exhibition curated by the Victoria and Albert Museum in London that has been touring internationally for the past five years and will be showing for the final time in Brooklyn.

Founded in 2003 and based in Somerset House, Candlestar has been instrumental in the creation and direction of the Prix Pictet photography award and touring exhibition, and has curated over 70 exhibitions worldwide in the past five years.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

NEW YORK - «Histories of Sexuality» situates Wynne Greenwood's work in proximity to two programs from the New Museum's past that focused on sexuality and gender in then - recent video works: «HOMO Video: Where We Are Now» (1986 — 87), curated by William Olander, and the video programs associated with Marcia Tucker's «Bad Girls» exhibition (1994), curated by filmmaker Cheryl Dunye.

Past shows include, group exhibition at Marian Goodman Gallery, Paris, 2007; Last Attraction / Next Exit, curated by Neville Wakefield, Max Wigram gallery, London, 2007; Beneath the Underdog, curated by Nate Lowman and Adam McEwan, Gagosian Gallery, New York; Art Positions, Art Basel Miami Beach, Florida, 2006; and Whitney Biennial 2006, Whitney Museum of American Art, New York; Kick the Dog, Herzilya Museum of Contemporary Art, Herzilya, Israel (catalogue), 2005.

Group exhibitions include: The Encyclopedic Palace, 55th Venice Biennale, curated by Massimiliano Gioni, Venice (1 June - 24 November 2013); The American Academy in Rome (2014); everything / nothing, presented at GALLERYSKE, Bangalore (2012); Phantoms of Asia: Contemporary Awakens the Past, curated by Mami Kataoka and Allison Harding (2012); Shadow Lines - Biennale Jogja XI 2011 - Equator # 1: Indonesia meets India, Indonesia (2011); Orientations: trajectories in Indian Art, curated by Deepak Ananth, Foundation «De 11 Lijnen», Belgium (2010); Chalo!

The exhibition, developed on site over a 5 week «open studio» residency, sits somewhere between an exhibition of new works and a curated re-presentation of archive material, utilising objects and images from the building's recent and distant past.

The exhibition curated by Peter J. Marcelle, the exhibition features drawing, painting and sculpture by past and contemporary american realist artists.

, An Adventure in Conceptual Art (2013, Generali Foundation, Vienna, Austria); Gestures of the mind (La Verrière, Brussels); A Universal Exhibition, documentary section (Louvain - la - Neuve biennale, Belgium, 2013), Curated Session # 1: The Dora Garcia Files (Perez Art Museum, Miami, 2014), There was a time in the Past where the Future was Present (Museum of Art and History, Saint - Denis / Paris, 2014), Ma'aminim, The Believers (Tranzitdisplay, Prague, 2015).

In the past decade, she has worked at Art in General, Americas Society and CCS Bard; curated exhibitions for Kadist Art Foundation in Paris, the Museum of Latin American Art of Buenos Aires (MALBA), and the Center for Contemporary Art in Vilnius, Lithuania; and worked closely on projects with a number of artists, including Allora & Calzadilla, Alejandro Cesarco, Mario García Torres, Andrea Geyer, Sharon Hayes, and Judi Werthein.

The exhibition you curated for the Rose Art Museum, «Pretty Raw: After and Around Helen Frankenthaler,» positioned Frankenthaler as «a lens through which to refocus a vision of modernist art over the past sixty years.»

Collective Show presents «Collective Show Los Angeles 2011,» an artist - organized exhibition of contemporary art groups recently established in LA.This collaboratively curated «group show of group shows» features artist - run spaces & projects formed in the past 5 years.

In addition to this major exhibition, in January 2018 her work will be included in an exhibition, The Feminine Sublime, at the Pasadena Museum of California Art and a solo exhibition follows in September 2018 at the Craft and Folk Art Museum, curated by Howard Fox, which will feature a core sample of her work over the past 10 years.

Over the past 11 years, Ralph has curated many acclaimed solo exhibitions by Jeremy Deller; George Condo; Tracey Emin, Ed Ruscha and Carsten Höller.

Posted in Exhibition, Frohawk Two Feathers, Past Comments Off on RECRAFTING HISTORY: history, nostalgia & craft in the American memory, curated by Ellen Caldwell

Recent group exhibitions include: The Other Side, Garage, Moscow, «Infinite City», CCA Wattis Institute for Contemporary Arts, San Francisco, USA 2013, Abstract Possible, Eastside projects, Birmingham curated by Maria Lind, «Gaiety is the most outstanding feature of the Soviet Union,» Saatchi Gallery, London, 2012 - 13; «The Futures of the Past», Kunst Raum Riehen, Basel, Switzerland, 2013, «Red Mansion Prize», RA, London, 2012; «Bloomberg New Contemporaries», London, 2011 and «New Sensations», London, 2011.

Alison McDonaldThe exhibition you curated for the Rose Art Museum, Pretty Raw: After and Around Helen Frankenthaler, positioned Frankenthaler as «a lens through which to refocus a vision of modernist art over the past sixty years.»

During her tenure at the High Museum of Art, Schleuning organized and curated numerous dynamic and acclaimed exhibitions, including serving as co-organizing curator for the nationally touring Iris van Herpen: Transforming Fashion, which broke attendance records at the High Museum of Art, making it the eighth most - attended show; the exhibition was on view this past summer at the DMA.

Faxon has curated numerous collection - based exhibitions that trace the origins of the United States to the present, including On Paper: Masterworks from the Addison Collection (2003), Maurice Prendergast: Learning to Look (2001 — 02), and Referencing the Past: Six Contemporary Artists (1999).

In the past Goodman Gallery has collaborated with independent curators such as Simon Njami and Bettina Malcomess, who curated the US exhibition, part of which was shown at Goodman Gallery Projects at Arts on Main in 2009.

The exhibition is devised and curated by Turner scholar James Hamilton, whose writings on nineteenth - and twentieth - century art have explored the continuing resonance of Turner's life and work across the past 200 years.

Turner Prize - winning artist Mark Leckey has curated an exhibition that explores the magical world of new technology, as well as tracing its connections to the beliefs of our distant past.

Her talk will cover recent projects, referencing events at Cooper Union, while considering the context of social and political issues brought up in a number of exhibitions she curated in the past.

Over the past 14 years Adrian has curated a wide variety of exhibitions including: Ai Weiwei, (2016)(Co-Curated with Tim Marlow); Radical Geometry: Modern Art of South America of the Patricia Phelps de Cisneros Collection (2014)(Co-Curated with Gabriel Perez - Barriero); Mexico: A Revolution in Art, 1910 - 1940 (2013); Modern British Sculpture 2011 (Co-Curated with Penelope Curtis and Keith Wilson); and Anish Kapoor (2009).

The exhibition, curated by Cliff Lauson, was described as «genre - defying» and included works from the past 25 years.

«Current and Past Conversations,» An Exhibition Featuring Works by 21st St. Studios Artists, Curated by Space One Eleven CEO and Co-Founder Peter Prinz

In the past few years, the artist has participated in numerous group exhibitions including Landscapes, Revisited at the Olympic Sculpture Park at the Alvord Art Lab in Seattle, Blind Field at the Krannert Art Museum in Champaign, Illinois and the Broad Art Museum in Michigan, curated by Tumelo Mosaka and Irene Small as well as Ground, Materiality # 2 (Earth) at the Sorø Kunstmuseum in Denmark.

Josh Slater in 2016 BAM Art Auction, auction exhibition at Bridget Donahue Gallery, March 29 - 31, closing reception Thurs, March 31, 7 - 9 pm, https://paddle8.com/auction/bam/ Josh Slater in BYOB (Bring Your Own Beamer), Organized by GInger Shulick Porcella, San Diego Art Institute Project Space, Westfield Horton Plaza, San Diego, CA, Friday, March 25th, http://www.sandiego-art.org/upcoming/byob Rachel Higgins in «MDF Blog,» at Planthouse, NY, Feb 26 - Mar 30, http://planthouse.net/exhibitions/ «Geometric Cabinet» exhibition reviewed by Susan Happersett in Fibonaccisusan.com, http://fibonaccisusan.com/2016/02/23/geometric-cabinet-at-kristen-lorello-gallery/ Bayne Peterson in «Future, Past, Perfect,» curated by Lauren Comito, Ms Barbers, Los Angeles, CA, Feb 13 - Mar 5, msbarbers.com Goldschmied & Chiari in «Constellaciones Gaur,» curated by Fernando Golvano,» Fundacíon Donostia, San Sebastían, Spain, Jan 22 - May 15, http://dss2016.eu/en/voices/1966-gaur-constellations-2016 Scott Alario in «Love 2016,» curated by Rachel Stern, LeRoy Neiman Center for Print Studies, Columbia University, NY, Jan 19 - Feb 19, http://arts.columbia.edu/leroy-neiman-gallery Rachel Higgins in «Drawing for Sculpture,» curated by Courtney Puckett, at TSA, NY, Jan. 8 - Feb. 14, http://newyork.tigerstrikesasteroid.com/tagged/drawing-for-sculpture Giacinto Occhionero at BoCs Artist Residency, Cosenza, Italy, through Jan. 7, https://www.facebook.com/The-BoCs-Live-911458075596750

León de la Barra has curated or cocurated more than a dozen exhibitions in the past decade, at institutions including the David Roberts Art Foundation and the Architecture Foundation, London; Centre de Art Contemporaine, Geneva, and Kunsthalle Zürich; apexart and Art in General, New York; Casa Luis Barragán, Casa del Lago, and Museo Tamayo, Mexico City; Museo La Ene, Buenos Aires; Museu Carmen Miranda, Rio de Janeiro; Beta Local, San Juan; Centro Cultural de España, Guatemala City; Casa Encendida, Madrid, Spain; and Proyecto AMIL, Lima.

Several exhibitions I've curated in the past have had quite poetic, allusive names, such as «How to Endure» at the 2007 Athens Biennale, «Handsome Young Doctor» at Cubitt Gallery, and «Deceitful Moon» at the Hayward Project Space.

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

Past exhibitions include The 2nd International Taipei Biennial, Taipei, Taiwan; 11th Biennale of Sydney, Sydney, Australia; and Cities on the Move curated by Hou Hanru and Hans - Ulrich Obrist.

Posted in Artists, Exhibition, Past, Press Releases, Timothy Hull Comments Off on COVER VERSION curated by Timothy Hull

Her past curated group exhibitions include, I am What I am Not Yet, A Survey of Brooklyn's Moment, Madelyn Jordon Fine Art, 2015; The Space Between, Paul Kolker Collection, 2014; Schiller and Dream within a Dream New Century Artists, 2014; Shrink It Pink It, 80 Artists, Cathouse FUNeral Gallery, 2014; Persona, Colleen Asper and Amy Beecher, 7 Dunham, 2013; and It's Really Normaling, Brian Belott and Eric Hibit, The Greenwich House, 2013.

The White Album, a group exhibition curated by Gladys - Katherina Hernando, opened this past weekend at Richard Telles Fine Art in Los Angeles and features work by Christopher Badger, Kristin Beinner James, Alika Cooper, Eduardo Consuegra, Dan Finsel, Mark Hagen, Daniel Ingroff, Barry Johnston, James Krone, Max Maslansky, Dianna Molzan, Laurie Nye, Fay Ray, Amanda Ross - Ho, Kathleen -LSB-...]

Over the past 12 years he has curated and organised over 50 exhibitions and projects, including solo shows by Simon Starling, Alex Katz, Lily van der Stokker, Henri Gaudier Brzeska, Linder, Albert Oehlen, Carol Bove, Dexter Dalwood, Mark Titchner, Heimo Zobernig, Hans - Peter Feldmann, Barbara Hepworth, Adam Chodzko, Deimantas Narkevicius, Eileen Quinlan, Peter Lanyon and Lucy McKenzie, as well as a number of group exhibitions including: «The Hollows of Glamour»,» This storm is what we call progress», «Pale Carnage», «The Indiscipline of Painting», «The Dark Monarch: Magic and Modernity in British Art» and most recently «Aquatopia: The Imaginary of the Ocean Deep».

Curated by Ben Burdett from Atlas Gallery and Sophie Wright, Head of Culture at Magnum, the exhibition looks deep into the many faces and ideas of Cuba throughout the past 50 years.

Over the past ten years, the Astrup Fearnley Museet has initiated research into and organised exhibitions featuring the young contemporary art scenes in North America (The Uncertain States of America, curated by Daniel Birnbaum, Gunnar B. Kvaran and Hans Ulrich Obrist) China (China Power Station, curated by Julia Peyton - Jones, Gunnar B. Kvaran and Hans Ulrich Obrist) and India (Indian Highway, curated by Julia Peyton - Jones, Gunnar B. Kvaran and Hans Ulrich Obrist).

Curated by Munirah AlSayegh the exhibition centres on new commissioned works that explore the divide between the recent past and contemporary incarnations, examining what lies between those two lives.

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or -LSB-...]

A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.

The show itself is spilt into two separate levels; downstairs is a self - curated retrospective of some of his finest work of the past five years, upstairs contains two installation pieces, one of which created especially for the ICA and is the first solo curation of a show at the venue for Mark Sladen, the ICA's new Exhibition Director.

Under the leadership of Mary Ellen Goeke, Executive Director of FotoFocus; Raphaela Platow, Director of Contemporary Arts Center; and curated by Kevin Moore, Artistic Director of FotoFocus, the program will include an international roster of curators, critics, artists, and art world professionals who will meet for a two - day event on October 23 and 24, 2015, at the CAC, to discuss the significance and implications of the exhibition and Mapplethorpe's career and legacy as these have evolved over the past 25 years.

Curated by Jennifer Olshin, the exhibition features works from the past two decades, and will open on November 30, 2017 and run through January 13, 2018.

A former Director (2000 - 06) of San Francisco's CCA Wattis Institute, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), and Psycho Buildings (2008), an exhibition that included installations by artists such as Mike Nelson, Gelitin and Do - ho Suh.

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale.

Imaginary Arsenals is part of Out of Site, Lower Manhattan Cultural Council's Artist Residency Marks a Decade Downtown, a series of guest curated exhibitions and special events in several locations downtown that explore the program's past and present.