Sentences with phrase «peirce gave»

Kimberly Peirce gave Tatum a choice role in the otherwise unremarkable time capsule Stop - Loss; Michael Mann did the same in the gangster dress - up playdate Public Enemies.

While delivering a rollicking and racy speech about Varda's work, director's branch governor Kimberly Peirce gave the room a chance, at least, to laugh at the hypocrisy of the business when it comes to issues of gender, sexuality and power.

Peirce gives smalltown attitudes an authentic feel as the soldiers resettle, whether its Brandon calling his father (Ciarán Hinds) «sir» or Steve and Michelle's marriage too - publicly healing wrong.

Not exact matches

Right away on receiving the information about natural selection as factor in the becoming of animal species Peirce said to Chauncey Wright that he'd have to give up his determinism; animal habits are not absolute regularities.

Hartshorne has spent the better part of seventy years criticizing Peirce for giving the «wrong» answer to the question, for choosing continuity.

Peirce's tychism or shancism opens the door to freedom; Peirce also gave the best statement ever made about why mind needs space.

If my interpretation of Peirce's discussion of the initial state of the universe is correct, then dynamism is given; and the issue before us is to account for the direction the given dynamism takes.

The difference between the conceptual function of Peirce's view and the metaphysics of Whitehead lies in the kind of focus each gives to spontaneity.

Peirce's cosmology is given structural framework in terms of the universal categories, Firstness, Secondness, and Thirdness.

Peirce says that just analyzing concepts can give us knowledge, and I'm as much a Peircean as a Whiteheadian.

I do not intend by my remarks about space - time to imply that, if Peirce had known relativity physics, he would have given up his notion of individual identity as consisting in a continuity of reactions and accepted the idea of a definite single event as intelligible by itself.

For the idea Hartshorne intends here, I think, is that of an event in space - time, and Peirce could give no meaning to this idea because in his philosophy he lacked any notion of space - time.

There seems to be a succession of experiences, but (if the succession is a continuum) there are no single experiences» (M, 286); (2) that Peirce «fell into a subtle but complete mistake» when he held that since «continuity leaves open possibilities which discontinuity excludes... the burden of proof is upon discontinuity» (MR, 467 - 68); (3) that «he could not, in the continuum of becoming which he posited, give meaning to the idea of a definite single event» (M, 287).

Like Kant in his critical period, Peirce's initial philosophical stance is that of a knower with human cognitive faculties for processing given input into cognitions of reality.

Peirce hesitatingly and inconclusively gave hints in the right direction, as did some of my teachers at Harvard, so that when I came to know Whitehead and his metaphysical writings I was ready to utilize the advances he had made in this tradition, with some of which he was not himself familiar.

But, as Peirce saw; before Whitehead gave technical expression to it with his concept of «prehension,» the merest feeling implies «spontaneity,» a degree above the zero of freedom.

Peirce tells the story in almost the exact same way, but she adds moral depth in the final moments, giving Carrie agency and forcing the audience to reckon with her sadistic response to being bullied.

Given that this is an MTV Film being marketed largely to the audience most likely to join up for military service, maybe Peirce's approach is more fox - like than crazy.

Though the film is less racy than De Palma's somewhat voyeuristic version, Peirce relies on a «womanhood» motif that seems quite unsavory given the visceral nature of Carrie's messy birth and her introduction into puberty: blood and cracks.

«It was always fascinating to get somebody else's take on [my work],» Peirce says, «and then turn around and give that kind of advice to somebody else.»

We would like to give special thanks to the following students from the Lower East Side Girls Club / La Tiendita for their collaboration with Mary Ting on her work Refuse Redo: Brianna Chapin, Casey Cornelio, Chrysten Cornelio, Maria - Teresa Franco, Mirette Franklin, Ayana Gainey, Sienna Garcia, Jaylah Gonzalez, Tierra McNeil, Kailey Molina, Shanice Negron, Kaylee Ossorio, Shamya Peirce, Narielys Perdomo, Breanna Resto, Madison Rodriguez, Olivia Rodriguez, Krystal Ryan, Angeline Qiu, Tahjaney Santiago, Mya Singleton, Sophia Sky, Alonna Storey, Noemy Valverde, Dreanna Franco, Vanessa Furcal, Kenyatta Johnson, Daphney Mgwaba, Arissa Mitchell, Naraly Perdomo and Michelle Perez.