Sentences with phrase «photo courtesy galerie»

All Rights Reserved, Photo courtesy Galerie Perrotin.

Photo courtesy Galerie Michael Werner.

© The Estate of Sigmar Polke, Cologne / ADAGP, Paris, 2014 — Photo courtesy Galerie Michael Werner, New York and London

Not exact matches

Photo of Mildred Thompson, Atlanta, Georgia, 1988 © Mildred Thompson Estate, Courtesy Galerie Lelong & Co., New York

Katharina Grosse, Untitled, 2012, acrylic on canvas, 200 x 522 cm and Untitled, 2008, acrylic and soil on canvas, 390 x 796 cm; Courtesy Galerie Johann König, Berlin © Katharina Grosse and VG Bild - Kunst Bonn, 2013; photo Peter Cox.

Photo: Raimund Zakowski, Courtesy Galerie Isabella Bortolozzi, Berlin and Tanya Bonakdar Gallery, New York

Philippe Decrauzat - Night, 2004: Wood, acrylic 135 x 54 x 6 cm Collection Loevenbruck, Paris / Courtesy Galerie Praz Delavallade, Paris / Photo: David Gagnebin - de Bons

Photo © ggsps, courtesy of the artist and Galerie Gregor Staiger.

Robert Seidel, Game Over, 2015, egg tempera on canvas, 300 x 210 cm, Collection Köstlin, Berlin © Robert Seidel, courtesy the artist & ASPN Galerie, Leipzig, photo: Uwe Walter

mother, 2014 bronze, patina, 168 x 80 x 43 cm courtesy galerie thaddaeus ropac, salzburg (at), paris (fr) photo by eva würdinger / © vg bild - kunst, bonn 2015

home, 2006 acyrlic, paint, 110 x 115 x 285 cm courtesy galerie elisabeth & klaus thoman innsbruck / wien photo by marek kruszewski / © vg bild - kunst, bonn 2015

hypnosis II (coat), 2008 acrylic, wool, clothing, 159.5 x 66 x 65.5 cm courtesy galerie thaddaeus ropac, salzburg (at) / paris (fr) photo by studio wurm / © vg bild - kunst, bonn 2015

Photo: Jonathan Muzikar, © Isa Genzken; Isa Genzken, Rot - gelb - schwarzes Doppelellipsoid «Zwilling» (Red - yellow - black Double Ellipsoid «Twin»), 1982, lacquered wood, two parts, Collection of the artist, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, MLR, 1992, lacquer on canvas, Lonti Ebers, New York, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, Hospital (Ground Zero), 2008, metal tray dolly, plastic flowers in spray - painted vase, ribbon, metal, mirror foil, synthetic polymer paint on fabric, shot glasses, fiberboard, and casters, Collection Charles Asprey, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, New Buildings for Berlin, 2004, glass and silicone on wood pedestal, four parts, Kravis Collection, Courtesy David Zwirner Gallery, New York / London, © Isa Genzken; Isa Genzken, Fuck the Bauhaus # 4, 2000, plywood, Plexiglas, plastic slinky, clipboards, aluminum light shade, flower petals, tape, printed paper, shells, and model tree, Private Collection, Turin, Courtesy AC Project Room, New York, © Isa Genzken

Photo: Simon Vogel; courtesy Julia Stoschek Collection; © Wu Tsang / Galerie Isabella Bortolozzi

Willem de Rooij, Ilulissat, 2014, 12 channel digital audio recording, speakers, Courtesy Galerie Buchholz, Berlin / Cologne / New York; Galerie Chantal Crousel, Paris; Regen Projects, Los Angeles; Friedrich Petzel, New York; installation view KW Institute for Contemporary Art, 2017, Photo: Frank Sperling

1 of 5 all images courtesy galerie thaddaeus ropac, paris / salzburg photo by eva würdinger

Photos courtesy of Galerie Chantal Crousel.

Anna Tuori Things I've Seen I Can See No More, 2013 acrylic and oil on MDF board 84 x 120 1/8 inches Courtesy of the artist and Galerie Anhava, Helsinki © Anna Tuori Photo: Jussi Tiainen

Photos — left: Installation view of Hilary Lloyd at Blaffer Art Museum by Pete Molick, © Hilary Lloyd, courtesy Sadie Coles HQ, London; Galerie Neu, Berlin; Greene Naftali Gallery, New York.

Photo: courtesy of Galerie Lelong

Stacey Steers Night Hunter, 2011 Handmade works on paper converted into film, 35 mm to HD, stereo sound duration: 15:30 Music and sound by Larry Polansky Courtesy of the artist and Galerie Anita Beckers, Frankfurt Photo: courtesy of Galerie AnitaCourtesy of the artist and Galerie Anita Beckers, Frankfurt Photo: courtesy of Galerie Anitacourtesy of Galerie Anita Beckers

Photo: Ulrich Ghezzi; All images courtesy of Galerie Thaddaeus Ropac.

JR «The Wrinkles of the City, Los Angeles, Robert's eye», 2011 Facade of Galerie Perrotin, Paris Photo: Florian Kleinefenn ©JR-ART.NET Courtesy Galerie Perrotin

Featured images: Art Ads by Chuch Close and Kehinde Wiley, 2011, Photo by James Ewing; Ugo Rondinone — Seven Magic Mountains, 2016, Photo by Gianfranco Gorgoni; Rirkrit Tiravanija — Berlin Billboards, 2015, courtesy of Galerie Max Hetzler; Kiki Smith — Chorus, 2012, Photo by Billy Farrell Agency.

'' Untitled (from T) ``, 2015 pencil and oil on canvas 142 × 145 cm Courtesy Galerie Joseph Tang, Paris Photo: Raimund Zakowski

Ana Mendieta: «Creek», 1974, Super 8 Film, colour, silent / / Photo: The Estate of Ana Mendieta Collection, LLC., Courtesy Galerie Lelong & Co..

Photo by Graham Waite, courtesy the artist and Galerie Chantal Crousel.

Mark Dion: Men and Game, 1998, framed photographs in various media, 120 parts, dimensions variable / / Courtesy of the artist and Galerie für Landschaftskunst Hamburg / / Photo by John Kennard

Photo credits clockwise from left: Courtesy of Galerie Bernard Bischoff & Partner, Berlin; Courtesy of Martin Kohout and The Future Gallery, Berlin; Elena del Rivero; Courtesy of Illuminations Films in association with More4 and ZDF in cooperation with ARTE; Joan Rabascall; and Collection of Mr. and Mrs. Paul Orwicz, Connecticut.

© Rachel Harrison — Photo John Berens, courtesy Rachel Harrison et galerie Greene Naftali, New York

(Photo: Courtesy of the artist and Galerie Thaddaeus Ropac; London, Paris, Salzburg)

KAWS, [not yet titled], 2013 Acrylic on canvas; 96 inch tondo Courtesy of Galerie Perrotin, Hong Kong, Paris, New York Photo: Farzad Owrang

Photo courtesy of the artist and Galerie Daniel Templon, Paris / Brussels.

Photo by Thomas Mueller, courtesy Broadway 1602, New York; and Galerie Gisela Capitain GmbH, Cologne

Mona Hatoum, Keffieh, 1998 - 2000, Keffieh and human hair, 115 x 115 cm; Photo: Edward Woodman; Courtesy the artist & Galerie Chantal Crousel, © Mona Hatoum

Camille Henrot, Derelitta, 2016, bronze, aluminum, iron, 23.62 x 98.43 x 4,64 inches (60 x 250 x 121 cm), photo: Daniele Molajoli, © ADAGP, Paris 2017, courtesy of the artist, Fondazione Memmo (Rome) and kamel mennour (Paris / London); König Galerie (Berlin); Metro Pictures (New York).

Mona Hatoum, Marrow, 1996, rubber, variable dimensions; Photo: Bill Orcutt; Courtesy the artist & Galerie Chantal Crousel, © Mona Hatoum

-- 3.8.2014, from left to right: computer programmed denim distress, 2013, Textile, Fespa Digital / Fruit Logistica / Airport Security / Silver / TV Static, (TSC), 2014, 2 Glas, Holz, Offsetdruck, Laserstrahldruck, Tintenstrahldruck / 2 glass, inkjet print, laser print, offset print, wood, astro crusto, a, 2012, Inkjet print on paper, clips, Jacket Air to Ground Recognition - Red, 2014, Textile, LeBron X - Dolphins, 2014, Paper, synthetic, textile; Photo: Anders Sune Berg; Courtesy Galerie Buchholz, Berlin / Cologne / Maureen Paley, London / David Zwirner, New York

Installation view, Jeff Elrod, «ESP», Galerie Max Hetzler, Paris 2014 © Jeff Elrod - Photo: def image Courtesy of the artist and Galerie Max Hetzler, Berlin / Paris

If Wishes Were Horses, Kunsthalle Wien 2017, Photo: Jorit Aust: Camille Henrot, Wait What; I Say; Tuesday, 2017, Courtesy König Galerie, Berlin; kamel mennour, Paris / London; Metro Pictures, New York

>> > English AIT ARTIST TALK # 72 「 すべての現在から歴史は流れる - History flows from all the presents 」 〜 スウェーデンよりアーティストのハンス ・ アンダーソンを迎えて 〜 日程 ： 2017年11月14日 （ 火 ） 時間 ： 19:00 - 21:00 (18:30 開場) 会場 ： 代官山AITルーム ＊ 有料 （ 1ドリンク付き ） / 要予約 / 要約通訳あり AIT ARTIST TALK # 72 «History flows from all the presents» Artist Talk by Hans Andersson from Sweden Date: Tuesday, November 14, 2017 Time: 19:00 - 21:00 (18:30 Door open) Venue: Daikanyama AIT Room * All admission with 1 drink / Booking required / Summarized Japanese translation available Works by Hans Andersson, 2017, Courtesy of Galerie Forsblom, Photo by Angel Gil

Simon Denny, Modded Server Rack Display: Adapting Hacking, 2015 Photo: Nick Ash Courtesy Galerie Buchholz, Berlin / Cologne

/ Courtesy of the artist, Susanne Vielmetter Los Angeles Projects, and Galerie Nathalie Obadia, Paris / Bruxelles / Photo by Hélène Hilaire, 2016

If Wishes Were Horses, Kunsthalle Wien 2017, Photo: Jorit Aust: Camille Henrot, Tug of War, 2017, Courtesy König Galerie, Berlin; kamel mennour, Paris / London; Metro Pictures, New York

Wu Tsang, We hold where study, 2017, Two - channel color HD video, with sound, 18 min., 56 sec., Installation view: Kunsthalle Münster, May 27 — October 1, 2017, Courtesy the artist and Galerie Isabella Bortolozzi, Berlin., Photo: Roman Mensing

Installation view of «What the Heart Wants,» 2016; courtesy Cécile B. Evans; Galerie Emanuel Layr, Vienna; Barbara Seiler, Zurich, «Endurance Study — A Pictorial Guide I, II, III,» 2016; courtesy Cécile B. Evans; Barbara Seiler, Zurich; Private Collection, and «Handy if you're learning to fly I, II,» 2016; courtesy Cécile B. Evans; Barbara Seiler, Zurich; photo: Timo Ohler

>> > Japanese AIT ARTIST TALK # 72 «History flows from all the presents» Artist Talk by Hans Andersson from Sweden Date: Tuesday, November 14, 2017 Time: 19:00 - 21:00 (18:30 Door open) Venue: Daikanyama AIT Room * All admissions with 1 drink / Booking required / Summarized Japanese translation available Works by Hans Andersson, 2017, Courtesy of Galerie Forsblom, Photo by Angel Gil AIT is pleased to host the artist talk by our current artist in residence from Sweden, Hans Andersson, with the support of Iaspis.

Installation view of «Blockchain Visionaries,» 2016; courtesy Simon Denny; Galerie Buchholz, Cologne / Berlin / New York; photo: Timo Ohler

Formalised Org Chart / Architectural Model: GCHQ 3 Agile / Holacracy Workspace, 2015 Photo: Nick Ash Courtesy Galerie Buchholz, Berlin / Cologne

Photo: Courtesy of Galerie Lelong and McArthur Binion