Sentences with phrase «phillips gallery built»

In 1960 the Phillips Gallery built a special room dedicated to displaying Mark Rothko's painting, called The Rothko Room.

Not exact matches

The Addison Gallery, located in a stand - alone building on the campus of Phillips Academy, a residential school of grades nine through 12 in Andover, Massachusetts, offers a continually rotating series of exhibitions and programs, all of which are free and open to the public.

Filed Under: ART, Art History, Painting Tagged With: A.Y. Jackson, Albright Knox Gallery, Algoma boxcar trips, Algonquin School, American Transcendentalists, Arthur Lismer, Arts and Letters Club, Beatrice Phillips, Bess Housser, Canadian Art, Eden Smith Architect, Emily Carr, Frank Johnston, Franklin Carmichael, Fred Varley, Group of Seven, James MacCallum, Kandinsky, Lawren Harris, McMichael Canadian Art Collection, McMichael Gallery, Societe Anonyme, Steve Martin, Studio Building, Tom Thomson, Toronto Theosophical Society

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

In 2011, Raintree completed a site - specific installation for No One is an Island at Building 110: LMCC's Arts Center at Governors Island and has exhibited at the Cooper - Hewitt National Design Museum (NYC), The Walter Phillips Gallery (Banff), Parallel Art Space (Queens), NURTUREart (Brooklyn), The Invisible Dog Art Center (Brooklyn), and FiveMiles (Brooklyn).

Museums and attractions planning to stay open include the Corcoran Gallery of Art, the Newseum, the International Spy Museum, National Geographic Museum, National Building Museum, The Phillips Collection, The Crime Museum and others.

In addition to videotapes of many of the dances, including works from the 1960s when Brown and her company danced outdoors on the roofs of New York buildings, there's a weekly performance by Phillips Academy dance students in the Addison Gallery.

Mountains and Clouds (1976 - 87, Hart Senate Building) 6 Dots Over a Mountain (1956, Hirshhorn Museum and Sculpture Garden) Untitled mobile (1976, National Gallery of Art) Cheval Rouge (Red Horse)(1974, Sculpture Garden, National Gallery of Art) Two Faced Guy (1969, Phillips Collection) Gwenfritz (1968, National Museum of American Art, Smithsonian Institution)

(1928 - 1985) One - Man Exhibitions: 1959 Sculptors Studio, Washington, D.C. 1960 Origo Gallery, Washington, D.C. 1961 Jefferson Place Gallery, Washington, D.C. 1962 Allan Stone Gallery, New York 1963 Stable Gallery, New York 1966 The Corcoran Gallery of Art, Washington, D.C. Thomas Downing: Recent Paintings 1967 Henri Gallery, Washington, D.C. Allan Stone Gallery, New York 1968 Allan Stone Gallery, New York La Jolla Museum of Art Phoenix Art Museum (both Thomas Downing Paintings 1962 - 1968) A.M. Sachs Gallery, New York 1970 Pyramid Gallery Ltd., Washington, D.C. 1972 Pyramid Gallery Ltd., Washington, D.C. 1973 La Galerie Arnaud, Paris 1975 Pyramid Gallery Ltd., Washington, D.C. Tibor de Nagy Gallery, Houston 1979 Osuna Gallery, Washington, D.C. 1980 Osuna Gallery, Washington, D.C. 1982 Salander O'Reilly Gallery New York 1985 Harm Bouckaert Gallery, New York Addison / Ripley Gallery, Ltd., Washington, D.C. Phillips Collection, Washington, D.C. 1989 Tom Downing: 1965 - 1970, Addison Ripley Gallery, Ltd., Washington, D.C. 1994 Selected Paintings: 1971 - 1975, Addison / Ripley Gallery, Ltd., Washington, D.C. 2002 Origin of the Dot, Conner Contemporary Art, Washington DC 2007 Thomas Downing: 1963 - 1976, Addison Ripley Fine Art, Warner Office Building, Washington DC 2007 Thomas Downing: Washington Color School Painter, Gary Snyder Project Space, New York, NY Group Exhibitions:

2006 Building Community: The African American Scene, Michael Rosenfeld Gallery, LLC, New York, NY 2006 - 08 Coming of Age: American Art, 1850s to 1950s, Addison Gallery of American Art, Phillips Academy, Andover, MA; Meadows Museum of Art, Dallas, TX; Dulwich Picture Gallery, London, England; Peggy Guggenheim Collection, Venice, Italy Syncopated Rhythms: 20th - Century African American Art from the George & Joyce Wein Collection, Boston University Art Gallery, Boston, MA

Its distinctive building combines extensive new galleries with the former home of its founder, Duncan Phillips.

Over time, the building was adapted to include more galleries and offices, particularly after the Phillips family moved out in 1930.