Welcome to
Pastel Pencil Portraits!
Not exact matches
I draw figures and
portraits mostly and my favorite mediums are
pencil, colored
pencil, charcoal,
pastels and any kind of paint.
Using
pencil, crayon, and chalk
pastel on giant sheets of paper, Truong creates
portraits with great detail.
Her
portraits, drawn in charcoal,
pastels, and
pencil, are of two Nigerian families donning stylish contemporary clothes in opulent spaces.
She envisions a pair of fictional aristocratic families in a new series of life - sized charcoal,
pastel, and
pencil portraits.
The works on view are a series of recent charcoal,
pastel,
pencil, and chalk drawings, ranging from wall - sized flower «
portraits» to sketchbook - scale, intricate compositions.
I have never done
portraits or used
pastel pencils before.
I look forward to completing a
portrait with
pastel pencil.
Toyin Ojih Odutola's
portraits drawn in ballpoint pen, charcoal,
pastel,
pencil, and marker examine identity, race, and social concepts of skin color in American society.
Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte,
pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self -
Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic,
pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self -
Portrait Interior (striped robe), 1992 color
pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004
pencil on paper 30 1/2 x 25 inches JVd 52
Benjamin works mainly in oil but also charcoal,
pastel and
pencil and divides his time between still life, plein air impressionism,
portraits, and figure studies.
In A Matter of Fact at San Francisco's Museum of the African Diaspora, Toyin Ojih Odutola presents an elaborately conceived and completely imaginary history of the UmuEze Amara clan, as chronicled in a series of
portrait drawings in
pastel, charcoal, and
pencil.
Using multiple mediums, such as watercolor, acrylic, colored
pencils, wax
pastels and oil paint, Jones»
portraits are technically complex and express a heightened sense of realism.
So - called characters are then immortalised in ink,
pencil or
pastel portraits, a process which serves to question the reality or truth of their derivative image.
At the Corcoran she worked mostly in oils and
pastels, as well as ink and
pencil, and enjoyed painting figures and
portraits.