Sentences with phrase «photographic collections at»

Since then, his work has been the subject of numerous exhibitions and scholarship, most notably, a retrospective organized by the National Portrait Gallery in 1993 and the establishment of the James VanDerZee Photographic Collections at The Studio Museum in Harlem.

Not exact matches

The breadth and depth of this photographic collection will easily inspire a lively classroom discussion, whether the subject at hand is history, civics, social studies, science, math, English, or language arts.
It was quite undeserved writes Paul Ponsel / MGA — Buyers Guide / Bond's 007 — Michael Worthington - Williams tells the story of the Bond car only seven examples of which were made between 1922 and 1928 / Magic MGA — Brian Heath tries out the car that broke the mould for MG — the MGA / Head Gaskets — Workshop / Treasures in Store — Michael Ware continues his photographic tour of the Science Museum's reserve collection at Wroughton / Treasures in Store — The Science Museum's Reserve Collection - Part Two
The photographic relationship between Brazil and France becomes even more intense nowadays, as proven by the important collection of contemporary Brazilian photography at the Maison Européenne de la Photographie, represented here by a few examples which have Rio as a theme.
From 2011 to 2016, Lebart was Director of collections and curator at the Société Française de Photographie, the oldest photographic society in France, founded in Paris in 1854.
At first, Knott didn't know how to respond to art lovers who told him they loved his work but wanted, somehow, the photographic equivalent of the paintings and sculptures already in their collections.
Through a collection of paintings, photographs, textile designs, and mannequins styled in original fashions that replicate his photographic strategies, the exhibition will enable visitors to make connections between Sheeler's photographic experimentations at Condé Nast and how the artist translated this work into the industrial paintings and photographs that established his career.
Having a collection of more than 40,000 prints, the Centre Pompidou will present a selection of hundred works illustrating the most remarkable moments within the last 10 years of photographic acquisitions at the museum.
His work is in the collections of the Colorado Photographic Arts Center and the University of Colorado at Bolder Special Ccollections of the Colorado Photographic Arts Center and the University of Colorado at Bolder Special CollectionsCollections.
«Re-Collection: Works from the collection of the Colorado Photographic Arts Center» at the Denver Public Library, Denver, CO
She comes from a passionate background of photographic preservation and collections management after finishing her master studies at the George Eastman Museum in Rochester, NY.
Cyr's photography is represented in many notable public and private collections including: George Eastman House International Museum of Photography, Rochester, New York; The Photographic History Collection at the Smithsonian's National Museum of American History, Washington D.C.; and The New York Public Library, New York, New York.
During his initial 12 - year tenure as Curator of Photography at the LACMA (1992 - 2004), Mr. Wride curated over twenty - five permanent collection focus exhibitions as well as numerous larger exhibitions including: «Retail Fictions: the Commercial Photography of Ralph Bartholomew» (1997); «Shifting Tides: Cuban Photography after the Revolution» (2001); «Donald Blumberg» (2002); and «Trajectories: The Photographic Work of Robbert Flick» (2004).
The collections of objects, Polaroids, and photographic suites exist in subdued harmony and represent one of the more austere exhibitions at the gallery.
Wallace Berman will be represented by a series of previously unseen single - image Verifax collages, a body of rarely exhibited mailers from the collection of Teri Garr, inserts from his limited edition, hand - made artists magazine, Semina, selections from his recently discovered body of photographic portraiture, and several unique works incorporating images which were considered «pornography» at the time.
For our particular studio visit we convened at the Chicago Cultural Center where Rashayla had organized a collection of research materials and photographic prints for her installation Appropriation Politics 102 Circa 2017.
For the past year, Marcy Werner, curatorial assistant at UofL's Photographic Archives, has been hard at work on a database collecting all the fine prints in the extensive collection.
Walther, a former partner at Goldman Sachs, has been pursuing his photographic interest and collection since the 1990s.
Durham, Nasher Museum of Art at Duke University, Light Sensitive: Photographic Works from North Carolina Collections, 2013 (another from the edition exhibited).
His works have been exhibited internationally and can be found in public and private collections including the Museum of Fine Arts (Boston), the Smith Museum of Art, the David Winton Bell Gallery at Brown University, and the Prentice and Paul Sack Photographic Trust, among others.
Her work has been exhibited nationally and internationally in over 200 solo / juried shows and included in several public collections, such as the Ogden Museum of Southern Art in New Orleans, Louisiana, the University of VeraCruz at Xalapa, VeraCruz, Mexico, and the Photographic Collection at the Harry Ransom Center, University of Texas at Austin.
2005: The museum announces the promised gift of nearly 800 photographs to the Prentice and Paul Sack Photographic Trust at SFMOMA from the Sacks» private collection.
Her work is held in private collections, and has been exhibited at the Corcoran Museum during FotoWeek DC, The Photographic Center Northwest, Settle, Dean Jensen Gallery, Milwaukee, and the Danville Museum, Virginia.
On view at Kunstsammlung Nordrhein - Westfalen's K20 gallery in Düsseldorf, the show presents a collection new images alongside earlier works exploring photographic abstracting, including a print of Rhein II, (1999), the most expensive photograph ever sold.
Sophie Hackett is the Associate Curator, Photography, at the Art Gallery of Ontario and adjunct faculty in Ryerson University's master's program in Film and Photographic Preservation and Collections Management.
«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006
Featuring a collection of paintings and photographic works from some of the best - known artists in post-war and contemporary art, the exhibition looks at the use of the color red.
Through a collection of paintings, photographs, Sheeler's own textile designs, and mannequins styled in original fashions that replicate his photographic strategies, the exhibition and catalogue will enable visitors to make connections between Sheeler's photographic experimentations at Condé Nast and how the artist translated this work into the industrial paintings and photographs that established his career.
Gavin Turk, will be selling a new collection of signed photographic editions at The Other art fair
Richard Prince's «New Portraits» series (2015), in which he appropriates Instagram posts, turning them into large - scale prints, is evidence of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought of «selfies» and «food porn» someday appearing in MoMA's photographic collection, it is almost imperative that they do.
Mr. Ropac, who also has spaces in Paris and Salzburg, Austria, debuted at 37 Dover Street in London with four presentations, two of which combine works on loan and for sale: Early - 1970s Gilbert & George videos and photographic «Drinking Pieces,» one of which is available for 145,000 pounds, or about $ 185,000, and another at 150,000; Conceptual and Minimal works from the collection of Egidio Marzona (prices yet to be disclosed); new works by the British sound sculptor Oliver Beer, priced at # 10,000 to # 100,000; and early drawings by Joseph Beuys, shown alongside the enigmatic cast - iron sculpture «Backrest of a Fine - Limbed Person (Hare - Type) of the 20th Century A.D.,» dating from 1972 to 1982 and on sale for 2.5 million euros.
Michael Darling, James W. Alsdorf Chief Curator at the MCA, surveys Collier's photographs of the past decade to analyze their artistic influences and thematic connections; Chrissie Iles, Anne and Joel Ehrenkranz Curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno delves into identity and self - portraiture, collection, and obsession.
Photography at the High Begun in 1974, the High's photography collection contains nearly 4,500 19th - and 20th - century images, with notable examples of every photographic genre and process as well as many of the masters in the field, including George N. Barnard, Julia Margaret Cameron, Walker Evans, Richard Misrach, Emmet Gowin and Sally Mann.
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