Sentences with phrase «perspectives editor in chief»

Publishing Perspectives Editor in Chief Edward Nawotka and I will host a live Twitter chat on this week's Ether topic (s) at 11 a.m. ET / 8 a.m. PT — and that's 3 p.m. London GMT, not our usual 4 p.m..

Publishing Perspectives Editor in Chief Edward Nawotka and I will host a live Twitter chat on our Ether topic this week on Wednesday at 4 p.m. GMT / 11 a.m. ET / 8 a.m. PT.

Tomorrow, Publishing Perspectives Editor in Chief Edward Nawotka and I will host a live Twitter chat on this week's Ether topic (s) at 4 p.m. GMT / 11 a.m. ET / 8 a.m. PT.

Publishing Perspectives Editor in Chief Edward Nawotka and I will host a live Twitter chat on this week's Ether topic at 11 a.m. ET / 8 a.m. PT — and that's 4 p.m. BST in London, 5 p.m. CEST in Berlin, Paris, and Rome.

Not exact matches

«From a fashion perspective, there's not a lot to get excited about right now,» says Sarah Bancroft, editor - in - chief at VitaminDaily.com and Vita magazine.

Entrepreneur magazine's editor - in - chief, Jason Feifer, and founder and CEO of Operation Military Family Cares, Mike Schindler, explain how the fresh perspectives of these highly adaptable employees can help your business level up.

«From an evolutionary perspective, the result of this study is a no - brainer,» said Dr. Gerald Weissmann, editor - in - chief of the journal.

With Wickes as creative director and Leonard as editor - in - chief, the magazine brought a fresh perspective on the beauty industry.

Marge Scherer, EL's Editor in Chief, reads her May 2007 Perspectives column «Why Focus on the Whole Child?»

Journalist and Publishing Perspectives Editor - in - Chief Porter Anderson explains why in his post «How to Use Twitter Analytics to Boost Your Social Media Marketing.»

She's the co-founder and editor - in - chief of derbylife.com, and has written for publications such as Derbylife, Derby News Network, Derby Central, fiveonfive magazine, Moviefone.com, the Huffington Post, Publishers Weekly, Publishing Perspectives, and others.

Ahead of his or her presentation at Digital Book World (#DBW16) on March 9, a look at «Data Guy's» sales - estimate project, Author Earnings, by Porter Anderson, Editor - in - Chief of Publishing Perspectives.

As then prize coordinator Katie Schmid Henson explained in 2016: «Each year, [Prairie Schooner] brings in different guest judges to advise the Editor in Chief in the final stages of the prize, so perspectives and preferences are constantly changing.

The editorial office of the online trade magazine Publishing Perspectives is also located in the Book Fair's New York office, led by Editor - in - Chief Porter Anderson and Publisher Hannah Johnson.

Porter Anderson, Editor - in - Chief of Publishing Perspectives, Co-Owner of The Hot Sheet, and frequent guest blogger on our IngramSpark blog, will reveal the most pressing elements of the business for indie authors right now.

Porter Anderson is a former journalist with CNN and is now the editor in chief of Publishing Perspectives, the international news source for the publishing industry.

Porter Anderson is Editor - in - Chief of Publishing Perspectives.

He was also editor - in - chief of Publishing Perspectives since the launch of the publication in 2009 until January 2016.

Porter Anderson, Editor - in - Chief at Publishing Perspectives, said: «You need to understand who your reader is going to be, then look for the joy of marketing!

My host here at Ether for Authors and Editor - in - Chief of Publishing Perspectives, Edward Nawotka, noted this in his fine summary, Three Key Ideas From Digital Book World 2013, writing:

Find out at this Frankfurt Academy Conference hosted by Ed Nawotka, founder and Editor - in - Chief of Publishing Perspectives.

He is Editor - in - Chief of the international site Publishing Perspectives and the former Associate Editor for The Bookseller's The FutureBook in London.

As reported by Publishing Perspectives «Editor - in - Chief Ed Nawotka, the most prolific literary translation house in the US is AmazonCrossing, an imprint of Amazon Publishing.

As Porter Anderson, editor - in - chief reported in Publishing Perspectives: «The award to Ingram Content Group's four - year - old IngramSpark self - publishing platform stands out in a different context, a sign of a new era's maturity in the guild and in the writerly community it serves.»

Edward Nawotka, Editor in Chief at Publishing Perspectives, my host for Ether for Authors on Tuesdays, in It's Time Publishing Tries Something Radical to Entice Readers, has the kind of idea that needs to be mentioned over and over and over before a business like publishing — so busy celebrating its crises — stops to listen.

«While the majority of attention surrounding this deal has looked at the impact on the US and UK, home turf for Penguin and Random House,» writes Ed Nawotka, Editor - in - Chief at Publishing Perspectives in Emerging Markets are Key to Penguin Random House Merger, «the true merit of this deal is in creating synergies overseas.»

Publishing Perspectives» editor in chief Edward Nawotka was clear on the fact that the labels with which we refer to each other are, of course, fabricated:

This year, Publishing Perspectives» editor - in - chief Edward Nawotka organized the first Metadata Perspectives Conference, which took place at the Frankfurt Book Fair.

This is Publishing Perspectives Editor - in - Chief Edward Nawotka, revisiting a spate of figures that gave him the single most - retweeted message out of Milan:

Formerly with CNN, the Village Voice, the Dallas Times Herald, and other media, he is Editor - in - Chief of Publishing Perspectives, founded by the German Book Office New York, the magazine for the international publishing industry.

He is Editor - in - Chief of Publishing Perspectives, founded by German Book Office New York, an affiliate of Frankfurt Book Fair.

«Consumers Do Not Need Help» It will surprise few who know me that I mention wine in my opening commentary as Editor - in - Chief here at Publishing Perspectives.

Arnie Weissmann, Editor - in - Chief of Travel Weekly, will also be joining us, along with Greg Stubblefield, Chief Strategy Officer at Enterprise Holdings, who will talk about changes in the rental car market, and Tony D'Astolfo, Phocuswright Managing Director, who puts the explosive world of travel and technology into proper perspective and reports on this year's innovators.

There's one particularly interesting perspective in there: «Chris Anderson, my uber - boss — the editor in chief of Wired magazine and lead editor on Geekdad — suggested a even more intriguing strategy: the «Lego Rule.»

Editor in Chief here at APG Nation bringing you all of your video game news from a true gamer perspective.

Artist Pascale Marthine Tayou discussed his work, the exhibition at the Serpentine Sackler Gallery (4 March — 17 May 2015) as well as contemporary African perspectives with Contemporary And (C &) magazine editor - in - chief Julia Grosse and curator N'Goné Fall.

Pascale Marthine Tayou discussed his work as well as contemporary African perspectives with Contemporary And (C &) magazine editor - in - chief Julia Grosse and curator N'Goné Fall.

Artist Pascale Marthine Tayou discussed his work, the exhibition at the Serpentine Sackler Gallery as well as contemporary African perspectives with Contemporary And (C &) magazine editor - in - chief Julia Grosse and curator N'Goné Fall.

Julia Grosse is the founder and editor in chief of Contemporary And (C &), an online journal founded in 2013 which focuses on international art from African perspectives.

5 pm Panel: PULSE Perspectives: Future Visions of Miami Moderated by Hyperallergic founder and editor Hrag Vartanian in conversation with Claire Breukel, Director and Chief Curator, Y.ES Contemporary; Bahia Ramos, Arts Program Director, Knight Foundation and Tobias Ostrander, Chief Curator and Deputy Director, Perez Art Museum Miami.

Joining us as guest editor of the issue is Yvette Mutumba, an independent curator and the cofounder and Editor - in - Chief of Contemporary And, an online space for reflecting on and linking together ideas, discourse and information on contemporary art practice from diverse African perspeceditor of the issue is Yvette Mutumba, an independent curator and the cofounder and Editor - in - Chief of Contemporary And, an online space for reflecting on and linking together ideas, discourse and information on contemporary art practice from diverse African perspecEditor - in - Chief of Contemporary And, an online space for reflecting on and linking together ideas, discourse and information on contemporary art practice from diverse African perspectives.

Artist Pascale Marthine Tayou discusses his work, the exhibition at the Serpentine Sackler Gallery as well as contemporary African perspectives with Contemporary And (C &) editor - in - chief Julia Grosse and curator N'Goné Fall.

In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issueIn addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issuein - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issuein the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issuein - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.

Chadwick Hagan and I recently had a chat with Sylvie Fortin, editor - in - chief of Art Papers, at Aurora Coffee in L5P, where she shared her insights on the role of the magazine and her perspective on Atlanta artists as well as the pluses and minuses of working in a «second tier» city.

«Inside / Outside Counsel Perspectives on Making Fixed Fee Arrangements Work» Marketing Partner Forum Moderator: Cathleen Flahardy, Editor - in - Chief, InsideCounsel

Joanna Coles is the editor - in - chief of Cosmopolitan (and a former mentor on Project Runway All Stars), and being in such a position of power means she brings an interesting perspective to the discussion of money.

CNET Reviews Editor in Chief Lindsey Turrentine will chime in next with her own perspective from the opposite coast (and the opposite gender).