Not exact matches
References from Western
art history provide points of engagement with Kansas City and Chicago - based artist Patty Carroll's
photographic images, which employ distinctly modern elements of décor and consumerist culture to
reveal psychological threads of domesticity's sometimes overwhelming tenor.
Poignantly evoking a time when the contemporary
art scene, the black community and the gay community were becoming increasingly imbricated, these candid images
reveal the spontaneous gaze of a young artist sensitive to the power of the
photographic medium to memorialize life's transiency, long before the invention of the selfie.
These enclosed tranches of landscape, culturally displaced and geopolitically charged, relate to Land
Art exponent Robert Smithson's Non-Site series; while other homages to recent heroes of art history include Blow Up, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koo
Art exponent Robert Smithson's Non-Site series; while other homages to recent heroes of
art history include Blow Up, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koo
art history include Blow Up, which
reveals itself as a playful destruction of the
photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koons.
Featuring over 40 original prints, each made by Brancusi himself, this exhibition
reveals Brancusi's visionary dedication to the
photographic medium as means of personal expression — an
art form that the artist explored parallel to his sculpture.
The selection highlights the extensive study of material, shape, and style in Artschwager's work, while
revealing how the artist's unrelenting investigation of
art objects and images has been informed by the equalizing lens of
photographic reproduction in the 20th century.
Documentary and portrait photography from the collection The Museum of Contemporary
Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of
Art, Washington D.C. Strange and Familiar: Britain as
Revealed by International Photographers Manchester
Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of
Art, West Palm Beach Nude:
Art from the Tate collection
Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of
Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A
Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of
Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto
Art Alive Festival Louisiana Museum of Modern
Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of
Art, Baltimore Strange and Familiar: Britain as
Revealed by International Photographers Barbican
Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern
Art, Humlebæk 2015
This book presents
photographic coverage of The Floating Piers alongside sketches, models, documents and designs,
revealing the process behind this waterborne work of
art.
In the late 1950s and early 60s, he wrote perceptively about colleagues»
art,
revealing in those texts his own awareness of the essential relevance of the new urban environment and of the mass,
photographic media.
Anthony Shostak, curator of education for the Bates College Museum of
Art, shares that, ``... the images in Starstruck are nothing less than overwhelming — depicting humbling, glorious delights that are often invisible to both the naked eye and even the telescope, and are
revealed only through
photographic means.»
With a particular emphasis on photography, but also including other forms of artistic expression such as painting, video, film, performance and installation
art from the 1960s to the present day, Haunted is co-curated by Jennifer Blessing, Curator of Photography, and Nat Trotman, Associate Curator, both from the Solomon R. Guggenheim Museum in New York, and
reveals the extraordinary quality of the
photographic and new media works in the Guggenheim Collections.