Sentences with phrase «pelican bomb»

Installation view of a work by Fallen Fruit as part of Pelican Bomb's «Foodways» exhibition in October 2014.

Lash has been named a Clark Fellow at the Clark Art Institute, a participating curator in the Japan Foundation U.S. Curatorial Exchange Program, a past consultant for Creative Capital, and one of the co-founders of the arts criticism website Pelican Bomb.

She contributes to publications such as Art in America, The Art Newspaper, The Brooklyn Rail, Hyperallergic, and Pelican Bomb.

Her writing has appeared in the Brooklyn Rail, Modern Painters, Hyperallergic, Artinfo.com, Cultured, Art + Auction, Pelican Bomb, ASAP Journal, and Jezebel.

Recent projects include the production of four imposter radio art pieces for the O, Miami poetry festival (2016), and a 1500 square foot interactive installation and exploration of collective memory at Pelican Bomb Gallery X (2016), New Orleans.

Her work has been written about in The Huffington Post, Daily Serving, Feature Shoot, Lenscratch, Pelican Bomb and Afterimage.

Her work at Pelican Bomb centers on developing platforms for diverse voices, particularly through publishing and exhibition making, that expand the ways individuals and communities interact with contemporary art.

Pelican Bomb Gallery X is free and open to the public Wednesday - Sunday, 12 - 5 pm.

Join us for an opening reception at Pelican Bomb Gallery X for «2 Freaky 2 Friday,» a group exhibition centered around contemporary conceptions of female celebrity.

Pelican Bomb presents «2 Freaky 2 Friday,» a group exhibition centered around contemporary conceptions of female celebrity.

Pelican Bomb opens a new exhibition featuring eight up - and - coming artists who address the concept of female celebrity.

Pelican Bomb presents «Of Moving and Being Moved,» a solo exhibition of recent video and sound works by Portland, Maine - based artist Erin Johnson.

Cameron Shaw is a writer, editor, and Executive Director of Pelican Bomb, a nonprofit contemporary arts organization in New Orleans.

Lydia's essays have appeared in Pelican Bomb, Liberator Magazine, Gathering of the Tribes Magazine, and The Killens Review.

Originally presented at Pelican Bomb Gallery X in New Orleans, November 2017, Queer Tropics features artworks that examine the visual and cultural systems through which one imagines the landscape of the tropics as a site of leisure, sensuality, and play.

Courtesy the artist and Pelican Bomb, New Orleans.

Exterritory Project's video Flags of Convenience, 2016, commissioned by Pelican Bomb for this exhibition, points to practices of transnational corporations that use national flags to evade legal frameworks for both taxes and human rights.

After the opening of «False Flags» at Pelican Bomb Gallery X, head over to the Contemporary Arts Center for a solo show by Adam Pendleton.

At Pelican Bomb Gallery X, Falbaum's documentary is presented alongside an installation of 12 beaded blankets, created by Shreveport residents to represent their stories and burdens.

Artists: Tatyana Fazlalizadeh; Saul Robbins; Rachel Wallis; Evan Falbaum; and Residents of Shreveport, Louisiana, under the Direction of Nick Cave Pelican Bomb presents Mutual Support, a group exhibition highlighting artists whose practices engage issues of mental health and wellness.

Installation view of Tatyana Fazlalizadeh's A Solace with My Mama, 2017, at Pelican Bomb Gallery X, New Orleans.

Pelican Bomb has been making exhibitions in New Orleans since 2013, and that locale, which is often colloquially called «the northernmost Caribbean city,» is a particularly important location from which to reflect on the interconnectedness of aesthetics, tourism, and the body.

Each Saturday during the exhibition, Pelican Bomb Gallery X is home to a pop - up wellness center — a continuation of Robbins» How Can I Help?

She was formerly a consultant for New York - based art non-profit Creative Capital and is a co-founder of the arts criticism website Pelican Bomb.

In 2014, Pelican Bomb brought Simblist to New Orleans as part of the organization's Critic - in - Residence program.

«Abstracting the City: «Crescent Elsewhere» at the Black Cinema House» Pelican Bomb ⚫ Art Review ⚫ October 3 2016

Pelican Bomb, in partnership with the Newcomb Art Museum and the Cuban & Caribbean Studies Institute at Tulane University, hosts a talk with internationally renowned artist Tania Bruguera at the Freeman Auditorium in Tulane's Woldenberg Art Center.

The participants — including Art Review contributor Lydia Y. Nichols and Pelican Bomb's Editorial and Communications Manager Charlie Tatum — present on exhibition ideas that they have workshopped through ICI's program.

Join Pelican Bomb on April 1, 6 — 8 pm, for a reception celebrating the opening of «False Flags,» a group exhibition curated by Noah Simblist and produced by Amanda Brinkman.

Over the course of the exhibition, Pelican Bomb's online Art Review will publish essays, interviews, and artist projects, adding additional voices and points of reference beyond the gallery walls.

Her work The Francis Effect is currently on view in New Orleans as part of «False Flags,» a group exhibition curated by Noah Simblist, at Pelican Bomb Gallery X (1612 Oretha Castle Haley Boulevard).

Queer Tropics was conceived by Pelican Bomb's Charlie Tatum and organized with the organization's executive director, Cameron Shaw.

-- An Artful Dialogue at Pelican Bomb Gallery X, New Orleans.

Pelican Bomb presents a group exhibition that investigates contemporary notions of nationalism and the representation of imagined communities.

EMPIRE at Newcomb Art Museum of Tulane University is part of «Fallen Fruit of New Orleans» a suite of site - specific projects taking place throughout New Orleans from June 2017 through June 2018, commissioned and presented by Newcomb Art Museum, A Studio in the Woods, and Pelican Bomb.

During Pitch Night, five artists share their projects in front of a panel of judges — including Pelican Bomb's Editorial and Communications Manager Charlie Tatum — who will select one winner.

«Hard Work: Marilyn Minter at the Contemporary Arts Museum Houston» Pelican Bomb, June 2015.

Lifelike Family Day Schedule of Events on Saturday, November 17 10 am to 12 pm: Caricaturist 10 am to 12 pm: Uncle Wayne on Piano 10 am to 2 pm: BIG & small Drawings and Sculpting Faux Food — Lifelike inspired Art Making 11 am: StoryQuest: «Alice in Wonderland» presented by Skin Horse Theater 12 pm to 2 pm: Dixie Land Jazz Quartet: «Hot Potatoes» 2 pm: A panel discussion on Lifelike featuring Siri Engberg, curator at the Walker Art Center, Cameron Shaw, editor of Pelican Bomb, and artist James Casebere

Ash Arder (Fiber» 18) participated in the group exhibitions Queer Tropics at Pelican Bomb Gallery X in New Orleans; Millennial Pink at the Ann Arbor Art Center and Julius Eastman: That Which Is Fundamental at Bowerbird in Philadelphia.

* BURNAWAY and Pelican Bomb are co-presenting a two - city critics» residency.

Jessica has contributed to publications such as Art in America, The Art Newspaper, The Brooklyn Rail, Hyperallergic, and Pelican Bomb.

Working with Pelican Bomb in New Orleans to apply the same framework to a dual - city residency program, arts writers can participate in one - week stays in both Atlanta and New Orleans, which include artist studio visits, as well as museum, gallery, and private collection tours.

In 2014, Pelican Bomb brought curator Noah Simblist to New Orleans as part of our critic - in - residence program.

Building on his ongoing research into art and politics in Israel - Palestine, Simblist has curated «False Flags,» on view through May 29, 2016, at Pelican Bomb Gallery X (1612 Oretha Castle Haley Boulevard).

The first in the series «State of Affairs,» which examines the current role of the visual arts in New Orleans, Pelican Bomb editor Cameron Shaw talks with artist Willie Birch.

In addition to contributing regularly to Pelican Bomb's Art Review, he has written essays and conducted interviews for Art in America, Hyperallergic, Temporary Art Review, and BURNAWAY and contributed to catalogues published by Prospect New Orleans, the Joan Mitchell Foundation, UB Art Galleries, and the Charlotte Street Foundation.

He currently works as Editorial and Communications Manager at Pelican Bomb.

Through the generous support of readers and contributors like you, Pelican Bomb can continue to help New Orleans» art communities thrive.

Pelican Bomb is collaborating with NOLA Media Group to publish coverage of Prospect.4 on NOLA.com and in The Times - Picayune.

Purchasing works from Pelican Bomb's Community Supported Art program is not only an affordable way to add great art to your collection, it also helps sustain our programming.