Sentences with phrase «peinture in»

He is the winner of numerous awards, including the Prize to Excellency at the VII Grand Prix International de Peinture in Cannes, France; a first prize at the IV Pan American Exhibition in Miami, and a first prize at the Sexta Bienal de San Juan del Grabado Latinoamericano in San Juan, Puerto Rico.

In 1990, New Zealand honored him as a Living Treasure for their 150th anniversary and in 1991 he received the International Award for the Best Artist given in Stuttgart, Germany, followed by the Grand Prix National de Peinture in France, 1992.

Although Klein had painted monochromes as early as 1949, and held the first private exhibition of this work in 1950, his first public showing was the publication of the Artist's book Yves: Peintures in November 1954.

Not exact matches

In the art of the last 100 years, pranks and jokes have gone from sophomoric donkey - tail peinture to ever more sophisticated foolery, assuming many of the permutations of art making today: performance, activism, and street art, subversive gestures and in - your - face challenges to the status quIn the art of the last 100 years, pranks and jokes have gone from sophomoric donkey - tail peinture to ever more sophisticated foolery, assuming many of the permutations of art making today: performance, activism, and street art, subversive gestures and in - your - face challenges to the status quin - your - face challenges to the status quo.

Traveled to the Rhode Island School of Design, Providence, Rhode Island (April 30 - May 23, 1965), Museum of Fine Arts, Boston, Massachusetts (June 4 - 27, 1965), Detroit Institute of Fine Arts, Detroit, Michigan (July 9 - August 1, 1965), Minneapolis Institute of Arts, Minneapolis, Minnesota (August 10 - September 5, 1965), University of Illinois, Urbana, Illinois (September 17 - October 10, 1965), City Art Museum of St. Louis, St. Louis, Missouri (October 22 - November 14, 1965), Contemporary Arts Center, Cincinnati, Ohio (November 22 - December 16, 1965), Joslyn Art Museum, Omaha, Nebraska (January 28 - Februrary 20, 1966), Denver Art Museum, Denver, Colorado (March 4 - March 27, 1966), Seattle Art Museum, Seattle, Washington (April 8 - May 1, 1966), Palace of Legion of Honor, San Francisco, California (May 13 - June 5, 1966), Fine arts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in Paris

Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).

Traveled to Blum Helman Gallery, New York (July 13 — August 17); Murray State University, Murray, Kentucky (November — December); Grand Rapids Art Museum, Grand Rapids, Michigan (January 12 — February 25, 1990); University Art Gallery, University of North Texas, Denton (September — October 1990); Richard F. Brush Gallery, St. Lawrence University, Canton, New York (November — December 1990); and the University of Oklahoma Museum of Art, Norman (January 18 — March 3, 1991) Morceaux Choisis 1: Sélections des acquisitions du FRAC de Haute - Normandie 1983 — 1988, Fonds Régionale d'Art Contemporain de Haute - Normandie, Hôtel de Région, Rouen, France (May 9 — June 2) The Linear Image: American Master Works on Paper Since 1939, Marisa del Re Gallery, New York (April 25 — May 27) Emplois du Temps: Exposition de Peinture Contemporaine, Salle des Procureurs du Palais de Justice de Rouen, France (April 21 — May 2) Made in America, Virginia Beach Center for the Arts, Virginia Beach (April 5 — June 11) Methods in Abstraction, Gallery Urban, New York (March 3 — 25) Ronald Bladen the 1950s: Bluhm, Bolotowsky, Held, Mitchell, Youngerman, Washburn Gallery, New York (February 7 — March 12) Important Works on Paper, Meredith Long Gallery, Houston

Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)

Each of these stretched - out paintings (which are made on separate abutting canvases or, in the case of Chemin de Peinture, a long roll of paper) recapitulates nearly the whole of 20th century painting from Constructivism to Abstract Expressionism, Neo-Dada, Minimalism and Neo-Expressionism, but because of the extreme horizontal format, artist and viewer are constantly treading into unknown territory.

AWARDS 1991 Le Grand Prix des Arts (Peinture) of the City of Paris 1989 Award for Painting, French Ministry of Culture 1987 Honorary Doctorate, the School of the Art Institute of Chicago 1973 Brandeis University Creative Arts Awards; Citation in Painting 1971 Honorary Doctorate, Miami University, Oxford, Ohio 1961 Premio Lissone (Lissone Prize), Milan 1947 James Nelson Raymond Foreign Traveling Fellowship from the Art Institute of Chicago

1986 Ringing in the Changes, Fabian Carlsson Gallery, London (November 5, 1986 — January 10, 1987) The 1950s: American Artists in Paris, Part III, Denise Cadé Gallery, New York (November 4 — December 15) Couleurs de l'Ombre: Peintures Modernes de Grands Formats, Chapelle de la Sorbonne, Paris (September 24 — October 26) Un Musée éphémère: Collections privées françaises, 1945 - 1985, Fondation Maeght, Saint - Paul - de-Vence, France (July 5 — October 5) Paintings, Sculpture, Collages, and Drawings, Janie C. Lee Gallery, Houston (March) An American Renaissance: Painting and Sculpture since 1940, Museum of Art, Fort Lauderdale (January 12 — March 30) Drawings, Xavier Fourcade Gallery, New York (January 8 — February 8) The Inspiration Comes From Nature, Part 1, Jack Tilton Gallery, New York (January 7 — February 1)

Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988

In the same fashion Peinture Blanche et Dorée N ° 3 is caught in between being half abstract painting half painted objecIn the same fashion Peinture Blanche et Dorée N ° 3 is caught in between being half abstract painting half painted objecin between being half abstract painting half painted object.

The Independent to Cease Print Edition «Paddington Pole» May be Halved in Height Recommended Reading: Hermann Göring's Inventaire des Peintures Jorvik Museum In Need of # 2 million to Reopen Marc Quinn and White Cube Part Ways Facebook Censors Evelyne Axell Paintiin Height Recommended Reading: Hermann Göring's Inventaire des Peintures Jorvik Museum In Need of # 2 million to Reopen Marc Quinn and White Cube Part Ways Facebook Censors Evelyne Axell PaintiIn Need of # 2 million to Reopen Marc Quinn and White Cube Part Ways Facebook Censors Evelyne Axell Painting

She also took part in the group show Peintures / Paintings in Berlin that same year.

This spirit of collaborative, even playful complicity with her public came shortly after Saint Phalle's inclusion in the Salon de Comparisons: Peinture Sculpture exhibition at the Musée d'Art Moderne de la Ville de Paris.

Whereas earlier works, such as «Peinture 146 x 97 cm, 10 janvier 1951» and «Peinture 195 x 130 cm, mai 1953,» respectively in the collections of MoMA and the Guggenheim, suggest a kind of contradiction between form and space, between the gesture and the surface, between the support and its interior.

David Hockney's oil painting «Bigger Trees Near Warter» (also called Peinture en Plein Air pour l'age Post-Photographique) depicts a scene near Bridlington in Yorkshire.

«His career really began in 1954 with the publication of the artist book Yves Peintures, a series of monochromes that was essentially a parody of a catalogue raisonné.

Galerie Templon presented George Segal's works for the first time in 1979 in Paris, as part of the group exhibition La peinture américaine.

Peinture (1926), with an estimate of # 600,000 - 900,000, belongs to the artist's famed series of «oneiric» or «dream» paintings — an enigmatic group of spectral compositions which the artist began in Paris in 1925.

The exhibition traveled to the Mus?e de Peinture et de Sculpture in Grenoble and was accompanied by a catalogue with an essay by Germano Celant.

Throughout the years, Niele Toroni has remained steadfast in his practice of «Travail - Peinture,» in which the working method of applying paint in imprints of regular intervals delineates what is put on view.

The first Surrealist exhibition, La Peinture Surrealiste, was at Galerie Pierre in Paris in 1925.

Ossorio spent much of 1951 in Paris with Dubuffet, who was writing a monograph on the artist titled Peintures intiatiques d'Alfonso Ossorio.

In June 2007, Hockney's largest painting, Bigger Trees Near Warter or / ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, which measures 15 feet by 40 feet, was hung in the Royal Academy's largest gallery in its annual Summer ExhibitioIn June 2007, Hockney's largest painting, Bigger Trees Near Warter or / ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, which measures 15 feet by 40 feet, was hung in the Royal Academy's largest gallery in its annual Summer Exhibitioin the Royal Academy's largest gallery in its annual Summer Exhibitioin its annual Summer Exhibition.

Pierre Soulages» solo exhibition «Peinture» at Karsten Greve Gallery in Cologne presents presents major «Ultrablack» works from 1997 to 2016 that the Gallery has acquired directly from the artist.

One of the highlights of the exhibition, Le Barrissement de la Peinture (The Trumpeting of the Paint), is a modest nine inches high and features a diaphanous figure gathering apples in a candy - colored landscape.

• Marcel Duchamp, La Peinture, Même at the Pompidou Centre, Paris until 5 January, offers a rare opportunity to see an appraisal of the French - born artist who spent most of his career in America, arriving there in 1915.

The first writers to acquire an individual reputation as art critics in 18th - century France were Jean - Baptiste Dubos with his Réflexions critiques sur la poésie et sur la peinture (1718)[17] which garnered the acclaim of Voltaire for the sagacity of his approach to aesthetic theory; [18] and Étienne La Font de Saint - Yenne with Reflexions sur quelques causes de l'état présent de la peinture en France who wrote about the Salon of 1746, [19] commenting on the socioeconomic framework of the production of the then popular Baroque art style, [20] which led to a perception of anti-monarchist sentiments in the text.

In 1925 the Surrealist writer and poet André Breton declared Picasso as «one of ours» in his article Le Surréalisme et la peinture, published in Révolution surréalistIn 1925 the Surrealist writer and poet André Breton declared Picasso as «one of ours» in his article Le Surréalisme et la peinture, published in Révolution surréalistin his article Le Surréalisme et la peinture, published in Révolution surréalistin Révolution surréaliste.

His works encompasses video, sculpture, drawings, and photography Plateus has been awarded the prize of La Jeune Peinture Belge in 2003 and has published books with Triangle books, Karma, Les Presses du réel, Manor Grunewald to name a few.

In 1951, Ossorio spent much of that year with Dubuffet in Paris at which time Dubuffet published an essay on Ossorio, «Peintures Initiatiques D'Ossorio,» which includes illustrations of some of the works completed in the PhilippineIn 1951, Ossorio spent much of that year with Dubuffet in Paris at which time Dubuffet published an essay on Ossorio, «Peintures Initiatiques D'Ossorio,» which includes illustrations of some of the works completed in the Philippinein Paris at which time Dubuffet published an essay on Ossorio, «Peintures Initiatiques D'Ossorio,» which includes illustrations of some of the works completed in the Philippinein the Philippines.

Kunsthalle Emden; Reggio Emilia, Palazzo Magnani; Giverny, Musée des Impressionnismes, Joan Mitchell: Eine Entdeckung der New York School / La pittura dei Due Mondi / La peinture des Deux Mondes, December 2008 - October 2009, pp. 83 and 124 (Emden, illustrated in color); pp. 162 - 163 (Reggio Emilia and Giverny, illustrated in color).

Von Beuys bis Zittel: Das Öffentliche in der Kunst, Kunsthaus Zürich, Zürich, Switzerland Christoph Rüttimann - Waschsalon, Aargauer Kunsthaus, Aarau, Switzerland Chut, chutes, Musée des Beaux - Arts, Nîmes, France 2001 Mirror's Edge, Tramway, Glasgow, Scotland Mirror's Edge, Charlottenborg, Copenhagen, Denmark A Small Museum and a Large Library of Contemporary Art, Parkett, New York, USA Collaborations & Editions since 1984, MoMA, New York, USA Economie de moyens, MAC, Marseille, France Jheronimus Bosch, Museum Boijmans Van Beuningen, Rotterdam, the Netherlands Junk, Cinéma La Clef, Paris, France Peinture, vous avez dit pPeinture, vous avez dit peinturepeinture?

The cylindrical orange and red shaft emitting a conical gray - white beam — the most overtly representational element in the artist's recent exhibition «Peinture sculpture peinture» — encouraged viewers to seek out figuration and symbolism in other works on view, which might otherwise be mistaken as exemplars of pure MinPeinture sculpture peinture» — encouraged viewers to seek out figuration and symbolism in other works on view, which might otherwise be mistaken as exemplars of pure Minpeinture» — encouraged viewers to seek out figuration and symbolism in other works on view, which might otherwise be mistaken as exemplars of pure Minimalism.

GRAFIKAMA (Service Peinture) is an artist residency currently taking place in Nantes, France and features South African street artists Nardstar *, r1.

Despite being an outlier in many ways, Peinture cherche le mur A (Painting Looking for the Wall A)(all works 2017), a small painting of a simplified orange flashlight, fittingly illuminated Elodie Seguin's usually less straightforward explorations of form, color, and texture.

1999 Peinture, démarches actuelles, Villa du Parc, Annemasse, France Mixed Bag: Summer Group Show, Schmidt Contemporary Art, St. Louis, USA In Site: Constructing the JCC Collection, Johnson County College, Gallery of Art, Overland Park, USA Abstraction, Galerie Daniel Templon, Paris, France

Is one of eight artists selected for the exhibition The Young Belgian Painters (La Jeune Peinture Belge) at the Galerie de France in Paris where he reveals Still life with basket (Nature morte au panier) and Portrait of my mother (Portrait de ma mère).

For her second solo exhibition at Galerie Daniel Buchholz, artist Paulina Olowska (* 1976, Gdansk) refers to Elsa Schiaparelli and in particular to her collection «Attention à la Peinture» from the 1930s.

2006 Colour Aside, Luhring Augustine, New York, NY Dedica 1986 - 2006, Vent» anni della galleria Alfonso Artiaco, PAN / Palazzo della Arti, Naples Idees de la peinture: Hommage a Marin Barre, Galerie Nathalie Obadia, Paris Gods in Exile: Salvador Dalí, Albert Oehlen, et al, Kunsthaus Graz, Germany Make Your Own Life: Artist In and Out of Cologne, Institute of Contemporary Art, Philadelphia The Power Plant, Toronto, Henry Art Gallery, University of Washington, Seattle, Museum of Contemporary Art, Miami Surprise, Surprise, Institute of Contemporary Arts, London Works on Paper, Patrick Painter Inc, Santa Monica, CA, USA Gods in Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis Fastein Exile: Salvador Dalí, Albert Oehlen, et al, Kunsthaus Graz, Germany Make Your Own Life: Artist In and Out of Cologne, Institute of Contemporary Art, Philadelphia The Power Plant, Toronto, Henry Art Gallery, University of Washington, Seattle, Museum of Contemporary Art, Miami Surprise, Surprise, Institute of Contemporary Arts, London Works on Paper, Patrick Painter Inc, Santa Monica, CA, USA Gods in Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis FasteIn and Out of Cologne, Institute of Contemporary Art, Philadelphia The Power Plant, Toronto, Henry Art Gallery, University of Washington, Seattle, Museum of Contemporary Art, Miami Surprise, Surprise, Institute of Contemporary Arts, London Works on Paper, Patrick Painter Inc, Santa Monica, CA, USA Gods in Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis Fastein Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis Faster!

In 2012 Maki Na Kamura also received the Prix Marcel Broodthaers — en peinture.

1959); and Christian Zervos, ed., Constantin Brancusi: Sculptures, peintures, fresques, dessins, in French (1957).

In 2011 Trouvé's work appeared in five group shows such as La peinture autrement at the Marc Chagall Museum in Nice, France and Ping Pong with Isabelle Ferreira at Le 3 Maison St. Honoré in Paris, FrancIn 2011 Trouvé's work appeared in five group shows such as La peinture autrement at the Marc Chagall Museum in Nice, France and Ping Pong with Isabelle Ferreira at Le 3 Maison St. Honoré in Paris, Francin five group shows such as La peinture autrement at the Marc Chagall Museum in Nice, France and Ping Pong with Isabelle Ferreira at Le 3 Maison St. Honoré in Paris, Francin Nice, France and Ping Pong with Isabelle Ferreira at Le 3 Maison St. Honoré in Paris, Francin Paris, France.

Even before this «revival», Melville's paintings had remained an important part of the Surrealist canon in Britain and had been shown in the Hayward Gallery's 1978 exhibition «Dado and Surrealism Reviewed» and Galleries 1900 - 2000 in Paris's «Les Enfants d'Alice: La Peinture Surrealiste 1930 - 60 en Angleterre» in 1982.

Other examples include Alberto Magnelli's trailblazing 1937 «Peinture 336», in which the artist scraped away portions of paints to enhance the texture.

FOTO — Peter Klasen, en photo et en peinture + Photos du monde, sur le quai Lunettes Rouges — Martin Parr's «Parrworld `, at the Baltic in Gateshead + video guardian.co.uk — Three current shows, at two major museums and a university art gallery NYT

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

Initially, «history painting» and «historical painting» were used interchangeably in English, as when Sir Joshua Reynolds in his fourth Discourse uses both indiscriminately to cover «history painting», while saying»... it ought to be called poetical, as in reality it is», reflecting the French term peinture historique, one equivalent of «history painting».