Highlights include Steven Claydon's cannily placed anachronistic hybrids (From under the
periodic table [ARGON & GASSY MIXTURES], 2010), the allusive, solipsistic quietism of Ian Kiaer's Melnikov Project, silver (2010), the deceptively charged formlessness of Karla Black's There Can Be No Arguments (2010), the dysfunctional theatrics of Nathaniel Mellors» film installation Ourhouse (2010) and Brian Griffiths» giant teddybear head that lugubriously
greets visitors to Nottingham Contemporary (The Body and Ground [Or Your Lovely Smile], 2010).
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